9780199331444 - oxford handbook of music and disability studies (20 resultados)
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Oxford Handbook of Music and Disability Studies
Howe, Blake (EDT); Jensen-Moulton, Stephanie (EDT); Lerner, Neil (EDT); Straus, Joseph (EDT)
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Oxford Handbook of Music and Disability Studies
Howe, Blake (EDT); Jensen-Moulton, Stephanie (EDT); Lerner, Neil (EDT); Straus, Joseph (EDT)
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Oxford Handbook of Music and Disability Studies
Howe, Blake (EDT); Jensen-Moulton, Stephanie (EDT); Lerner, Neil (EDT); Straus, Joseph (EDT)
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Oxford Handbook of Music and Disability Studies
Howe, Blake (EDT); Jensen-Moulton, Stephanie (EDT); Lerner, Neil (EDT); Straus, Joseph (EDT)
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The Oxford Handbook of Music and Disability Studies
. Ed(s): Howe, Blake; Jensen-Moulton, Stephanie; Lerner, Neil; Straus, Joseph
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Condición: New. Like race, gender, and sexuality, disability is a social and cultural construction. Music, musicians, and music-making simultaneously embody and shape representations and narratives of disability. Disability - culturally stigmatized minds and bodies - is one of the things that music in all times and places can be… said to be about. Editor(s): Howe, Blake; Jensen-Moulton, Stephanie; Lerner, Neil; Straus, Joseph. Series: Oxford Handbooks. Num Pages: 952 pages, illustrations. BIC Classification: AVA; JFFG. Category: (G) General (US: Trade). Dimension: 185 x 256 x 60. Weight in Grams: 1728. . 2015. hardcover. . . . .
The Oxford Handbook of Music and Disability Studies
. Ed(s): Howe, Blake; Jensen-Moulton, Stephanie; Lerner, Neil; Straus, Joseph
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Condición: New. Like race, gender, and sexuality, disability is a social and cultural construction. Music, musicians, and music-making simultaneously embody and shape representations and narratives of disability. Disability - culturally stigmatized minds and bodies - is one of the things that music in all times and places can be… said to be about. Editor(s): Howe, Blake; Jensen-Moulton, Stephanie; Lerner, Neil; Straus, Joseph. Series: Oxford Handbooks. Num Pages: 952 pages, illustrations. BIC Classification: AVA; JFFG. Category: (G) General (US: Trade). Dimension: 185 x 256 x 60. Weight in Grams: 1728. . 2015. hardcover. . . . . Books ship from the US and Ireland.
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Hardcover. Condición: Brand New. 1st edition. 952 pages. 10.50x7.00x2.50 inches. In Stock.
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Hardcover. Condición: new. Hardcover. The Oxford Handbook of Disability Studies represents a comprehensive state of current research for the field of Disability Studies and Music. The forty-two chapters in the book span a wide chronological and geographical range, from the biblical, the medieval, and the Elizabethan, through the… canonical classics of the eighteenth and nineteenth centuries, up to modernist styles and contemporary musical theater and popular genres, with stops along the way in post-CivilWar America, Ghana and the South Pacific, and many other interesting times and places. Disability is a broad, heterogeneous, and porous identity, and that diversity is reflected in the variety ofbodily conditions under discussion here, including autism and intellectual disability, deafness, blindness, mobility impairment often coupled with bodily difference, and cognitive and intellectual impairments. Amid this diversity of time, place, style, medium, and topic, the chapters share two core commitments. First, they are united in their theoretical and methodological connection to Disability Studies, especially its central idea that disability is a social and cultural construction.Disability both shapes and is shaped by culture, including musical culture. Second, these essays individually and collectively make the case that disability is not something at the periphery of culture andmusic, but something central to our art and to our humanity. Like race, gender, and sexuality, disability is a social and cultural construction. Music, musicians, and music-making simultaneously embody and shape representations and narratives of disability. Disability -- culturally stigmatized minds and bodies -- is one of the things that music in all times and places can be said to be about. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Condición: New. Print on Demand pp. 944.
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Condición: New. Print on Demand pp. 944.
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Gebunden. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Like race, gender, and sexuality, disability is a social and cultural construction. Music, musicians, and music-making simultaneously embody and shape representations and narratives of disability. Disability… - culturally stigmatized minds and bodies - is on.
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Buch. Condición: Neu. Oxford Handbook of Music and Disability Studies | Blake Howe (u. a.) | Buch | Buch | Englisch | 2015 | OXFORD UNIV PR | EAN 9780199331444 | Verantwortliche Person für die EU: Deutsche Bibelgesellschaft, Postfach:81 03 40, 70567 Stuttgart, vertrieb[at]dbg[dot]de | Anbieter: preigu Print on Demand.
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Buch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The newly emerged interdisciplinary field of Disability Studies offers a sociopolitical analysis of disability, focusing on its social construction, and shifting attention from biology to culture. In the past fifteen years, disability-related s…cholarly work has been undertaken in a variety of disciplines, and disability now occupies a central place in cultural analysis, along with well-established categories like race/ethnicity, gender, sexuality, and class.The Oxford Handbook of Disability Studies represents a comprehensive 'state of current research' for the field of Disability Studies and Music. The forty-two chapters in the book span a wide chronological and geographical range, from the biblical, the medieval, and the Elizabethan, through the canonical classics of the eighteenth and nineteenth centuries, up to modernist styles and contemporary musical theater and popular genres, with stops along the way in post-Civil War AmericaGhana and the South Pacific, and many other interesting times and places. Disability is a broad, heterogeneous, and porous identity, and that diversity is reflected in the variety of bodily conditions under discussion here, including autism and intellectual disability, deafness, blindness, and mobility impairmentoften coupled with bodily deformity. Cultural Disability Studies has, from its inception, been oriented toward physical and sensory disabilities, and has generally been less effective in dealing with cognitive and intellectual impairments and with the sorts of emotions and behaviors that in our era are often medicalized as 'mental illness.' In that context, it is notable that so many of these essays are centrally concerned with madness, that broad and ever-shifting cultural category. There isalso in impressive diversity of subject matter including YouTube videos, Ghanaian drumming, Cirque du Soleil, piano competitions, castrati, medieval smoking songs, and popular musicals.Amid this diversity of time, place, style, medium, and topic, the chapters share two core commitments. First, they are united in their theoretical and methodological connection to Disability Studies, especially its central idea that disability is a social and cultural construction. Disability both shapes and is shaped by culture, including musical culture. Second, these essays individually and collectively make the case that disability is not something at the periphery of culture and music, butsomething central to our art and to our humanity.
