9780262014823 - Mixed Use, Manhattan: Photography and Related Practices, 1970s to the Present (The MIT Press) (22 resultados)

Hardcover. Condición: Very Good. 1st Edition. 4to, hardcover, 304pp., ills. First edition. VG+: a clean, bright, sound, very presentable copy. Extra postage will be asked (5).

hardcover. Condición: Fine. Profusely illustrated Ilustrador. 1st. 4to, 303 pp. Fine copy (issued without dust jacket).

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Oversized Hardcover. Condición: Good. When the real estate bust of the 1970s hit New York City, artists found their own mixed uses for the city's run-down lofts, abandoned piers, vacant lots, and deserted streets, and photographers and filmlmakers documented their work. Published on the occasion of a major exhibition (Madrid, 2010), the book focuses on several important photographic series: Peter Hujar's 1976 nighttime photographs of Manhattan's West side; Alvin Baltrop's Hudson River pier photographs from 1975-1985, most of which have never before been shown or published; David Wojnarowicz's Rimbaud in New York (1978-1979), the first of his works to be published and several of Zoe Leonard's photographic projects from the late 1990s on. The book includes 70 color and 130 black-and-white images; a special section on visual documentation of performances and related activities, arranged by artist Louise Lawler; Glenn Ligon's text piece Housing in New York: A Brief History, 1960-2007 (2007); 'Losing the Form in Darkness,' an autobiographical story by David Wojnarowicz; and essays by prominent art historians. 300p.

Hardcover without dustjacket as issued, 304 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardcover. Condición: new. Hardcover. How New York artists have made use of the city's run-down lofts, neglected piers, vacant lots, and deserted streets.When the real estate bust of the 1970s hit New York City, artists found their own mixed uses for the city's run-down lofts, abandoned piers, vacant lots, and deserted streets, and photographers and filmmakers documented their work. Gordon Matta-Clark turned a sanitation pier into the celebrated work Day's End, and Betsy Sussler filmed its making; Harry Shunk made a photographic series from Willoughby Sharp's Projects- Pier 18 (which included work by Vito Acconci, Mel Bochner, Dan Graham, Gordon Matta-Clark, and William Wegman, among others); Cindy Sherman staged some of her Untitled Film Stills on the same city streets. Mixed Use, Manhattan documents and illustrates the most significant of these projects as well as more recent works by artists who continue to engage with the city's public, underground, and improvised spaces. The book (which accompanies a major exhibition) focuses on several important photographic series- Peter Hujar's 1976 nighttime photographs of Manhattan's West Side; Alvin Baltrop's Hudson River pier photographs from 1975-1985, most of which have never before been shown or published; David Wojnarowicz's Rimbaud in New York (1978-1979), the first of Wojnarowicz's works to be published; and several of Zoe Leonard's photographic projects from the late 1990s on. The book includes 70 color and 130 black-and-white images; a special section on visual documentation of performances and related activities, arranged by artist Louise Lawler; Glenn Ligon's text piece, Housing in New York- A Brief History, 1960-2007 (2007); "Losing the Form in Darkness," an autobiographical story by David Wojnarowicz; and essays by prominent art historians. How New York artists have made use of the city's run-down lofts, neglected piers, vacant lots, and deserted streets. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: New. 1st Edition. Bought new and never opened. In original new plastic wraps. Due to the weight and/or size of this book, we will request an additional shipping surcharge from a low of $5(domestic) to a high of $20 (international) shipping from the buyer, after the order is placed. The process to request the surcharge is speedy and will not delay shipping the book. Thank you for understanding.

Hardback. Condición: New.

Condición: New. pp. 303.

Hardcover. Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. How New York artists have made use of the city's run-down lofts, neglected piers, vacant lots, and deserted streets. Editor(s): Cooke, Lynne; Crimp, Douglas (Professor of Visual and Cultural Studies, University of Rochester, New York, USA). Num Pages: 303 pages, 130 color illus., 70 b&w illus. BIC Classification: ACXJ. Category: (G) General (US: Trade). Dimension: 277 x 237 x 31. Weight in Grams: 1706. . 2010. Illustrated. Hardcover. . . . .

Condición: New.

Condición: New. How New York artists have made use of the city's run-down lofts, neglected piers, vacant lots, and deserted streets. Editor(s): Cooke, Lynne; Crimp, Douglas (Professor of Visual and Cultural Studies, University of Rochester, New York, USA). Num Pages: 303 pages, 130 color illus., 70 b&w illus. BIC Classification: ACXJ. Category: (G) General (US: Trade). Dimension: 277 x 237 x 31. Weight in Grams: 1706. . 2010. Illustrated. Hardcover. . . . . Books ship from the US and Ireland.

Condición: New. pp. 303.

Hardback. Condición: New.

Condición: New. Lynne Cooke is Chief Curator and Deputy Director at the Museo Nacional Centro de Arte Reina Sof&#237a in Madrid and Curator at Large for Dia Art Foundation.Douglas Crimp is Fanny Knapp Allen Professor of Art History at the University of Rochester. .

Hardcover. Condición: Brand New. 300 pages. 10.75x9.25x1.50 inches. In Stock.

Hardcover. Condición: new. Hardcover. How New York artists have made use of the city's run-down lofts, neglected piers, vacant lots, and deserted streets.When the real estate bust of the 1970s hit New York City, artists found their own mixed uses for the city's run-down lofts, abandoned piers, vacant lots, and deserted streets, and photographers and filmmakers documented their work. Gordon Matta-Clark turned a sanitation pier into the celebrated work Day's End, and Betsy Sussler filmed its making; Harry Shunk made a photographic series from Willoughby Sharp's Projects- Pier 18 (which included work by Vito Acconci, Mel Bochner, Dan Graham, Gordon Matta-Clark, and William Wegman, among others); Cindy Sherman staged some of her Untitled Film Stills on the same city streets. Mixed Use, Manhattan documents and illustrates the most significant of these projects as well as more recent works by artists who continue to engage with the city's public, underground, and improvised spaces. The book (which accompanies a major exhibition) focuses on several important photographic series- Peter Hujar's 1976 nighttime photographs of Manhattan's West Side; Alvin Baltrop's Hudson River pier photographs from 1975-1985, most of which have never before been shown or published; David Wojnarowicz's Rimbaud in New York (1978-1979), the first of Wojnarowicz's works to be published; and several of Zoe Leonard's photographic projects from the late 1990s on. The book includes 70 color and 130 black-and-white images; a special section on visual documentation of performances and related activities, arranged by artist Louise Lawler; Glenn Ligon's text piece, Housing in New York- A Brief History, 1960-2007 (2007); "Losing the Form in Darkness," an autobiographical story by David Wojnarowicz; and essays by prominent art historians. How New York artists have made use of the city's run-down lofts, neglected piers, vacant lots, and deserted streets. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardback. Condición: New.