crimp lynne (27 resultados)

Hardcover. Condición: Very Good. 1st Edition. 4to, hardcover, 304pp., ills. First edition. VG+: a clean, bright, sound, very presentable copy. Extra postage will be asked (5).

hardcover. Condición: Fine. Profusely illustrated Ilustrador. 1st. 4to, 303 pp. Fine copy (issued without dust jacket).

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Oversized Hardcover. Condición: Good. When the real estate bust of the 1970s hit New York City, artists found their own mixed uses for the city's run-down lofts, abandoned piers, vacant lots, and deserted streets, and photographers and filmlmakers documented their work. Published on the occasion of a major exhibition (Madrid, 2010), the book focuses on several important photographic series: Peter Hujar's 1976 nighttime photographs of Manhattan's West side; Alvin Baltrop's Hudson River pier photographs from 1975-1985, most of which have never before been shown or published; David Wojnarowicz's Rimbaud in New York (1978-1979), the first of his works to be published and several of Zoe Leonard's photographic projects from the late 1990s on. The book includes 70 color and 130 black-and-white images; a special section on visual documentation of performances and related activities, arranged by artist Louise Lawler; Glenn Ligon's text piece Housing in New York: A Brief History, 1960-2007 (2007); 'Losing the Form in Darkness,' an autobiographical story by David Wojnarowicz; and essays by prominent art historians. 300p.

Hardcover without dustjacket as issued, 304 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardcover. Condición: new. Hardcover. How New York artists have made use of the city's run-down lofts, neglected piers, vacant lots, and deserted streets.When the real estate bust of the 1970s hit New York City, artists found their own mixed uses for the city's run-down lofts, abandoned piers, vacant lots, and deserted streets, and photographers and filmmakers documented their work. Gordon Matta-Clark turned a sanitation pier into the celebrated work Day's End, and Betsy Sussler filmed its making; Harry Shunk made a photographic series from Willoughby Sharp's Projects- Pier 18 (which included work by Vito Acconci, Mel Bochner, Dan Graham, Gordon Matta-Clark, and William Wegman, among others); Cindy Sherman staged some of her Untitled Film Stills on the same city streets. Mixed Use, Manhattan documents and illustrates the most significant of these projects as well as more recent works by artists who continue to engage with the city's public, underground, and improvised spaces. The book (which accompanies a major exhibition) focuses on several important photographic series- Peter Hujar's 1976 nighttime photographs of Manhattan's West Side; Alvin Baltrop's Hudson River pier photographs from 1975-1985, most of which have never before been shown or published; David Wojnarowicz's Rimbaud in New York (1978-1979), the first of Wojnarowicz's works to be published; and several of Zoe Leonard's photographic projects from the late 1990s on. The book includes 70 color and 130 black-and-white images; a special section on visual documentation of performances and related activities, arranged by artist Louise Lawler; Glenn Ligon's text piece, Housing in New York- A Brief History, 1960-2007 (2007); "Losing the Form in Darkness," an autobiographical story by David Wojnarowicz; and essays by prominent art historians. How New York artists have made use of the city's run-down lofts, neglected piers, vacant lots, and deserted streets. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: New. 1st Edition. Bought new and never opened. In original new plastic wraps. Due to the weight and/or size of this book, we will request an additional shipping surcharge from a low of $5(domestic) to a high of $20 (international) shipping from the buyer, after the order is placed. The process to request the surcharge is speedy and will not delay shipping the book. Thank you for understanding.

Hardback. Condición: New.

Condición: New. pp. 303.

Paperback. Condición: VG+. Color-illustrated softcover with white lettering. xv, 396 pp. 467 illustrations, mainly in color. Some 250 works explore three distinct periods in American history when mainstream and outlier artists intersected, ushering in new paradigms based on inclusion, integration, and assimilation. The exhibition aligns work by such diverse artists as Charles Sheeler, Christina Ramberg, and Matt Mullican with both historic folk art and works by self-taught artists ranging from Horace Pippin to Janet Sobel and Joseph Yoakum. It also examines a recent influx of radically expressive work made on the margins that redefined the boundaries of the mainstream art world, while challenging the very categories of "outsider" and "self-taught." Historicizing the shifting identity and role of this distinctly American version of modernism's "other," the exhibition probes assumptions about creativity, artistic practice, and the role of the artist in contemporary culture. The exhibition is curated by Lynne Cooke, senior curator, special projects in modern art, National Gallery of Art.--Provided by publisher. Contents as follows: Director's foreword / Earl A. Powell III -- Lenders to the exhibition -- Acknowledgments -- Note to the reader -- Boundary trouble : navigating margin and mainstream / Lynne Cooke -- Modernism's war on terror / Darby English -- How to make a modern primitive / Richard Meyer -- Find-and-seek : Discovery narratives, Americanization, and other tales of genius in modern American folk art / Jennifer Jane Marshall -- Black folk art redux : a curatorial roundtable / Lynne Cooke, John Beardsley, Katherine Jentleson. Faheem Majeed -- Museums, oh museums / Thomas J. Lax -- Affinities in abstraction : textiles, otherness, paintings in the 1970's / Jenni Sorkin -- Archives of femininity / Douglas Crimp -- Personal voyages / Suzanne Hudson -- Plates -- c. 1924 to 1943 : folk aesthetics refigured -- c. 1968 to 1992 : commensurables and incommensurables -- c. 1998 to 2013 : determining difference differently -- Biographies -- Checklist of the exhibition -- Index.

Hardcover. Condición: New.

Quarto, illus heavy boards, black lettering to spine, frontispiece, 303pp, illus, VG+ (light creasing to front board- superficial, light bruising to board edges, sm ink marking to top page edges).

Hardcover. Condición: VG+/VG+. Quarto. Hardcover. Gray paper over boards with red lettering; color illustrated dustjacket, white spine with red lettering; color illustrated end pages and frontispiece; xv, 396 pp. 467 illustrations, mainly in color. "The exhibition is organized by the National Gallery of Art, Washington. Exhibition dates: National Gallery of Art, Washington, January 28-May 13, 2018; High Museum of Art, Atlanta, June 24-September 30, 2018; Los Angeles County Museum of Art, November 18, 2018 - March 18, 2019"--Title page verso " Some 250 works explore three distinct periods in American history when mainstream and outlier artists intersected, ushering in new paradigms based on inclusion, integration, and assimilation. The exhibition aligns work by such diverse artists as Charles Sheeler, Christina Ramberg, and Matt Mullican with both historic folk art and works by self-taught artists ranging from Horace Pippin to Janet Sobel and Joseph Yoakum. It also examines a recent influx of radically expressive work made on the margins that redefined the boundaries of the mainstream art world, while challenging the very categories of "outsider" and "self-taught." Historicizing the shifting identity and role of this distinctly American version of modernism's "other," the exhibition probes assumptions about creativity, artistic practice, and the role of the artist in contemporary culture. The exhibition is curated by Lynne Cooke, senior curator, special projects in modern art, National Gallery of Art."--Provided by publisher.

Condición: As New. Unread book in perfect condition.

Condición: New. How New York artists have made use of the city's run-down lofts, neglected piers, vacant lots, and deserted streets. Editor(s): Cooke, Lynne; Crimp, Douglas (Professor of Visual and Cultural Studies, University of Rochester, New York, USA). Num Pages: 303 pages, 130 color illus., 70 b&w illus. BIC Classification: ACXJ. Category: (G) General (US: Trade). Dimension: 277 x 237 x 31. Weight in Grams: 1706. . 2010. Illustrated. Hardcover. . . . .

Condición: New.

Condición: New. How New York artists have made use of the city's run-down lofts, neglected piers, vacant lots, and deserted streets. Editor(s): Cooke, Lynne; Crimp, Douglas (Professor of Visual and Cultural Studies, University of Rochester, New York, USA). Num Pages: 303 pages, 130 color illus., 70 b&w illus. BIC Classification: ACXJ. Category: (G) General (US: Trade). Dimension: 277 x 237 x 31. Weight in Grams: 1706. . 2010. Illustrated. Hardcover. . . . . Books ship from the US and Ireland.

Condición: New. pp. 303.

Hardback. Condición: New.

Card Covers. Condición: Near Fine. No Jacket. First Edition. 160pp. 1997. First edition. A lovely, clean, tight fresh near fine copy of this book on Mary Kelly - in the contemporary artists series. The text supported by numerous photographic reproductions in colour and black-and-white of the artist's work. No inscriptions. Very slight bumps along the edge of the lower front card cover bearly noticable and concealed by the overlying wrapper. A lovely copy.

Condición: New. Lynne Cooke is Chief Curator and Deputy Director at the Museo Nacional Centro de Arte Reina Sof&#237a in Madrid and Curator at Large for Dia Art Foundation.Douglas Crimp is Fanny Knapp Allen Professor of Art History at the University of Rochester. .

Hardcover. Condición: Brand New. 300 pages. 10.75x9.25x1.50 inches. In Stock.

Encuadernación de tapa dura. Condición: Casi nuevo. 2010. Catálogo de gran formato y peso de la exposición celebrada en el MNCARS (Madrid) en Junio - Septiembre de 2010. 303 pp. Excelentes reproducciones en b/n y color de las 254 fotografías expuestas. Idioma: Español. LIB 2C.

Hardcover. Condición: new. Hardcover. How New York artists have made use of the city's run-down lofts, neglected piers, vacant lots, and deserted streets.When the real estate bust of the 1970s hit New York City, artists found their own mixed uses for the city's run-down lofts, abandoned piers, vacant lots, and deserted streets, and photographers and filmmakers documented their work. Gordon Matta-Clark turned a sanitation pier into the celebrated work Day's End, and Betsy Sussler filmed its making; Harry Shunk made a photographic series from Willoughby Sharp's Projects- Pier 18 (which included work by Vito Acconci, Mel Bochner, Dan Graham, Gordon Matta-Clark, and William Wegman, among others); Cindy Sherman staged some of her Untitled Film Stills on the same city streets. Mixed Use, Manhattan documents and illustrates the most significant of these projects as well as more recent works by artists who continue to engage with the city's public, underground, and improvised spaces. The book (which accompanies a major exhibition) focuses on several important photographic series- Peter Hujar's 1976 nighttime photographs of Manhattan's West Side; Alvin Baltrop's Hudson River pier photographs from 1975-1985, most of which have never before been shown or published; David Wojnarowicz's Rimbaud in New York (1978-1979), the first of Wojnarowicz's works to be published; and several of Zoe Leonard's photographic projects from the late 1990s on. The book includes 70 color and 130 black-and-white images; a special section on visual documentation of performances and related activities, arranged by artist Louise Lawler; Glenn Ligon's text piece, Housing in New York- A Brief History, 1960-2007 (2007); "Losing the Form in Darkness," an autobiographical story by David Wojnarowicz; and essays by prominent art historians. How New York artists have made use of the city's run-down lofts, neglected piers, vacant lots, and deserted streets. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardback. Condición: New.