9780340652237 - Making Popular Music de Toynbee, Jason (21 resultados)

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: Very Good. Making Popular Music This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780340652237.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780340652237.

Condición: New. In.

Paperback. Condición: New.

paperback. Condición: New. In shrink wrap. Looks like an interesting title!

Paperback. Condición: Brand New. 199 pages. 9.00x6.00x0.75 inches. In Stock.

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condición: new. Paperback. *Nominated for the International Association for the Study of Popular Music Book Prize*Partlybecause they are the objects of such intense adulation by fans popularmusicians remain strangely enigmatic figures, shrouded in mythology.This book looks beyond the myth and examines the diverse roles musicmakers have had to adopt in order to go about their work: designer,ventriloquist, star, delegate of the people. The musician is a dividedsubject and jack of all tradesHowever the story doesnot end here. Arguing against that strand in cultural studies whichdeconstructs all claims for authorship by the individual artist, JasonToynbee suggests that creativity should be reconceived rather thanabandoned. He argues that what is needed is a sense of 'the radius ofcreativity' within which musicians work, an approach that takes intoaccount both the embedded collectivism of popular music practice and theinstitutional power of the music industries.Drawing on awide range of theoretical positions, as well as examining musical textsfrom across the history of twentieth-century pop,this groundbreakingbook develops a powerful case for the importance of production incontemporary culture. Students of cultural and media studies, music andthe performing arts will find this book an invaluable resource. Drawing on awide range of theoretical positions, as well as examining musical textsfrom twentieth-century pop,this groundbreakingbook develops a powerful case for the importance of production incontemporary culture. Students of cultural and media studies, music andthe performing arts will find this book an invaluable resource. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Paperback. Condición: new. Paperback. *Nominated for the International Association for the Study of Popular Music Book Prize*Partlybecause they are the objects of such intense adulation by fans popularmusicians remain strangely enigmatic figures, shrouded in mythology.This book looks beyond the myth and examines the diverse roles musicmakers have had to adopt in order to go about their work: designer,ventriloquist, star, delegate of the people. The musician is a dividedsubject and jack of all tradesHowever the story doesnot end here. Arguing against that strand in cultural studies whichdeconstructs all claims for authorship by the individual artist, JasonToynbee suggests that creativity should be reconceived rather thanabandoned. He argues that what is needed is a sense of 'the radius ofcreativity' within which musicians work, an approach that takes intoaccount both the embedded collectivism of popular music practice and theinstitutional power of the music industries.Drawing on awide range of theoretical positions, as well as examining musical textsfrom across the history of twentieth-century pop,this groundbreakingbook develops a powerful case for the importance of production incontemporary culture. Students of cultural and media studies, music andthe performing arts will find this book an invaluable resource. Drawing on awide range of theoretical positions, as well as examining musical textsfrom twentieth-century pop,this groundbreakingbook develops a powerful case for the importance of production incontemporary culture. Students of cultural and media studies, music andthe performing arts will find this book an invaluable resource. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Drawing on a wide range of theoretical positions, as well as examining musical texts from twentieth-century pop,this groundbreaking book develops a powerful case for the importance of production in contemporary culture. Students of cultural and med.

Taschenbuch. Condición: Neu. Making Popular Music | Musicians, Creativity and Institutions | Jason Toynbee (u. a.) | Taschenbuch | Kartoniert / Broschiert | Englisch | 2000 | A&C Black 3PL | EAN 9780340652237 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - \*Nominated for the International Association for the Study of Popular Music Book Prize\*Partlybecause they are the objects of such intense adulation by fans popularmusicians remain strangely enigmatic figures, shrouded in mythology.This book looks beyond the myth and examines the diverse roles musicmakers have had to adopt in order to go about their work: designerventriloquist, star, delegate of the people. The musician is a dividedsubject and jack of all tradesHowever the story doesnot end here. Arguing against that strand in cultural studies whichdeconstructs all claims for authorship by the individual artist, JasonToynbee suggests that creativity should be reconceived rather thanabandoned. He argues that what is needed is a sense of 'the radius ofcreativity' within which musicians work, an approach that takes intoaccount both the embedded collectivism of popular music practice and theinstitutional power of the music industries.Drawing on awide range of theoretical positions, as well as examining musical textsfrom across the history of twentieth-century pop,this groundbreakingbook develops a powerful case for the importance of production incontemporary culture. Students of cultural and media studies, music andthe performing arts will find this book an invaluable resource.