Isbn: 9780307278432 - journey to the abyss: the diaries of count harry kessler 1880-1918 (26 resultados)

Condición: As New. Unread copy in mint condition.

Condición: New.

Paperback. Condición: new. Paperback. Translated into English for the first time--set in Paris, London, Berlin, and Weimar, with trips to America and Asia--a selection of the early diaries, 1880-1918, of Count Harry Kessler, the Anglo-German art patron, aesthete, museum director, publisher, cultural critic, cultural attache, and secret agent.These fascinating, never-before-published early diaries of Count Harry Kessler-patron, museum director, publisher, cultural critic, soldier, secret agent, and diplomat-present a sweeping panorama of the arts and politics of Belle poque Europe, a glittering world poised to be changed irrevocably by the Great War. Kessler's immersion in the new art and literature of Paris, London, and Berlin unfolds in the first part of the diaries. This refined world gives way to vivid descriptions of the horrific fighting on the Eastern and Western fronts of World War I, the intriguing private discussions among the German political and military elite about the progress of the war, as well as Kessler's account of his role as a diplomat with a secret mission in Switzerland.Profoundly modern and often prescient, Kessler was an erudite cultural impresario and catalyst who as a cofounder of the avant-garde journal Pan met and contributed articles about many of the leading artists and writers of the day. In 1903 he became director of the Grand Ducal Museum of Arts and Crafts in Weimar, determined to make it a center of aesthetic modernism together with his friend the architect Henry van de Velde, whose school of design would eventually become the Bauhaus. When a public scandal forced his resignation in 1906, Kessler turned to other projects, including collaborating with the Austrian writer Hugo von Hofmannsthal and the German composer Richard Strauss on the opera Der Rosenkavalier and the ballet The Legend of Joseph, which was performed in 1914 by the Ballets Russes in London and Paris. In 1913 he founded the Cranach-Presse in Weimar, one of the most important private presses of the twentieth century.The diaries present brilliant, sharply etched, and often richly comical descriptions of his encounters, conversations, and creative collaborations with some of the most celebrated people of his time: Otto von Bismarck, Paul von Hindenburg, Hugo von Hofmannsthal, Richard Strauss, Igor Stravinsky, Sergei Diaghilev, Vaslav Nijinsky, Isadora Duncan, Ruth St. Denis, Sarah Bernhardt, Friedrich Nietzsche, Rainer Marie Rilke, Paul Verlaine, Gordon Craig, George Bernard Shaw, Harley Granville-Barker, Max Klinger, Arnold B cklin, Max Beckmann, Aristide Maillol, Auguste Rodin, Edgar Degas, duard Vuillard, Claude Monet, Edvard Munch, Ida Rubinstein, Gabriele D'Annunzio, Pierre Bonnard, and Walther Rathenau, among others.Remarkably insightful, poignant, and cinematic in their scope, Kessler's diaries are an invaluable record of one of the most volatile and seminal moments in modern Western history. "Originally published in hardcover in the United States by Alfred A. Knopf, . New York, in 2011"--T.p. verso. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: New.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condición: Very Good. Journey to the Abyss: The Diaries of Count Harry Kessler 1880-1918 This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.…

Paperback. Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condición: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. …

Condición: New. pp. 960.

paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: New. Editor(s): Easton, Laird. Num Pages: 960 pages, illustrations. BIC Classification: 1DFG; 3JJ; BGA; BGHA; HBJD; HBLW; JFSK. Category: (G) General (US: Trade). Dimension: 234 x 155 x 51. Weight in Grams: 1197. . 2013. Reprint. Paperback. . . . .

Condición: New. pp. 960.

paperback. Condición: New.

Condición: New. Editor(s): Easton, Laird. Num Pages: 960 pages, illustrations. BIC Classification: 1DFG; 3JJ; BGA; BGHA; HBJD; HBLW; JFSK. Category: (G) General (US: Trade). Dimension: 234 x 155 x 51. Weight in Grams: 1197. . 2013. Reprint. Paperback. . . . . Books ship from the US and Ireland.

Condición: New. In English.

Paperback. Condición: Brand New. reprint edition. 924 pages. 9.25x6.25x2.00 inches. In Stock.

Soft cover. Condición: Near Fine. No Jacket. First Editiion Thus. ***BOOK This is the 1st edition, 1st printing of the hardback 1st, dated 2011. It is a large and heavy book, packed weight about 1.4kg. It is in near fine clean tight and unmarked condition; very slight crease to spine. 924 pages including index and notes, very occasional b&w contemporary photos and very light penciled marginalia. This historical memoir was described as "the Spreme Memoirof the grand European fin de siecle." and covers the great and reasonably good in London, Paris and Berlin.…

Taschenbuch. Condición: Neu. Neuware - These fascinating, never-before-published early diaries of Count Harry Kessler patron, museum director, publisher, cultural critic, soldier, secret agent, and diplomat present a sweeping panorama of the arts and politics of Belle Époque Europe, a glittering world poised to be changed irrevocably by the Great War. Kessler s immersion in the new art and literature of Paris, London, and Berlin unfolds in the first part of the diaries. This refined world gives way to vivid descriptions of the horrific fighting on the Eastern and Western fronts of World War I, the intriguing private discussions among the German political and military elite about the progress of the war, as well as Kessler s account of his role as a diplomat with a secret mission in Switzerland.Profoundly modern and often prescient, Kessler was an erudite cultural impresario and catalyst who as a cofounder of the avant-garde journal Pan met and contributed articles about many of the leading artists and writers of the day. In 1903 he became director of the Grand Ducal Museum of Arts and Crafts in Weimar, determined to make it a center of aesthetic modernism together with his friend the architect Henry van de Velde, whose school of design would eventually become the Bauhaus. When a public scandal forced his resignation in 1906, Kessler turned to other projects, including collaborating with the Austrian writer Hugo von Hofmannsthal and the German composer Richard Strauss on the opera Der Rosenkavalier and the ballet The Legend of Joseph, which was performed in 1914 by the Ballets Russes in London and Paris. In 1913 he founded the Cranach-Presse in Weimar, one of the most important private presses of the twentieth century. The diaries present brilliant, sharply etched, and often richly comical descriptions of his encounters, conversations, and creative collaborations with some of the most celebrated people of his time: Otto von Bismarck, Paul von Hindenburg, Hugo von Hofmannsthal, Richard Strauss, Igor Stravinsky, Sergei Diaghilev, Vaslav Nijinsky, Isadora Duncan, Ruth St. Denis, Sarah Bernhardt, Friedrich Nietzsche, Rainer Marie Rilke, Paul Verlaine, Gordon Craig, George Bernard Shaw, Harley Granville-Barker, Max Klinger, Arnold Böcklin, Max Beckmann, Aristide Maillol, Auguste Rodin, Edgar Degas, Éduard Vuillard, Claude Monet, Edvard Munch, Ida Rubinstein, Gabriele D Annunzio, Pierre Bonnard, and Walther Rathenau, among others.Remarkably insightful, poignant, and cinematic in their scope, Kessler s diaries are an invaluable record of one of the most volatile and seminal moments in modern Western history.…

Paperback. Condición: new. Paperback. Translated into English for the first time--set in Paris, London, Berlin, and Weimar, with trips to America and Asia--a selection of the early diaries, 1880-1918, of Count Harry Kessler, the Anglo-German art patron, aesthete, museum director, publisher, cultural critic, cultural attache, and secret agent.These fascinating, never-before-published early diaries of Count Harry Kessler-patron, museum director, publisher, cultural critic, soldier, secret agent, and diplomat-present a sweeping panorama of the arts and politics of Belle poque Europe, a glittering world poised to be changed irrevocably by the Great War. Kessler's immersion in the new art and literature of Paris, London, and Berlin unfolds in the first part of the diaries. This refined world gives way to vivid descriptions of the horrific fighting on the Eastern and Western fronts of World War I, the intriguing private discussions among the German political and military elite about the progress of the war, as well as Kessler's account of his role as a diplomat with a secret mission in Switzerland.Profoundly modern and often prescient, Kessler was an erudite cultural impresario and catalyst who as a cofounder of the avant-garde journal Pan met and contributed articles about many of the leading artists and writers of the day. In 1903 he became director of the Grand Ducal Museum of Arts and Crafts in Weimar, determined to make it a center of aesthetic modernism together with his friend the architect Henry van de Velde, whose school of design would eventually become the Bauhaus. When a public scandal forced his resignation in 1906, Kessler turned to other projects, including collaborating with the Austrian writer Hugo von Hofmannsthal and the German composer Richard Strauss on the opera Der Rosenkavalier and the ballet The Legend of Joseph, which was performed in 1914 by the Ballets Russes in London and Paris. In 1913 he founded the Cranach-Presse in Weimar, one of the most important private presses of the twentieth century.The diaries present brilliant, sharply etched, and often richly comical descriptions of his encounters, conversations, and creative collaborations with some of the most celebrated people of his time: Otto von Bismarck, Paul von Hindenburg, Hugo von Hofmannsthal, Richard Strauss, Igor Stravinsky, Sergei Diaghilev, Vaslav Nijinsky, Isadora Duncan, Ruth St. Denis, Sarah Bernhardt, Friedrich Nietzsche, Rainer Marie Rilke, Paul Verlaine, Gordon Craig, George Bernard Shaw, Harley Granville-Barker, Max Klinger, Arnold B cklin, Max Beckmann, Aristide Maillol, Auguste Rodin, Edgar Degas, duard Vuillard, Claude Monet, Edvard Munch, Ida Rubinstein, Gabriele D'Annunzio, Pierre Bonnard, and Walther Rathenau, among others.Remarkably insightful, poignant, and cinematic in their scope, Kessler's diaries are an invaluable record of one of the most volatile and seminal moments in modern Western history. "Originally published in hardcover in the United States by Alfred A. Knopf, . New York, in 2011"--T.p. verso. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condición: NEW.

Paperback. Condición: New.

Condición: New. Laird M. Easton is chair of the Department of History at California State University, Chico. His book The Red Count: The Life and Times of Harry Kessler was named one of the best biographies of 2002 by The Economist.These fascinatin.

Paperback. Condición: new. Paperback. Translated into English for the first time--set in Paris, London, Berlin, and Weimar, with trips to America and Asia--a selection of the early diaries, 1880-1918, of Count Harry Kessler, the Anglo-German art patron, aesthete, museum director, publisher, cultural critic, cultural attache, and secret agent.These fascinating, never-before-published early diaries of Count Harry Kessler-patron, museum director, publisher, cultural critic, soldier, secret agent, and diplomat-present a sweeping panorama of the arts and politics of Belle poque Europe, a glittering world poised to be changed irrevocably by the Great War. Kessler's immersion in the new art and literature of Paris, London, and Berlin unfolds in the first part of the diaries. This refined world gives way to vivid descriptions of the horrific fighting on the Eastern and Western fronts of World War I, the intriguing private discussions among the German political and military elite about the progress of the war, as well as Kessler's account of his role as a diplomat with a secret mission in Switzerland.Profoundly modern and often prescient, Kessler was an erudite cultural impresario and catalyst who as a cofounder of the avant-garde journal Pan met and contributed articles about many of the leading artists and writers of the day. In 1903 he became director of the Grand Ducal Museum of Arts and Crafts in Weimar, determined to make it a center of aesthetic modernism together with his friend the architect Henry van de Velde, whose school of design would eventually become the Bauhaus. When a public scandal forced his resignation in 1906, Kessler turned to other projects, including collaborating with the Austrian writer Hugo von Hofmannsthal and the German composer Richard Strauss on the opera Der Rosenkavalier and the ballet The Legend of Joseph, which was performed in 1914 by the Ballets Russes in London and Paris. In 1913 he founded the Cranach-Presse in Weimar, one of the most important private presses of the twentieth century.The diaries present brilliant, sharply etched, and often richly comical descriptions of his encounters, conversations, and creative collaborations with some of the most celebrated people of his time- Otto von Bismarck, Paul von Hindenburg, Hugo von Hofmannsthal, Richard Strauss, Igor Stravinsky, Sergei Diaghilev, Vaslav Nijinsky, Isadora Duncan, Ruth St. Denis, Sarah Bernhardt, Friedrich Nietzsche, Rainer Marie Rilke, Paul Verlaine, Gordon Craig, George Bernard Shaw, Harley Granville-Barker, Max Klinger, Arnold B cklin, Max Beckmann, Aristide Maillol, Auguste Rodin, Edgar Degas, duard Vuillard, Claude Monet, Edvard Munch, Ida Rubinstein, Gabriele D'Annunzio, Pierre Bonnard, and Walther Rathenau, among others.Remarkably insightful, poignant, and cinematic in their scope, Kessler's diaries are an invaluable record of one of the most volatile and seminal moments in modern Western history. "Originally published in hardcover in the United States by Alfred A. Knopf, . New York, in 2011"--T.p. verso. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Taschenbuch. Condición: Neu. Journey to the Abyss | The Diaries of Count Harry Kessler 1880-1918 | Harry Kessler | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2013 | Random House USA Inc | EAN 9780307278432 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu. …

Paperback. Condición: New.