9780500480373 - making it up: photographic fictions: v&a photography library series de weiss, marta (27 resultados)

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Librería: Better World Books, Mishawaka, IN, Estados Unidos de AmericaBetter World Books
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Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

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Hardcover. Condición: new. Hardcover. The V&A Photography Library is a new series of accessible, introductory volumes to the key themes, works, objects and individuals in photography, illustrated with unprecedented access to the V&A's photography collection, the oldest held by a public museum and one of the largest and finest in… the world, now expanded with acquisitions from the Royal Photographic Society collection. Written by Marta Weiss, Curator of Photographs at the V&A, and publishing to coincide with the launch of the V&A's new Photography Centre in autumn 2018, Making It Up: Photographic Fictions shows how, throughout its history, photography has been used to depict fiction as well as fact. With over 130 photographs supported by extended commentaries and an introduction, Making It Up: Photographic Fictions illustrates that, though we often recognize the staged, constructed or the tableau as a feature of contemporary art photography, this way of working is almost as old as the practice itself. Presenting work from the earliest through to the most contemporary of photographers, Making It Up: Photographic Fictions puts paid to the fallacy that 'the camera never lies', proving that quite the opposite may be true. Remarkable in themselves, these photographic fictions, whether created by early practitioners such as Lewis Carroll or Roger Fenton, internationally renowned artists such as Cindy Sherman and Jeff Wall, or contemporary figures such as Hannah Starkey and Bridget Smith, find new and intriguing relevance in our so-called 'post-truth' age. One of two launch volumes in an important and highly collectible new photography series by the V&A, here is an introduction to the history of staged photography in over 130 key images from the V&As outstanding collection. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Hardback. Condición: New. The VandA Photography Library is a new series of accessible, introductory volumes to the key themes, works, objects and individuals in photography, illustrated with unprecedented access to the VandA's photography collection, the oldest held by a public museum and one of the largest and finest in the wor…ld, now expanded with acquisitions from the Royal Photographic Society collection. Written by Marta Weiss, Curator of Photographs at the VandA, and publishing to coincide with the launch of the VandA's new Photography Centre in autumn 2018, Making It Up: Photographic Fictions shows how, throughout its history, photography has been used to depict fiction as well as fact. With over 130 photographs supported by extended commentaries and an introduction, Making It Up: Photographic Fictions illustrates that, though we often recognize the staged, constructed or the tableau as a feature of contemporary art photography, this way of working is almost as old as the practice itself. Presenting work from the earliest through to the most contemporary of photographers, Making It Up: Photographic Fictions puts paid to the fallacy that 'the camera never lies', proving that quite the opposite may be true. Remarkable in themselves, these photographic fictions, whether created by early practitioners such as Lewis Carroll or Roger Fenton, internationally renowned artists such as Cindy Sherman and Jeff Wall, or contemporary figures such as Hannah Starkey and Bridget Smith, find new and intriguing relevance in our so-called 'post-truth' age.

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Hardback. Condición: New. The VandA Photography Library is a new series of accessible, introductory volumes to the key themes, works, objects and individuals in photography, illustrated with unprecedented access to the VandA's photography collection, the oldest held by a public museum and one of the largest and finest in the wor…ld, now expanded with acquisitions from the Royal Photographic Society collection. Written by Marta Weiss, Curator of Photographs at the VandA, and publishing to coincide with the launch of the VandA's new Photography Centre in autumn 2018, Making It Up: Photographic Fictions shows how, throughout its history, photography has been used to depict fiction as well as fact. With over 130 photographs supported by extended commentaries and an introduction, Making It Up: Photographic Fictions illustrates that, though we often recognize the staged, constructed or the tableau as a feature of contemporary art photography, this way of working is almost as old as the practice itself. Presenting work from the earliest through to the most contemporary of photographers, Making It Up: Photographic Fictions puts paid to the fallacy that 'the camera never lies', proving that quite the opposite may be true. Remarkable in themselves, these photographic fictions, whether created by early practitioners such as Lewis Carroll or Roger Fenton, internationally renowned artists such as Cindy Sherman and Jeff Wall, or contemporary figures such as Hannah Starkey and Bridget Smith, find new and intriguing relevance in our so-called 'post-truth' age.

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Hardcover. Condición: new. Hardcover. The V&A Photography Library is a new series of accessible, introductory volumes to the key themes, works, objects and individuals in photography, illustrated with unprecedented access to the V&A's photography collection, the oldest held by a public museum and one of the largest and finest in… the world, now expanded with acquisitions from the Royal Photographic Society collection. Written by Marta Weiss, Curator of Photographs at the V&A, and publishing to coincide with the launch of the V&A's new Photography Centre in autumn 2018, Making It Up: Photographic Fictions shows how, throughout its history, photography has been used to depict fiction as well as fact. With over 130 photographs supported by extended commentaries and an introduction, Making It Up: Photographic Fictions illustrates that, though we often recognize the staged, constructed or the tableau as a feature of contemporary art photography, this way of working is almost as old as the practice itself. Presenting work from the earliest through to the most contemporary of photographers, Making It Up: Photographic Fictions puts paid to the fallacy that 'the camera never lies', proving that quite the opposite may be true. Remarkable in themselves, these photographic fictions, whether created by early practitioners such as Lewis Carroll or Roger Fenton, internationally renowned artists such as Cindy Sherman and Jeff Wall, or contemporary figures such as Hannah Starkey and Bridget Smith, find new and intriguing relevance in our so-called 'post-truth' age. One of two launch volumes in an important and highly collectible new photography series by the V&A, here is an introduction to the history of staged photography in over 130 key images from the V&As outstanding collection. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

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Hardback. Condición: New. The VandA Photography Library is a new series of accessible, introductory volumes to the key themes, works, objects and individuals in photography, illustrated with unprecedented access to the VandA's photography collection, the oldest held by a public museum and one of the largest and finest in the wor…ld, now expanded with acquisitions from the Royal Photographic Society collection. Written by Marta Weiss, Curator of Photographs at the VandA, and publishing to coincide with the launch of the VandA's new Photography Centre in autumn 2018, Making It Up: Photographic Fictions shows how, throughout its history, photography has been used to depict fiction as well as fact. With over 130 photographs supported by extended commentaries and an introduction, Making It Up: Photographic Fictions illustrates that, though we often recognize the staged, constructed or the tableau as a feature of contemporary art photography, this way of working is almost as old as the practice itself. Presenting work from the earliest through to the most contemporary of photographers, Making It Up: Photographic Fictions puts paid to the fallacy that 'the camera never lies', proving that quite the opposite may be true. Remarkable in themselves, these photographic fictions, whether created by early practitioners such as Lewis Carroll or Roger Fenton, internationally renowned artists such as Cindy Sherman and Jeff Wall, or contemporary figures such as Hannah Starkey and Bridget Smith, find new and intriguing relevance in our so-called 'post-truth' age.

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Condición: New. One of two launch volumes in an important and highly collectible new photography series by the V&A, here is an introduction to the history of staged photography in over 130 key images from the V&A s outstanding collection.Über den Autorrn.

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Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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Hardcover. Condición: new. Hardcover. The V&A Photography Library is a new series of accessible, introductory volumes to the key themes, works, objects and individuals in photography, illustrated with unprecedented access to the V&A's photography collection, the oldest held by a public museum and one of the largest and finest in… the world, now expanded with acquisitions from the Royal Photographic Society collection. Written by Marta Weiss, Curator of Photographs at the V&A, and publishing to coincide with the launch of the V&A's new Photography Centre in autumn 2018, Making It Up: Photographic Fictions shows how, throughout its history, photography has been used to depict fiction as well as fact. With over 130 photographs supported by extended commentaries and an introduction, Making It Up: Photographic Fictions illustrates that, though we often recognize the staged, constructed or the tableau as a feature of contemporary art photography, this way of working is almost as old as the practice itself. Presenting work from the earliest through to the most contemporary of photographers, Making It Up: Photographic Fictions puts paid to the fallacy that 'the camera never lies', proving that quite the opposite may be true. Remarkable in themselves, these photographic fictions, whether created by early practitioners such as Lewis Carroll or Roger Fenton, internationally renowned artists such as Cindy Sherman and Jeff Wall, or contemporary figures such as Hannah Starkey and Bridget Smith, find new and intriguing relevance in our so-called 'post-truth' age. One of two launch volumes in an important and highly collectible new photography series by the V&A, here is an introduction to the history of staged photography in over 130 key images from the V&As outstanding collection. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

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Buch. Condición: Neu. Neuware - The V&A Photography Library is a new series of accessible, introductory volumes to the key themes, works, objects and individuals in photography, illustrated with unprecedented access to the V&A's photography collection, the oldest held by a public museum and one of the largest and finest in the w…orld, now expanded with acquisitions from the Royal Photographic Society collection. Written by Marta Weiss, Curator of Photographs at the V&A, and publishing to coincide with the launch of the V&A's new Photography Centre in autumn 2018, Making It Up: Photographic Fictions shows how, throughout its history, photography has been used to depict fiction as well as fact. With over 130 photographs supported by extended commentaries and an introduction, Making It Up: Photographic Fictions illustrates that, though we often recognize the staged, constructed or the tableau as a feature of contemporary art photography, this way of working is almost as old as the practice itself. Presenting work from the earliest through to the most contemporary of photographers, Making It Up: Photographic Fictions puts paid to the fallacy that 'the camera never lies', proving that quite the opposite may be true. Remarkable in themselves, these photographic fictions, whether created by early practitioners such as Lewis Carroll or Roger Fenton, internationally renowned artists such as Cindy Sherman and Jeff Wall, or contemporary figures such as Hannah Starkey and Bridget Smith, find new and intriguing relevance in our so-called 'post-truth' age.

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Buch. Condición: Neu. Making It Up: Photographic Fictions | Marta Weiss | Buch | Photography Library | Gebunden | Englisch | 2018 | Thames & Hudson Ltd | EAN 9780500480373 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
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Hardback. Condición: New. The VandA Photography Library is a new series of accessible, introductory volumes to the key themes, works, objects and individuals in photography, illustrated with unprecedented access to the VandA's photography collection, the oldest held by a public museum and one of the largest and finest in the wor…ld, now expanded with acquisitions from the Royal Photographic Society collection. Written by Marta Weiss, Curator of Photographs at the VandA, and publishing to coincide with the launch of the VandA's new Photography Centre in autumn 2018, Making It Up: Photographic Fictions shows how, throughout its history, photography has been used to depict fiction as well as fact. With over 130 photographs supported by extended commentaries and an introduction, Making It Up: Photographic Fictions illustrates that, though we often recognize the staged, constructed or the tableau as a feature of contemporary art photography, this way of working is almost as old as the practice itself. Presenting work from the earliest through to the most contemporary of photographers, Making It Up: Photographic Fictions puts paid to the fallacy that 'the camera never lies', proving that quite the opposite may be true. Remarkable in themselves, these photographic fictions, whether created by early practitioners such as Lewis Carroll or Roger Fenton, internationally renowned artists such as Cindy Sherman and Jeff Wall, or contemporary figures such as Hannah Starkey and Bridget Smith, find new and intriguing relevance in our so-called 'post-truth' age.