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Publicado por MIT Press (MA) 2/17/2012, 2012
ISBN 10: 0262516934 ISBN 13: 9780262516938
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Añadir al carritoCondición: New. Editor(s): Rottner, Nadja. Series: October Files. Num Pages: 224 pages, 50 b&w illus. BIC Classification: ACXJ; AFKB; AGB. Category: (P) Professional & Vocational. Dimension: 227 x 154 x 13. Weight in Grams: 428. . 2012. Illustrated. paperback. . . . . Books ship from the US and Ireland.
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Añadir al carritoCondición: New. Editor(s): Rottner, Nadja. Series: October Files. Num Pages: 224 pages, 50 b&w illus. BIC Classification: ACXJ; AFKB; AGB. Category: (P) Professional & Vocational. Dimension: 227 x 154 x 13. Weight in Grams: 428. . 2012. Illustrated. paperback. . . . .
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Añadir al carritoCondición: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Contemporary criticism, interviews, scholarly reassessments, and texts by the artist focusing on Claes Oldenburg's sculptures, installations, and multimedia performances between 1960 and 1965.Claes Oldenburg (born in 1929) is largely known today as a pop art sculptor. Oldenburg himself described his formless canvas and vinyl soft sculptures—gigantic hamburgers and ice cream cones, cushiony toilets and typewriters—as "objects that elude definition.” This collection of writings revisits not only Oldenburg's soft objects from the early to mid 1960s but also his pioneering installations The Street (1960) and The Store (1961-1962) and his often overlooked multimedia performances. As the artist translated his ideas and beliefs into various media and formats, his work drew on a range of styles and schools, including abstract expressionism, Happenings, pop art, minimalism, and postminimalism. Perhaps because of their refusal to be classified, these artworks are as contemporary today as they were when they were created between 1960 and 1965.This collection serves both as a summation of early critical thinking on Oldenburg's art and a starting point for consideration of the artist as a forerunner of current art trends of stylelessness and intermediality. It includes both contemporary criticism and more recent scholarly reassessments, interviews with the artist, and Oldenburg's own unpublished manifesto on the Ray Gun Theater (the artist's name for his performance series in the back of The Store).
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Publicado por The MIT Press Bookstore, 2012
ISBN 10: 0262516934 ISBN 13: 9780262516938
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ISBN 10: 0262516934 ISBN 13: 9780262516938
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Publicado por The MIT Press Bookstore, 2012
ISBN 10: 0262516934 ISBN 13: 9780262516938
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Añadir al carritoCondición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Nadja Rottner is Assistant Professor of Art History at the University of Michigan–Dearborn.Contemporary criticism, interviews, scholarly reassessments, and texts by the artist focusing on Claes Oldenburg s sculptures, installations, and multime.
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Añadir al carritoTaschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Contemporary criticism, interviews, scholarly reassessments, and texts by the artist focusing on Claes Oldenburg's sculptures, installations, and multimedia performances between 1960 and 1965.Claes Oldenburg (born in 1929) is largely known today as a pop art sculptor. Oldenburg himself described his formless canvas and vinyl soft sculptures gigantic hamburgers and ice cream cones, cushiony toilets and typewriters as objects that elude definition. This collection of writings revisits not only Oldenburg's soft objects from the early to mid 1960s but also his pioneering installations The Street (1960) and The Store (1961 1962) and his often overlooked multimedia performances. As the artist translated his ideas and beliefs into various media and formats, his work drew on a range of styles and schools, including abstract expressionism, Happenings, pop art, minimalism, and postminimalism. Perhaps because of their refusal to be classified, these artworks are as contemporary today as they were when they were created between 1960 and 1965.This collection serves both as a summation of early critical thinking on Oldenburg's art and a starting point for consideration of the artist as a forerunner of current art trends of stylelessness and intermediality. It includes both contemporary criticism and more recent scholarly reassessments, interviews with the artist, and Oldenburg's own unpublished manifesto on the Ray Gun Theater (the artist's name for his performance series in the back of The Store).
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Añadir al carritoTaschenbuch. Condición: Neu. Claes Oldenburg | Nadja Rottner | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2012 | MIT Press | EAN 9780262516938 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.