ISBN: 9780300244281 - for america: paintings from the national academy of design (26 resultados)

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    Hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

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    Hardcover. Condición: Near Fine. No Jacket. Oversized hardback book (304 pages) illustrated with decorated endpapers, numerous color photographs/reproductions. Removed from shrink wrap to photograph. INTERNATIONAL SHIPPING WILL REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 (LL-Base2-C-1-Middle-L) rareviewbooks. …

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    Hardcover. Condición: Brand New. 303 pages. 11.25x8.50x1.25 inches. In Stock.

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    Hardback. Condición: New. A sweeping look at the ways American artists have viewed themselves, their peers, and their painted worlds over two centuries This stunning book provides an unprecedented glimpse into the past two centuries of American art, tracing artistic tradition and innovation at the National Academy of Design from its 19th-century founding to the present. The nation's oldest artist honorary society has maintained a unique collecting principle: each member gives a self-portrait (or, until 1994, a portrait by a contemporary Academician) as well as an example of their work. By presenting artists' portraits in tandem with their self-selected representative works, this book offers a unique opportunity to explore how American artists have viewed both themselves and the worlds they depicted.   The diverse selection of artists whose work is showcased here includes Frederic Edwin Church, Eastman Johnson, Winslow Homer, John Singer Sargent, Thomas Eakins, Cecilia Beaux, Isabel Bishop, Andrew Wyeth, Charles White, Wayne Thiebaud, Louisa Matthíasdóttir, David Diao, Jaune Quick-to-See Smith, and Peter Saul. Essays by a stellar roster of distinguished historians and art historians, curators, artists, and architects delve into single artworks or pairs of paintings, while others explore themes such the representation of landscapes and the figurative tradition in American art. Additionally, 17 current Academicians-visual artists and architects including Walter Chatham, Catherine Opie and Fred Wilson-contribute personal responses to individual artworks.Distributed for the American Federation of ArtsExhibition Schedule:Dayton Art Institute, Dayton, OH (02/20/19-06/02/19)New Britain Museum of American Art, CT (11/07/19-02/02/20)Society of the Four Arts, Palm Beach, FL (02/22/20-04/26/20)  The Dixon Gallery and Gardens, Memphis, TN (07/02/20-09/27/20)New Mexico Museum of Art, Santa Fe (10/22/20-01/17/21)Figge Art Museum, Davenport, IA (02/20/21-05/09/21)Crocker Art Museum, Sacramento, CA (06/06/21-09/12/21).…

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    Condición: New. In English.

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    Hardcover. Condición: new. Hardcover. A sweeping look at the ways American artists have viewed themselves, their peers, and their painted worlds over two centuries This stunning book provides an unprecedented glimpse into the past two centuries of American art, tracing artistic tradition and innovation at the National Academy of Design from its 19th-century founding to the present. The nations oldest artist honorary society has maintained a unique collecting principle: each member gives a self-portrait (or, until 1994, a portrait by a contemporary Academician) as well as an example of their work. By presenting artists portraits in tandem with their self-selected representative works, this book offers a unique opportunity to explore how American artists have viewed both themselves and the worlds they depicted. The diverse selection of artists whose work is showcased here includes Frederic Edwin Church, Eastman Johnson, Winslow Homer, John Singer Sargent, Thomas Eakins, Cecilia Beaux, Isabel Bishop, Andrew Wyeth, Charles White, Wayne Thiebaud, Louisa Matthiasdottir, David Diao, Jaune Quick-to-See Smith, and Peter Saul. Essays by a stellar roster of distinguished historians and art historians, curators, artists, and architects delve into single artworks or pairs of paintings, while others explore themes such the representation of landscapes and the figurative tradition in American art. Additionally, 17 current Academiciansvisual artists and architects including Walter Chatham, Catherine Opie and Fred Wilsoncontribute personal responses to individual artworks.Distributed for the American Federation of ArtsExhibition Schedule:Dayton Art Institute, Dayton, OH (02/20/1906/02/19)New Britain Museum of American Art, CT (11/07/1902/02/20)Society of the Four Arts, Palm Beach, FL (02/22/2004/26/20) The Dixon Gallery and Gardens, Memphis, TN (07/02/2009/27/20)New Mexico Museum of Art, Santa Fe (10/22/2001/17/21)Figge Art Museum, Davenport, IA (02/20/2105/09/21)Crocker Art Museum, Sacramento, CA (06/06/2109/12/21) A sweeping look at the ways American artists have viewed themselves, their peers, and their painted worlds over two centuries Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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    Hardcover. Condición: new. Hardcover. A sweeping look at the ways American artists have viewed themselves, their peers, and their painted worlds over two centuries This stunning book provides an unprecedented glimpse into the past two centuries of American art, tracing artistic tradition and innovation at the National Academy of Design from its 19th-century founding to the present. The nations oldest artist honorary society has maintained a unique collecting principle: each member gives a self-portrait (or, until 1994, a portrait by a contemporary Academician) as well as an example of their work. By presenting artists portraits in tandem with their self-selected representative works, this book offers a unique opportunity to explore how American artists have viewed both themselves and the worlds they depicted. The diverse selection of artists whose work is showcased here includes Frederic Edwin Church, Eastman Johnson, Winslow Homer, John Singer Sargent, Thomas Eakins, Cecilia Beaux, Isabel Bishop, Andrew Wyeth, Charles White, Wayne Thiebaud, Louisa Matthiasdottir, David Diao, Jaune Quick-to-See Smith, and Peter Saul. Essays by a stellar roster of distinguished historians and art historians, curators, artists, and architects delve into single artworks or pairs of paintings, while others explore themes such the representation of landscapes and the figurative tradition in American art. Additionally, 17 current Academiciansvisual artists and architects including Walter Chatham, Catherine Opie and Fred Wilsoncontribute personal responses to individual artworks.Distributed for the American Federation of ArtsExhibition Schedule:Dayton Art Institute, Dayton, OH (02/20/1906/02/19)New Britain Museum of American Art, CT (11/07/1902/02/20)Society of the Four Arts, Palm Beach, FL (02/22/2004/26/20) The Dixon Gallery and Gardens, Memphis, TN (07/02/2009/27/20)New Mexico Museum of Art, Santa Fe (10/22/2001/17/21)Figge Art Museum, Davenport, IA (02/20/2105/09/21)Crocker Art Museum, Sacramento, CA (06/06/2109/12/21) A sweeping look at the ways American artists have viewed themselves, their peers, and their painted worlds over two centuries Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

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    Gebunden. Condición: New. &Uumlber den AutorJeremiah William McCarthy is associate curator at the American Federation of Arts. Diana Thompson is director of collections and curatorial affairs at the National Academy of Design.Klappentex.

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    Buch. Condición: Neu. Neuware - A sweeping look at the ways American artists have viewed themselves, their peers, and their painted worlds over two centuries.

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    Hardback. Condición: New. A sweeping look at the ways American artists have viewed themselves, their peers, and their painted worlds over two centuries This stunning book provides an unprecedented glimpse into the past two centuries of American art, tracing artistic tradition and innovation at the National Academy of Design from its 19th-century founding to the present. The nation's oldest artist honorary society has maintained a unique collecting principle: each member gives a self-portrait (or, until 1994, a portrait by a contemporary Academician) as well as an example of their work. By presenting artists' portraits in tandem with their self-selected representative works, this book offers a unique opportunity to explore how American artists have viewed both themselves and the worlds they depicted.   The diverse selection of artists whose work is showcased here includes Frederic Edwin Church, Eastman Johnson, Winslow Homer, John Singer Sargent, Thomas Eakins, Cecilia Beaux, Isabel Bishop, Andrew Wyeth, Charles White, Wayne Thiebaud, Louisa Matthíasdóttir, David Diao, Jaune Quick-to-See Smith, and Peter Saul. Essays by a stellar roster of distinguished historians and art historians, curators, artists, and architects delve into single artworks or pairs of paintings, while others explore themes such the representation of landscapes and the figurative tradition in American art. Additionally, 17 current Academicians-visual artists and architects including Walter Chatham, Catherine Opie and Fred Wilson-contribute personal responses to individual artworks.Distributed for the American Federation of ArtsExhibition Schedule:Dayton Art Institute, Dayton, OH (02/20/19-06/02/19)New Britain Museum of American Art, CT (11/07/19-02/02/20)Society of the Four Arts, Palm Beach, FL (02/22/20-04/26/20)  The Dixon Gallery and Gardens, Memphis, TN (07/02/20-09/27/20)New Mexico Museum of Art, Santa Fe (10/22/20-01/17/21)Figge Art Museum, Davenport, IA (02/20/21-05/09/21)Crocker Art Museum, Sacramento, CA (06/06/21-09/12/21).…

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    Hardcover. Condición: new. Hardcover. A sweeping look at the ways American artists have viewed themselves, their peers, and their painted worlds over two centuries This stunning book provides an unprecedented glimpse into the past two centuries of American art, tracing artistic tradition and innovation at the National Academy of Design from its 19th-century founding to the present. The nations oldest artist honorary society has maintained a unique collecting principle: each member gives a self-portrait (or, until 1994, a portrait by a contemporary Academician) as well as an example of their work. By presenting artists portraits in tandem with their self-selected representative works, this book offers a unique opportunity to explore how American artists have viewed both themselves and the worlds they depicted. The diverse selection of artists whose work is showcased here includes Frederic Edwin Church, Eastman Johnson, Winslow Homer, John Singer Sargent, Thomas Eakins, Cecilia Beaux, Isabel Bishop, Andrew Wyeth, Charles White, Wayne Thiebaud, Louisa Matthiasdottir, David Diao, Jaune Quick-to-See Smith, and Peter Saul. Essays by a stellar roster of distinguished historians and art historians, curators, artists, and architects delve into single artworks or pairs of paintings, while others explore themes such the representation of landscapes and the figurative tradition in American art. Additionally, 17 current Academiciansvisual artists and architects including Walter Chatham, Catherine Opie and Fred Wilsoncontribute personal responses to individual artworks.Distributed for the American Federation of ArtsExhibition Schedule:Dayton Art Institute, Dayton, OH (02/20/1906/02/19)New Britain Museum of American Art, CT (11/07/1902/02/20)Society of the Four Arts, Palm Beach, FL (02/22/2004/26/20) The Dixon Gallery and Gardens, Memphis, TN (07/02/2009/27/20)New Mexico Museum of Art, Santa Fe (10/22/2001/17/21)Figge Art Museum, Davenport, IA (02/20/2105/09/21)Crocker Art Museum, Sacramento, CA (06/06/2109/12/21) A sweeping look at the ways American artists have viewed themselves, their peers, and their painted worlds over two centuries Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…