Isbn: 9780262701198 - making parents: the ontological choreography of reproductive technologies (inside technology) (30 resultados)

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Condición: New. The intertwining of biological reproduction and the personal, political, legal, and technological meanings of reproduction, explored through ethnographic studies and analyzed in the context of science and technology studies and feminist theory. Series: Inside Technology. Num Pages: 380 pages, 5 illus. BIC Classification: MFKC1; PDA. Category: (P) Professional & Vocational. Dimension: 227 x 151 x 20. Weight in Grams: 512. . 2007. 1st Edition. Paperback. . . . . Books ship from the US and Ireland. …

Condición: New. The intertwining of biological reproduction and the personal, political, legal, and technological meanings of reproduction, explored through ethnographic studies and analyzed in the context of science and technology studies and feminist theory. Series: Inside Technology. Num Pages: 380 pages, 5 illus. BIC Classification: MFKC1; PDA. Category: (P) Professional & Vocational. Dimension: 227 x 151 x 20. Weight in Grams: 512. . 2007. 1st Edition. Paperback. . . . . …

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Condición: New. Print on Demand pp. 380.

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Condición: New. Print on Demand pp. 380 1st edition.

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Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Charis Thompson is Associate Professor of Rhetoric and Women s Studies at the University of California, Berkeley. She is the author of Making Parents: The Ontological Choreography of Reproductive Technologies (MIT Press)Assisted reproductive tech.…

Taschenbuch. Condición: Neu. Making Parents | The Ontological Choreography of Reproductive Technologies | Charis Thompson | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2007 | MIT Press | EAN 9780262701198 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. …

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Assisted reproductive technology (ART) makes babies and parents at once. Drawing on science and technology studies, feminist theory, and historical and ethnographic analyses of ART clinics, Charis Thompson explores the intertwining of biological reproduction with the personal, political, and technological meanings of reproduction. She analyzes the 'ontological choreography' at ART clinicsthe dynamics by which technical, scientific, kinship, gender, emotional, legal, political, financial, and other matters are coordinatedusing ethnographic data to address questions usually treated in the abstract. Reproductive technologies, says Thompson, are part of the increasing tendency to turn social problems into biomedical questions and can be used as a lens through which to see the resulting changes in the relations between science and society.After giving an account of the book's disciplinary roots in science and technology studies and in feminist scholarship on reproduction, Thompson comes to the ethnographic heart of her study. She develops her concept of ontological choreography by examining ART's normalization of 'miraculous' technology (including the etiquette of technological sex); gender identity in the assigned roles of mother and father and the conservative nature of gender relations in the clinic; the naturalization of technologically assisted kinship and procreative intent; and patients' pursuit of agency through objectification and technology. Finally, Thompson explores the economies of reproductive technologies, concluding with a speculative and polemical look at the 'biomedical mode of reproduction' as a predictor of future relations between science and society.…