9780262050784 - subtitles: on the foreignness of film (alphabet city) (32 resultados)

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Librería: Bellwetherbooks, McKeesport, PA, Estados Unidos de AmericaBellwetherbooks
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EUR 8,38
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hardcover. Condición: Good. Crease/bruise to cover and pages.

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Librería: Bellwetherbooks, McKeesport, PA, Estados Unidos de AmericaBellwetherbooks
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EUR 8,85
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hardcover. Condición: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

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Librería: Goodwill Books, Hillsboro, OR, Estados Unidos de AmericaGoodwill Books
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EUR 8,85
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Condición: acceptable. Fairly worn, but readable and intact. If applicable: Dust jacket, disc or access code may not be included.

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Librería: Montana Book Company, Fond du Lac, WI, Estados Unidos de AmericaMontana Book Company
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EUR 9,04
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Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine Dust Jacket. 544 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. The dust jacket is a clear, see through plastic cover. NOTE: Book still in original publisher shrink wrap.

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Librería: Wonder Book, Frederick, MD, Estados Unidos de AmericaWonder Book
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EUR 13,01
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Condición: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

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Librería: Murphy-Brookfield Books, Iowa City SE, IA, Estados Unidos de AmericaMurphy-Brookfield Books
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EUR 13,56
Envío por EUR 4,83Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Plastic Jacket. clean, unmarked copy.

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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 21,81
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Condición: New.

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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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EUR 24,20
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Hardcover. Condición: new. Hardcover. Translating the experience of film- filmmakers, writers, and artists explore the elements of film that make us feel "outside and inside at the same time.""Every film is a foreign film," Atom Egoyan and Ian Balfour tell us in their introduction to Subtitles. How, then, to translate the experi…ence of film-which, as Egoyan says, makes us "feel outside and inside at the same time"? Taking subtitles as their point of departure, the thirty-two contributors to this unique collection consider translation, foreignness, and otherness in film culture. Their discussions range from the mechanics and aesthetics of subtitles themselves to the xenophobic reaction to translation to subtitles as a metaphor for the distance and intimacy of film. The essays, interviews, and visuals include a collaboration by Russell Banks and Atom Egoyan, which uses quotations from Banks's novel The Sweet Hereafter as subtitles for publicity stills from Egoyan's film of the book; three early film reviews by Jorge Luis Borges; an interview with filmmaker Claire Denis about a scene in her film Friday Night that should not have been subtitled; and Eric Cazdyn's reading of the running subtitles on CNN's post-9/11 newscasts as a representation of new global realities. Several writers deal with translating cultural experience for an international audience, including Frederic Jameson on Balkan cinema, John Mowitt on the history of the "foreign film" category in the Academy Awards, and Ruby Rich on the marketing of foreign films and their foreign languages-"Somehow, I'd like to think it's harder to kill people when you hear their voices," she writes. And Slavoj Zizek considers the "foreign gaze" (seen in films by Hitchcock, Lynch, and others), the misperception that sees too much. Designed by Egoyan and award-winning graphic designer Gilbert Li, the book includes many color images and ten visual projects by artists and filmmakers. The pages are horizontal, suggesting a movie screen; they use the cinematic horizontal aspect ratio of 1.66-1. Subtitles gives us not only a new way to think about film but also a singular design object.Subtitles is being copublished by The MIT Press and Alphabet City Media (John Knechtel, Director). Subtitles has been funded in part by grants from The Canada Council for the Arts, The Henry N.R. Jackman Foundation, and the Toronto Arts Council, and the Ontario Arts Council. Translating the experience of film: filmmakers, writers, and artists explore the elements of film that make us feel "outside and inside at the same time." Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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- Primera edición
Librería: Remarks Used Books, Pittsfield, MA, Estados Unidos de AmericaRemarks Used Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Excelente
EUR 23,06
Envío por EUR 5,27Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. First edition, 1st printing. Attractive & unread hardcover in Fine+ condition, w/slight nick on printed clear acetate jacket front & slight bowing to binding due to unique oblong presentation, o/w good as new. "'Every film is a foreign film,' Atom Eg…oyan and Ian Balfour tell us in their introduction to SUBTITLES. How, then, to translate the experience of film---which, as Egoyan says, makes us 'feel outside and inside at the same time'? Taking subtitles as their point of departure, the thirty-two contributors to this unique collection consider translation, foreignness, and otherness in film culture. Their discussions range from the mechanics and aesthetics of subtitles themselves to the xenophobic reaction to translation, to subtitles as a metaphor for the distance and intimacy of film. The essays, interviews, and visuals include a collaboration by Russell Banks and Atom Egoyan, which uses quotations from Banks's novel The Sweet Hereafter as subtitles for publicity stills from Egoyan's film of the book; three early film reviews by Jorge Luis Borges; an interview with filmmaker Claire Denis about a scene in her film Friday Night that should not have been subtitled; and Eric Cazdyn's reading of the running subtitles on CNN's post-9/11 newscasts as a representation of new global realities. Several writers deal with translating cultural experience for an international audience, including Frederic Jameson on Balkan cinema, John Mowitt on the history of the 'foreign film' category in the Academy Awards, and Ruby Rich on the marketing of foreign films and their foreign languages---'Somehow, I'd like to think it's harder to kill people when you hear their voices,' she writes. And Slavoj Zizek considers the 'foreign gaze' (seen in films by Hitchcock, Lynch, and others), the misperception that sees too much." [jacket copy] "Designed by Egoyan and graphic designer Gilbert Li, the book includes many color images and ten visual projects by artists and filmmakers. The pages are horizontal, suggesting a movie screen; they use the cinematic horizontal aspect ratio of 1.66:1. SUBTITLES gives us not only a new way to think about film but also a singular design object." Hardcover w/brilliant corners & crisp edges; 532pp; looks perfectly Fine w/o the printed acetate jacket, quite presentable & collectible.

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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 30,02
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Hardback. Condición: New.
Más imágenes- Tapa dura
Librería: Exquisite Corpse Booksellers, Houston, TX, Estados Unidos de AmericaExquisite Corpse Booksellers
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EUR 22,60
Envío por EUR 7,86Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Cloth. Condición: Near Fine. Near Fine. 546 pages. Hardcover. Texts in English. Mild shelfwear to the edges of the boards and associated rubbing to the printed acetate jacket. Else, the binding is tight, the interior clean and free of markings. Bound in illustrated paper covered boards and wrapped in a printed acetate jacket. A…fascinating look at culture, film, and the intersections between one and the other. Book.

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Librería: Massive Bookshop, Greenfield, MA, Estados Unidos de AmericaMassive Bookshop
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EUR 27,08
Envío por EUR 4,17Se envía dentro de Estados Unidos de AmericaCantidad disponible: 10 disponibles
Hardcover. Condición: New.

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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 30,22
Envío por EUR 2,32Se envía dentro de Estados Unidos de AmericaCantidad disponible: 15 disponibles
Condición: As New. Unread book in perfect condition.

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Librería: INDOO, Avenel, NJ, Estados Unidos de AmericaINDOO
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EUR 32,62
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Condición: As New. Unread copy in mint condition.

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Librería: INDOO, Avenel, NJ, Estados Unidos de AmericaINDOO
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EUR 32,72
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Condición: New. Brand New.

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Librería: Books Puddle, New York, NY, Estados Unidos de AmericaBooks Puddle
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EUR 29,63
Envío por EUR 3,50Se envía dentro de Estados Unidos de AmericaCantidad disponible: 3 disponibles
Condición: New. pp. 544.

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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 32,71
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Condición: New. Translating the experience of film: filmmakers, writers, and artists explore the elements of film that make us feel "outside and inside at the same time." Editor(s): Egoyan, Atom; Balfour, Ian. Series: Alphabet City. Num Pages: 544 pages, 77 color illus., 41 b&w illus. BIC Classification: APFA. Category: (P) Prof…essional & Vocational. Dimension: 144 x 262 x 43. Weight in Grams: 1168. . 2004. Hardcover. . . . .

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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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EUR 40,22
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Condición: New. Translating the experience of film: filmmakers, writers, and artists explore the elements of film that make us feel "outside and inside at the same time." Editor(s): Egoyan, Atom; Balfour, Ian. Series: Alphabet City. Num Pages: 544 pages, 77 color illus., 41 b&w illus. BIC Classification: APFA. Category: (P) Prof…essional & Vocational. Dimension: 144 x 262 x 43. Weight in Grams: 1168. . 2004. Hardcover. . . . . Books ship from the US and Ireland.

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Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books
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EUR 42,61
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Condición: New. pp. 544 118 Illus. (77 Col.).

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- Primera edición
- Firmado
Librería: Karol Krysik Books ABAC/ILAB, IOBA, PBFA, Toronto, ON, CanadaKarol Krysik Books ABAC/ILAB, IOBA, PBFA
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EUR 35,05
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Paper Over Boards. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. First Edition. Oblong 24mo. Frontis., 532 pp., illus. No. 9 in the Alphabet City Media series. Signed by both Egoyan and Balfour on the half-title page. Essays and excerpts from a variety of film wrtiers and authors. Profusely illustrated, mostly in…colour. Some wear to covers and plastic dustjacket. Signed by Editor(s).

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Librería: Biblios, frankfurt am main, HESSE, AlemaniaBiblios
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EUR 43,37
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Condición: New. pp. 544.

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- Primera edición
Librería: Stephen Bulger Gallery, Toronto, ON, CanadaStephen Bulger Gallery
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EUR 24,54
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Hard. Condición: As New. Estado de la sobrecubierta: As New. First Edition. The 36 contributors consider translation, foreignness, and otherness within film culture.

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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 50,53
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Hardcover. Condición: Brand New. illustrated edition. 544 pages. 5.50x8.75x1.75 inches. In Stock.

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Librería: Pórtico [Portico], ZARAGOZA, Z, EspañaPórtico [Portico]
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EUR 37,00
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Tapa dura. Condición: New. EGOYAN, A. / I. BALFOUR, EDS.: SUBTITLES: ON THE FOREIGNNESS OF FILM [HARDBACK] . CAMBRIDGE, MA, 2004, 544 p. fotografias, 1190 gr. Encuadernacion original. Nuevo. (TH-1-2) 1190 gr. Libro.

Idioma: Inglés
Editorial: University of Massachusetts Press, Massachussettes 2004
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Librería: San Francisco Book Company, Paris, FranciaSan Francisco Book Company
Contactar con el vendedorVendedor de 4 estrellasCondición: Usado - Bueno
EUR 30,00
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Hardcover. Condición: Very good. Estado de la sobrecubierta: good. Hardcover Octavo. illustrated boards, clear dust jacket, 533 pp dj worn.

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Librería: BennettBooksLtd, Los Angeles, CA, Estados Unidos de AmericaBennettBooksLtd
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EUR 72,85
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hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

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Librería: CitiRetail, Stevenage, Reino UnidoCitiRetail
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EUR 37,57
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Hardcover. Condición: new. Hardcover. Translating the experience of film- filmmakers, writers, and artists explore the elements of film that make us feel "outside and inside at the same time.""Every film is a foreign film," Atom Egoyan and Ian Balfour tell us in their introduction to Subtitles. How, then, to translate the experi…ence of film-which, as Egoyan says, makes us "feel outside and inside at the same time"? Taking subtitles as their point of departure, the thirty-two contributors to this unique collection consider translation, foreignness, and otherness in film culture. Their discussions range from the mechanics and aesthetics of subtitles themselves to the xenophobic reaction to translation to subtitles as a metaphor for the distance and intimacy of film. The essays, interviews, and visuals include a collaboration by Russell Banks and Atom Egoyan, which uses quotations from Banks's novel The Sweet Hereafter as subtitles for publicity stills from Egoyan's film of the book; three early film reviews by Jorge Luis Borges; an interview with filmmaker Claire Denis about a scene in her film Friday Night that should not have been subtitled; and Eric Cazdyn's reading of the running subtitles on CNN's post-9/11 newscasts as a representation of new global realities. Several writers deal with translating cultural experience for an international audience, including Frederic Jameson on Balkan cinema, John Mowitt on the history of the "foreign film" category in the Academy Awards, and Ruby Rich on the marketing of foreign films and their foreign languages-"Somehow, I'd like to think it's harder to kill people when you hear their voices," she writes. And Slavoj Zizek considers the "foreign gaze" (seen in films by Hitchcock, Lynch, and others), the misperception that sees too much. Designed by Egoyan and award-winning graphic designer Gilbert Li, the book includes many color images and ten visual projects by artists and filmmakers. The pages are horizontal, suggesting a movie screen; they use the cinematic horizontal aspect ratio of 1.66-1. Subtitles gives us not only a new way to think about film but also a singular design object.Subtitles is being copublished by The MIT Press and Alphabet City Media (John Knechtel, Director). Subtitles has been funded in part by grants from The Canada Council for the Arts, The Henry N.R. Jackman Foundation, and the Toronto Arts Council, and the Ontario Arts Council. Translating the experience of film: filmmakers, writers, and artists explore the elements of film that make us feel "outside and inside at the same time." Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

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Librería: Rarewaves USA United, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA United
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 37,56
Envío por EUR 43,89Se envía dentro de Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Hardback. Condición: New.

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Librería: moluna, Greven, Alemaniamoluna
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EUR 34,76
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Condición: New. Atom Egoyan is an internationally acclaimed film director whose works include The Sweet Hereafter, Ararat, Exotica, and Calendar.Ian Balfour is Associate Professor of English and Social and Political Thought at York Unive.

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Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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EUR 58,43
Envío por EUR 32,48Se envía de Australia a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: new. Hardcover. Translating the experience of film- filmmakers, writers, and artists explore the elements of film that make us feel "outside and inside at the same time.""Every film is a foreign film," Atom Egoyan and Ian Balfour tell us in their introduction to Subtitles. How, then, to translate the experi…ence of film-which, as Egoyan says, makes us "feel outside and inside at the same time"? Taking subtitles as their point of departure, the thirty-two contributors to this unique collection consider translation, foreignness, and otherness in film culture. Their discussions range from the mechanics and aesthetics of subtitles themselves to the xenophobic reaction to translation to subtitles as a metaphor for the distance and intimacy of film. The essays, interviews, and visuals include a collaboration by Russell Banks and Atom Egoyan, which uses quotations from Banks's novel The Sweet Hereafter as subtitles for publicity stills from Egoyan's film of the book; three early film reviews by Jorge Luis Borges; an interview with filmmaker Claire Denis about a scene in her film Friday Night that should not have been subtitled; and Eric Cazdyn's reading of the running subtitles on CNN's post-9/11 newscasts as a representation of new global realities. Several writers deal with translating cultural experience for an international audience, including Frederic Jameson on Balkan cinema, John Mowitt on the history of the "foreign film" category in the Academy Awards, and Ruby Rich on the marketing of foreign films and their foreign languages-"Somehow, I'd like to think it's harder to kill people when you hear their voices," she writes. And Slavoj Zizek considers the "foreign gaze" (seen in films by Hitchcock, Lynch, and others), the misperception that sees too much. Designed by Egoyan and award-winning graphic designer Gilbert Li, the book includes many color images and ten visual projects by artists and filmmakers. The pages are horizontal, suggesting a movie screen; they use the cinematic horizontal aspect ratio of 1.66-1. Subtitles gives us not only a new way to think about film but also a singular design object.Subtitles is being copublished by The MIT Press and Alphabet City Media (John Knechtel, Director). Subtitles has been funded in part by grants from The Canada Council for the Arts, The Henry N.R. Jackman Foundation, and the Toronto Arts Council, and the Ontario Arts Council. Translating the experience of film: filmmakers, writers, and artists explore the elements of film that make us feel "outside and inside at the same time." Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.