Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
EUR 35,19
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Añadir al carritoHardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
EUR 82,96
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Añadir al carritoCondición: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.
EUR 80,17
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Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Columbia University Press, 2017
ISBN 10: 0231167547 ISBN 13: 9780231167543
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
EUR 77,60
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Añadir al carritoHRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
EUR 78,28
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Añadir al carritoCondición: New.
EUR 79,93
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Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Columbia University Press, 2018
ISBN 10: 0231167547 ISBN 13: 9780231167543
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 87,23
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Añadir al carritoCondición: New. 2017. revised edition. Hardcover. . . . . .
EUR 87,59
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Añadir al carritoCondición: new.
Idioma: Inglés
Publicado por Columbia University Press, US, 2017
ISBN 10: 0231167547 ISBN 13: 9780231167543
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
EUR 107,57
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Añadir al carritoHardback. Condición: New. Revised Edition. Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution. Nicholas Rombes considers Festen (1998), The Blair Witch Project (1999), Timecode (2000), Russian Ark (2002), and The Ring (2002), among others. Haunted by their analogue pasts, these films are interested not in digital purity but rather in imperfection and mistakes-blurry or pixilated images, shaky camera work, and other elements that remind viewers of the human behind the camera. With a new introduction and new material, this updated edition takes a fresh look at the historical and contemporary state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image, as well as how recent films such as The Social Network (2010) and The Girl with the Dragon Tattoo (2011)-both shot digitally-have disguised and erased their digital foundations.The book also explores new possibilities for writing about and theorizing film, such as randomization.
Idioma: Inglés
Publicado por Wallflower Press 2018-01-09, 2018
ISBN 10: 0231167547 ISBN 13: 9780231167543
Librería: Chiron Media, Wallingford, Reino Unido
EUR 93,45
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Añadir al carritoHardcover. Condición: New.
Idioma: Inglés
Publicado por Columbia University Press, US, 2017
ISBN 10: 0231167547 ISBN 13: 9780231167543
Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de America
EUR 112,00
Cantidad disponible: Más de 20 disponibles
Añadir al carritoHardback. Condición: New. Revised Edition. Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution. Nicholas Rombes considers Festen (1998), The Blair Witch Project (1999), Timecode (2000), Russian Ark (2002), and The Ring (2002), among others. Haunted by their analogue pasts, these films are interested not in digital purity but rather in imperfection and mistakes-blurry or pixilated images, shaky camera work, and other elements that remind viewers of the human behind the camera. With a new introduction and new material, this updated edition takes a fresh look at the historical and contemporary state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image, as well as how recent films such as The Social Network (2010) and The Girl with the Dragon Tattoo (2011)-both shot digitally-have disguised and erased their digital foundations.The book also explores new possibilities for writing about and theorizing film, such as randomization.
EUR 112,33
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Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Columbia University Press, 2017
ISBN 10: 0231167547 ISBN 13: 9780231167543
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
EUR 116,63
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Añadir al carritoHRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Idioma: Inglés
Publicado por Columbia University Press, 2017
ISBN 10: 0231167547 ISBN 13: 9780231167543
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
EUR 108,25
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Añadir al carritoCondición: New. 2017. revised edition. Hardcover. . . . . . Books ship from the US and Ireland.
Idioma: Inglés
Publicado por Columbia University Press, 2017
ISBN 10: 0231167547 ISBN 13: 9780231167543
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
EUR 98,41
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Añadir al carritoHardback. Condición: New. New copy - Usually dispatched within 4 working days.
EUR 134,39
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Añadir al carritoCondición: As New. Unread book in perfect condition.
EUR 120,48
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Añadir al carritoCondición: New.
EUR 141,31
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Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por Columbia University Press, US, 2017
ISBN 10: 0231167547 ISBN 13: 9780231167543
Librería: Rarewaves USA United, OSWEGO, IL, Estados Unidos de America
EUR 115,02
Cantidad disponible: Más de 20 disponibles
Añadir al carritoHardback. Condición: New. Revised Edition. Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution. Nicholas Rombes considers Festen (1998), The Blair Witch Project (1999), Timecode (2000), Russian Ark (2002), and The Ring (2002), among others. Haunted by their analogue pasts, these films are interested not in digital purity but rather in imperfection and mistakes-blurry or pixilated images, shaky camera work, and other elements that remind viewers of the human behind the camera. With a new introduction and new material, this updated edition takes a fresh look at the historical and contemporary state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image, as well as how recent films such as The Social Network (2010) and The Girl with the Dragon Tattoo (2011)-both shot digitally-have disguised and erased their digital foundations.The book also explores new possibilities for writing about and theorizing film, such as randomization.
EUR 161,34
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Añadir al carritoHardcover. Condición: Brand New. 2nd revised edition. 272 pages. 9.50x6.50x1.00 inches. In Stock.
Idioma: Inglés
Publicado por Columbia University Press, 2017
ISBN 10: 0231167547 ISBN 13: 9780231167543
Librería: moluna, Greven, Alemania
EUR 125,26
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New. This updated edition of Cinema in the Digital Age takes a fresh look at the state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image and examines how rec.
Idioma: Inglés
Publicado por Columbia University Press, US, 2017
ISBN 10: 0231167547 ISBN 13: 9780231167543
Librería: Rarewaves.com UK, London, Reino Unido
EUR 101,49
Cantidad disponible: 2 disponibles
Añadir al carritoHardback. Condición: New. Revised Edition. Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution. Nicholas Rombes considers Festen (1998), The Blair Witch Project (1999), Timecode (2000), Russian Ark (2002), and The Ring (2002), among others. Haunted by their analogue pasts, these films are interested not in digital purity but rather in imperfection and mistakes-blurry or pixilated images, shaky camera work, and other elements that remind viewers of the human behind the camera. With a new introduction and new material, this updated edition takes a fresh look at the historical and contemporary state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image, as well as how recent films such as The Social Network (2010) and The Girl with the Dragon Tattoo (2011)-both shot digitally-have disguised and erased their digital foundations.The book also explores new possibilities for writing about and theorizing film, such as randomization.
Idioma: Inglés
Publicado por Columbia University Press Dez 2017, 2017
ISBN 10: 0231167547 ISBN 13: 9780231167543
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 173,05
Cantidad disponible: 2 disponibles
Añadir al carritoBuch. Condición: Neu. Neuware - This updated edition of Cinema in the Digital Age takes a fresh look at the state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image and examines how recent films have disguised and erased their digital foundations.
Librería: Revaluation Books, Exeter, Reino Unido
EUR 114,96
Cantidad disponible: 2 disponibles
Añadir al carritoHardcover. Condición: Brand New. 2nd revised edition. 272 pages. 9.50x6.50x1.00 inches. In Stock. This item is printed on demand.