Isbn: 9780271101309 - black and gold: transmutations of metal and modernity (africanas) (31 resultados)

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Paperback. Condición: New. For centuries, Africa has been the center of the global trade in gold. Synonymous with wealth and power in African cultures, this precious metal was also central to the emergence of Europe's colonial empires and the contemporary world made in their wake. Black and gold have thus always been conjoined and yet set in opposition: blackness as negation, gold as universal standard of value. Black and Gold is a genealogy of this seeming contradiction-a global history of value told through episodes of Black creative practice.Featuring the work of acclaimed contemporary artists such as Yinka Shonibare, Theaster Gates, Wangechi Mutu, El Anatsui, Chris Ofili, and Kerry James Marshall, this book unearths a series of historical and ecological connections-the mining of gold on the continent and its relationship to the diaspora, "black gold" as a colloquialism for oil, and Blackness as a form of cultural "gold." By bringing early modern histories of alchemy, art, and colonial contact into the present, W. Ian Bourland tells a multifaceted story about the fetishization of gold, driven by an impulse to extract Blackness and refine people and matter into ever greater forms of abstraction with devastating consequences for the environment and humanity. In simplest terms, Black and Gold reconsiders the material and symbolic life of gold and the Black labor that has always sustained it. It will resonate with art critics and scholars, museumgoers and collectors, and anyone interested in modern and contemporary art, the Black Atlantic, and global histories of empire and culture.…

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Paperback. Condición: New. For centuries, Africa has been the center of the global trade in gold. Synonymous with wealth and power in African cultures, this precious metal was also central to the emergence of Europe's colonial empires and the contemporary world made in their wake. Black and gold have thus always been conjoined and yet set in opposition: blackness as negation, gold as universal standard of value. Black and Gold is a genealogy of this seeming contradiction-a global history of value told through episodes of Black creative practice.Featuring the work of acclaimed contemporary artists such as Yinka Shonibare, Theaster Gates, Wangechi Mutu, El Anatsui, Chris Ofili, and Kerry James Marshall, this book unearths a series of historical and ecological connections-the mining of gold on the continent and its relationship to the diaspora, "black gold" as a colloquialism for oil, and Blackness as a form of cultural "gold." By bringing early modern histories of alchemy, art, and colonial contact into the present, W. Ian Bourland tells a multifaceted story about the fetishization of gold, driven by an impulse to extract Blackness and refine people and matter into ever greater forms of abstraction with devastating consequences for the environment and humanity. In simplest terms, Black and Gold reconsiders the material and symbolic life of gold and the Black labor that has always sustained it. It will resonate with art critics and scholars, museumgoers and collectors, and anyone interested in modern and contemporary art, the Black Atlantic, and global histories of empire and culture.…

Paperback or Softback. Condición: New. Black and Gold: Transmutations of Metal and Modernity. Book.

Paperback. Condición: new. Paperback. For centuries, Africa has been the center of the global trade in gold. Synonymous with wealth and power in African cultures, this precious metal was also central to the emergence of Europes colonial empires and the contemporary world made in their wake. Black and gold have thus always been conjoined and yet set in opposition: blackness as negation, gold as universal standard of value. Black & Gold is a genealogy of this seeming contradictiona global history of value told through episodes of Black creative practice.Featuring the work of acclaimed contemporary artists such as Yinka Shonibare, Theaster Gates, Wangechi Mutu, El Anatsui, Chris Ofili, and Kerry James Marshall, this book unearths a series of historical and ecological connectionsthe mining of gold on the continent and its relationship to the diaspora, black gold as a colloquialism for oil, and Blackness as a form of cultural gold. By bringing early modern histories of alchemy, art, and colonial contact into the present, W. Ian Bourland tells a multifaceted story about the fetishization of gold, driven by an impulse to extract Blackness and refine people and matter into ever greater forms of abstraction with devastating consequences for the environment and humanity. In simplest terms, Black & Gold reconsiders the material and symbolic life of gold and the Black labor that has always sustained it. It will resonate with art critics and scholars, museumgoers and collectors, and anyone interested in modern and contemporary art, the Black Atlantic, and global histories of empire and culture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Paperback. Condición: Brand New. 214 pages. 9.00x6.00x0.59 inches. In Stock.

Paperback. Condición: Brand New. 214 pages. 9.00x6.00x0.59 inches. In Stock.

Taschenbuch. Condición: Neu. Neuware - For centuries, Africa has been the center of the global trade in gold. Synonymous with wealth and power in African cultures, this precious metal was also central to the emergence of Europe's colonial empires and the contemporary world made in their wake. Black and gold have thus always been conjoined and yet set in opposition: blackness as negation, gold as universal standard of value. Black & Gold is a genealogy of this seeming contradiction--a global history of value told through episodes of Black creative practice.Featuring the work of acclaimed contemporary artists such as Yinka Shonibare, Theaster Gates, Wangechi Mutu, El Anatsui, Chris Ofili, and Kerry James Marshall, this book unearths a series of historical and ecological connections--the mining of gold on the continent and its relationship to the diaspora, 'black gold' as a colloquialism for oil, and Blackness as a form of cultural 'gold.' By bringing early modern histories of alchemy, art, and colonial contact into the present, W. Ian Bourland tells a multifaceted story about the fetishization of gold, driven by an impulse to extract Blackness and refine people and matter into ever greater forms of abstraction with devastating consequences for the environment and humanity. In simplest terms, Black & Gold reconsiders the material and symbolic life of gold and the Black labor that has always sustained it. It will resonate with art critics and scholars, museumgoers and collectors, and anyone interested in modern and contemporary art, the Black Atlantic, and global histories of empire and culture.…

Condición: New. 2026. paperback. . . . . .

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Paperback. Condición: new. Paperback. For centuries, Africa has been the center of the global trade in gold. Synonymous with wealth and power in African cultures, this precious metal was also central to the emergence of Europes colonial empires and the contemporary world made in their wake. Black and gold have thus always been conjoined and yet set in opposition: blackness as negation, gold as universal standard of value. Black & Gold is a genealogy of this seeming contradictiona global history of value told through episodes of Black creative practice.Featuring the work of acclaimed contemporary artists such as Yinka Shonibare, Theaster Gates, Wangechi Mutu, El Anatsui, Chris Ofili, and Kerry James Marshall, this book unearths a series of historical and ecological connectionsthe mining of gold on the continent and its relationship to the diaspora, black gold as a colloquialism for oil, and Blackness as a form of cultural gold. By bringing early modern histories of alchemy, art, and colonial contact into the present, W. Ian Bourland tells a multifaceted story about the fetishization of gold, driven by an impulse to extract Blackness and refine people and matter into ever greater forms of abstraction with devastating consequences for the environment and humanity. In simplest terms, Black & Gold reconsiders the material and symbolic life of gold and the Black labor that has always sustained it. It will resonate with art critics and scholars, museumgoers and collectors, and anyone interested in modern and contemporary art, the Black Atlantic, and global histories of empire and culture. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Paperback. Condición: New. For centuries, Africa has been the center of the global trade in gold. Synonymous with wealth and power in African cultures, this precious metal was also central to the emergence of Europe's colonial empires and the contemporary world made in their wake. Black and gold have thus always been conjoined and yet set in opposition: blackness as negation, gold as universal standard of value. Black and Gold is a genealogy of this seeming contradiction-a global history of value told through episodes of Black creative practice.Featuring the work of acclaimed contemporary artists such as Yinka Shonibare, Theaster Gates, Wangechi Mutu, El Anatsui, Chris Ofili, and Kerry James Marshall, this book unearths a series of historical and ecological connections-the mining of gold on the continent and its relationship to the diaspora, "black gold" as a colloquialism for oil, and Blackness as a form of cultural "gold." By bringing early modern histories of alchemy, art, and colonial contact into the present, W. Ian Bourland tells a multifaceted story about the fetishization of gold, driven by an impulse to extract Blackness and refine people and matter into ever greater forms of abstraction with devastating consequences for the environment and humanity. In simplest terms, Black and Gold reconsiders the material and symbolic life of gold and the Black labor that has always sustained it. It will resonate with art critics and scholars, museumgoers and collectors, and anyone interested in modern and contemporary art, the Black Atlantic, and global histories of empire and culture.…

Condición: New.

Paperback. Condición: new. Paperback. For centuries, Africa has been the center of the global trade in gold. Synonymous with wealth and power in African cultures, this precious metal was also central to the emergence of Europes colonial empires and the contemporary world made in their wake. Black and gold have thus always been conjoined and yet set in opposition: blackness as negation, gold as universal standard of value. Black & Gold is a genealogy of this seeming contradictiona global history of value told through episodes of Black creative practice.Featuring the work of acclaimed contemporary artists such as Yinka Shonibare, Theaster Gates, Wangechi Mutu, El Anatsui, Chris Ofili, and Kerry James Marshall, this book unearths a series of historical and ecological connectionsthe mining of gold on the continent and its relationship to the diaspora, black gold as a colloquialism for oil, and Blackness as a form of cultural gold. By bringing early modern histories of alchemy, art, and colonial contact into the present, W. Ian Bourland tells a multifaceted story about the fetishization of gold, driven by an impulse to extract Blackness and refine people and matter into ever greater forms of abstraction with devastating consequences for the environment and humanity. In simplest terms, Black & Gold reconsiders the material and symbolic life of gold and the Black labor that has always sustained it. It will resonate with art critics and scholars, museumgoers and collectors, and anyone interested in modern and contemporary art, the Black Atlantic, and global histories of empire and culture. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condición: New. For centuries, Africa has been the center of the global trade in gold. Synonymous with wealth and power in African cultures, this precious metal was also central to the emergence of Europe's colonial empires and the contemporary world made in their wake. Black and gold have thus always been conjoined and yet set in opposition: blackness as negation, gold as universal standard of value. Black and Gold is a genealogy of this seeming contradiction-a global history of value told through episodes of Black creative practice.Featuring the work of acclaimed contemporary artists such as Yinka Shonibare, Theaster Gates, Wangechi Mutu, El Anatsui, Chris Ofili, and Kerry James Marshall, this book unearths a series of historical and ecological connections-the mining of gold on the continent and its relationship to the diaspora, "black gold" as a colloquialism for oil, and Blackness as a form of cultural "gold." By bringing early modern histories of alchemy, art, and colonial contact into the present, W. Ian Bourland tells a multifaceted story about the fetishization of gold, driven by an impulse to extract Blackness and refine people and matter into ever greater forms of abstraction with devastating consequences for the environment and humanity. In simplest terms, Black and Gold reconsiders the material and symbolic life of gold and the Black labor that has always sustained it. It will resonate with art critics and scholars, museumgoers and collectors, and anyone interested in modern and contemporary art, the Black Atlantic, and global histories of empire and culture.…