9780375700644 - the collected poems of amy clampitt de clampitt, amy (21 resultados)

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Librería: World of Books (was SecondSale), Montgomery, IL, Estados Unidos de AmericaWorld of Books (was SecondSale)
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Paperback. Condición: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

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Librería: Better World Books, Mishawaka, IN, Estados Unidos de AmericaBetter World Books
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Idioma: Inglés
Editorial: Knopf Doubleday Publishing Group, New York, NY 1999
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Librería: Montana Book Company, Fond du Lac, WI, Estados Unidos de AmericaMontana Book Company
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Paperback. Condición: Very Good. 471 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. Remainder mark on bottom fore-edge.

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softcover. Condición: Fine copy. 1st. 8vo, 471 pp., First printing of the softcover edition.

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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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Paperback. Condición: new. Paperback. Now, for the first time, Clammpitt's five poetry collections are brought together in a single volume, allowing us to experience anew the distinctiveness of her voice: the brilliant language--an appealing mix of formal and everyday expression--that poured out with such passion and was shaped…in rhythms and patterns entirely her own. With a foreword by Mary Jo SalterThe Collected Poems offers us a chance to consider freshly the breadth of Amy Clampitt's vision and poetic achievement. It is a volume that her many admirers will treasure and that will provide a magnificent introduction for a new generation of readers. When Amy Clampitt's first book of poems, The Kingfisher, was published in January 1983, the response was jubilant. The poet was sixty-three years old, and there had been no debut like hers in recent memory. "A dance of language," said May Swenson. "A genius for places," wrote J. D. McClatchy, and the New York Times Book Review said, "With the publication of her brilliant first book, Clampitt immediately merits consideration as one of the most distinguished contemporary poets." She went on to publish four more collections in the next eleven years, the last one, A Silence Opens, appearing in the year she died.Amy Clampitt's themes are the very American ones of place and displacement. She, like her pioneer ancestors, moved frequently, but she wrote with lasting and deep feeling about all sorts of landscapes--the prairies of her Iowa childhood, the fog-wrapped coast of Maine, and places she visited in Europe, from the western isles of Scotland to Italy's lush countryside. She lived most of her adult life in New York City, and many of her best-known poems, such as "Times Square Water Music" and "Manhattan Elegy," are set there.She did not hesitate to take on the larger upheavals of the twentieth century--war, Holocaust, exile--and poems like "The Burning Child" and "Sed de Correr" remind us of the dark nightmare lurking in the interstices of our daily existence.It is impossible to speak of Amy Clampitt's poetry without mentioning her immense, lifelong love of birds and wildflowers, a love that produced some of her most profound images--like the kingfisher's "burnished plunge, the color / of felicity afire," which came "glancing like an arrow / through landscapes of untended memory" to remind her of the uninhabitable sorrow of an affair gone wrong; or the sun underfoot among the sundews, "so dazzling / . . . that, looking, / you start to fall upward." When Amy Clampitt's first book of poems, The Kingfisher, was published in January 1983, the response was jubilant. The poet was sixty-three years old, and there had been no debut like hers in recent memory. "A dance of language," said May Swenson. "A genius for places," wrote J. D. McClatchy, and the "New York Times Book Review said, "With the publication of her brilliant first book, Clampitt immediately merits consideration as one of the most distinguished contemporary poets." She went on to publish four more collections in the next eleven years, the last one, A Silence Opens, appearing in the year she died. Now, for the first time, the five collections are brought together in a single volume, allowing us to experience anew the distinctiveness of Amy Clampitt's voice: the brilliant language—an appealing mix of formal and everyday expression—that poured out with such passion and was shaped in rhythms and patterns entirely her own. Amy Clampitt's themes are the very American ones of place and displacement. She, like her pioneer ancestors, moved frequently, but she wrote with lasting and deep feeling about all sorts of landscapes—the prairies of her Iowa childhood, the fog-wrapped coast of Main Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
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Paperback or Softback. Condición: New. The Collected Poems of Amy Clampitt. Book.

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Soft cover. Condición: Good. First Edition Thus. xxv / 471 pp . Spine creased, crease to front cover, bump to foot of spine, pages clean and firmly held.

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Librería: Revaluation Books, Exeter, , Reino UnidoRevaluation Books
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Paperback. Condición: Brand New. rep. pbk edition. 496 pages. 9.25x6.00x1.50 inches. In Stock.

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Paperback. Condición: new. Paperback. Now, for the first time, Clammpitt's five poetry collections are brought together in a single volume, allowing us to experience anew the distinctiveness of her voice: the brilliant language--an appealing mix of formal and everyday expression--that poured out with such passion and was shaped…in rhythms and patterns entirely her own. With a foreword by Mary Jo SalterThe Collected Poems offers us a chance to consider freshly the breadth of Amy Clampitt's vision and poetic achievement. It is a volume that her many admirers will treasure and that will provide a magnificent introduction for a new generation of readers. When Amy Clampitt's first book of poems, The Kingfisher, was published in January 1983, the response was jubilant. The poet was sixty-three years old, and there had been no debut like hers in recent memory. "A dance of language," said May Swenson. "A genius for places," wrote J. D. McClatchy, and the New York Times Book Review said, "With the publication of her brilliant first book, Clampitt immediately merits consideration as one of the most distinguished contemporary poets." She went on to publish four more collections in the next eleven years, the last one, A Silence Opens, appearing in the year she died.Amy Clampitt's themes are the very American ones of place and displacement. She, like her pioneer ancestors, moved frequently, but she wrote with lasting and deep feeling about all sorts of landscapes--the prairies of her Iowa childhood, the fog-wrapped coast of Maine, and places she visited in Europe, from the western isles of Scotland to Italy's lush countryside. She lived most of her adult life in New York City, and many of her best-known poems, such as "Times Square Water Music" and "Manhattan Elegy," are set there.She did not hesitate to take on the larger upheavals of the twentieth century--war, Holocaust, exile--and poems like "The Burning Child" and "Sed de Correr" remind us of the dark nightmare lurking in the interstices of our daily existence.It is impossible to speak of Amy Clampitt's poetry without mentioning her immense, lifelong love of birds and wildflowers, a love that produced some of her most profound images--like the kingfisher's "burnished plunge, the color / of felicity afire," which came "glancing like an arrow / through landscapes of untended memory" to remind her of the uninhabitable sorrow of an affair gone wrong; or the sun underfoot among the sundews, "so dazzling / . . . that, looking, / you start to fall upward." When Amy Clampitt's first book of poems, The Kingfisher, was published in January 1983, the response was jubilant. The poet was sixty-three years old, and there had been no debut like hers in recent memory. "A dance of language," said May Swenson. "A genius for places," wrote J. D. McClatchy, and the "New York Times Book Review said, "With the publication of her brilliant first book, Clampitt immediately merits consideration as one of the most distinguished contemporary poets." She went on to publish four more collections in the next eleven years, the last one, A Silence Opens, appearing in the year she died. Now, for the first time, the five collections are brought together in a single volume, allowing us to experience anew the distinctiveness of Amy Clampitt's voice: the brilliant language—an appealing mix of formal and everyday expression—that poured out with such passion and was shaped in rhythms and patterns entirely her own. Amy Clampitt's themes are the very American ones of place and displacement. She, like her pioneer ancestors, moved frequently, but she wrote with lasting and deep feeling about all sorts of landscapes—the prairies of her Iowa childhood, the fog-wrapped Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

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Librería: moluna, Greven, , Alemaniamoluna
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Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Amy Clampitt was born and brought up in New Providence, Iowa, graduated from Grinnell College, and from that time on lived mainly in New York City. Her first full-length collection, The Kingfisher, published in 1983,…was followed in 1985 by What t.

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Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - When Amy Clampitt's first book of poems, The Kingfisher, was published in January 1983, the response was jubilant. The poet was sixty-three years old, and there had been no debut like hers in recent memory. 'A dance of language,' said Ma…y Swenson. 'A genius for places,' wrote J. D. McClatchy, and the New York Times Book Review said, 'With the publication of her brilliant first book, Clampitt immediately merits consideration as one of the most distinguished contemporary poets.' She went on to publish four more collections in the next eleven years, the last one, A Silence Opens, appearing in the year she died.Now, for the first time, the five collections are brought together in a single volume, allowing us to experience anew the distinctiveness of Amy Clampitt's voice: the brilliant language--an appealing mix of formal and everyday expression--that poured out with such passion and was shaped in rhythms and patterns entirely her own.Amy Clampitt's themes are the very American ones of place and displacement. She, like her pioneer ancestors, moved frequently, but she wrote with lasting and deep feeling about all sorts of landscapes--the prairies of her Iowa childhood, the fog-wrapped coast of Maine, and places she visited in Europe, from the western isles of Scotland to Italy's lush countryside. She lived most of her adult life in New York City, and many of her best-known poems, such as 'Times Square Water Music' and 'Manhattan Elegy,' are set there.She did not hesitate to take on the larger upheavals of the twentieth century--war, Holocaust, exile--and poems like 'The Burning Child' and 'Sed de Correr' remind us of the dark nightmare lurking in the interstices of our daily existence.It is impossible to speak of Amy Clampitt's poetry without mentioning her immense, lifelong love of birds and wildflowers, a love that produced some of her most profound images--like the kingfisher's 'burnished plunge, the color / of felicity afire,' which came 'glancing like an arrow / through landscapes of untended memory' to remind her of the uninhabitable sorrow of an affair gone wrong; or the sun underfoot among the sundews, 'so dazzling / . . . that, looking, / you start to fall upward.' The Collected Poems offers us a chance to consider freshly the breadth of Amy Clampitt's vision and poetic achievement. It is a volume that her many admirers will treasure and that will provide a magnificent introduction for a new generation of readers.With a foreword by Mary Jo Salter.

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Taschenbuch. Condición: Neu. The Collected Poems of Amy Clampitt | Amy Clampitt | Taschenbuch | Einband - flex.(Paperback) | Englisch | 1999 | Knopf Doubleday Publishing Group | EAN 9780375700644 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on D…emand.