9780300229196 - Technologies of the Image: Art in 19th-Century Iran (Harvard Art Museums Series (YUP)) (21 resultados)

Condición: Like New. Never used! Light wear to corners/edges from shelving. Wholesale pricing available via Amazon business.Never used! Light wear to corners/edges from shelving.

Condición: New. Brand new.New.

HARDCOVER. Condición: Near Fine. Hardcover edition. Quarto HC, 173pp, tight binding, clean throughout, near fine condition.

Hardcover. Condición: Very Good+. Estado de la sobrecubierta: No Dust Jacket. Very Good+ Condition. No marks of personal ownership or inscriptions. No marks on the text block.; 4to - over 9¾ - 12" tall.

Hardcover. Condición: Fine. Color illustrations. Pictorial boards. Due to size, ships within US only and only by media rate mail. ; Small 4to 9" - 11" tall; 192 pp.

Hardcover. Condición: Fine. First Edition; First Printing. Stiff unmarked book in clean illustrated boards. ; 9.2 X 0.8 X 11.2 inches; 192 pages.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. 2017. Hardcover. . . . . .

Condición: New.

Condición: new.

Hardcover. Condición: New.

Hardback. Condición: New. The diverse and beautiful art of Qajar Iran (1779-1925) has long been understudied and underappreciated. This insightful publication reassesses Qajar art, particularly its four principal mediums-lacquer, painting and drawing on paper, lithography, and photography-and their intertwined development. The Qajar era saw the rise of new technologies and the incorporation of mass-produced items imported from Europe, Russia, and India. These cultural changes sparked a shift in the Iranian art world, as artists produced printed and photographic images and also used these widely disseminated mediums as sources for their paintings on paper and in lacquer. Technologies of the Image illustrates dozens of Qajar works, including sketches and designs from Harvard's extraordinary album of artists' drawings, photographs by Ali Khan Vali, and stunning Persian lacquer from private collections. The book considers Qajar art as the product of a rapidly changing art world in which images moved across and between media, highlighting objects that span contexts of production and patronage, from royal to sub-royal.  Distributed for the Harvard Art MuseumsExhibition Schedule:Harvard Art Museums (08/26/17-01/07/18).

Condición: New. 2017. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condición: new. Hardcover. The diverse and beautiful art of Qajar Iran (17791925) has long been understudied and underappreciated. This insightful publication reassesses Qajar art, particularly its four principal mediumslacquer, painting and drawing on paper, lithography, and photographyand their intertwined development. The Qajar era saw the rise of new technologies and the incorporation of mass-produced items imported from Europe, Russia, and India. These cultural changes sparked a shift in the Iranian art world, as artists produced printed and photographic images and also used these widely disseminated mediums as sources for their paintings on paper and in lacquer. Technologies of the Image illustrates dozens of Qajar works, including sketches and designs from Harvards extraordinary album of artists drawings, photographs by Ali Khan Vali, and stunning Persian lacquer from private collections. The book considers Qajar art as the product of a rapidly changing art world in which images moved across and between media, highlighting objects that span contexts of production and patronage, from royal to sub-royal. Distributed for the Harvard Art MuseumsExhibition Schedule:Harvard Art Museums (08/26/1701/07/18) "This catalogue accompanies the exhibition Technologies of the Image: Art in 19th-Century Iran, on view at the Harvard Art Museums, Cambridge, Massachusetts, from August 26, 2017 through January 7, 2018"--Colophon. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: Brand New. 173 pages. 11.25x9.25x1.00 inches. In Stock.

Condición: New.

Hardcover. Condición: new. Hardcover. The diverse and beautiful art of Qajar Iran (17791925) has long been understudied and underappreciated. This insightful publication reassesses Qajar art, particularly its four principal mediumslacquer, painting and drawing on paper, lithography, and photographyand their intertwined development. The Qajar era saw the rise of new technologies and the incorporation of mass-produced items imported from Europe, Russia, and India. These cultural changes sparked a shift in the Iranian art world, as artists produced printed and photographic images and also used these widely disseminated mediums as sources for their paintings on paper and in lacquer. Technologies of the Image illustrates dozens of Qajar works, including sketches and designs from Harvards extraordinary album of artists drawings, photographs by Ali Khan Vali, and stunning Persian lacquer from private collections. The book considers Qajar art as the product of a rapidly changing art world in which images moved across and between media, highlighting objects that span contexts of production and patronage, from royal to sub-royal. Distributed for the Harvard Art MuseumsExhibition Schedule:Harvard Art Museums (08/26/1701/07/18) "This catalogue accompanies the exhibition Technologies of the Image: Art in 19th-Century Iran, on view at the Harvard Art Museums, Cambridge, Massachusetts, from August 26, 2017 through January 7, 2018"--Colophon. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardback. Condición: New. The diverse and beautiful art of Qajar Iran (1779-1925) has long been understudied and underappreciated. This insightful publication reassesses Qajar art, particularly its four principal mediums-lacquer, painting and drawing on paper, lithography, and photography-and their intertwined development. The Qajar era saw the rise of new technologies and the incorporation of mass-produced items imported from Europe, Russia, and India. These cultural changes sparked a shift in the Iranian art world, as artists produced printed and photographic images and also used these widely disseminated mediums as sources for their paintings on paper and in lacquer. Technologies of the Image illustrates dozens of Qajar works, including sketches and designs from Harvard's extraordinary album of artists' drawings, photographs by Ali Khan Vali, and stunning Persian lacquer from private collections. The book considers Qajar art as the product of a rapidly changing art world in which images moved across and between media, highlighting objects that span contexts of production and patronage, from royal to sub-royal.  Distributed for the Harvard Art MuseumsExhibition Schedule:Harvard Art Museums (08/26/17-01/07/18).

Hardcover. Condición: new. Hardcover. The diverse and beautiful art of Qajar Iran (17791925) has long been understudied and underappreciated. This insightful publication reassesses Qajar art, particularly its four principal mediumslacquer, painting and drawing on paper, lithography, and photographyand their intertwined development. The Qajar era saw the rise of new technologies and the incorporation of mass-produced items imported from Europe, Russia, and India. These cultural changes sparked a shift in the Iranian art world, as artists produced printed and photographic images and also used these widely disseminated mediums as sources for their paintings on paper and in lacquer. Technologies of the Image illustrates dozens of Qajar works, including sketches and designs from Harvards extraordinary album of artists drawings, photographs by Ali Khan Vali, and stunning Persian lacquer from private collections. The book considers Qajar art as the product of a rapidly changing art world in which images moved across and between media, highlighting objects that span contexts of production and patronage, from royal to sub-royal. Distributed for the Harvard Art MuseumsExhibition Schedule:Harvard Art Museums (08/26/1701/07/18) "This catalogue accompanies the exhibition Technologies of the Image: Art in 19th-Century Iran, on view at the Harvard Art Museums, Cambridge, Massachusetts, from August 26, 2017 through January 7, 2018"--Colophon. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.