9780199261369 - english renaissance literary criticism de vickers, brian (28 resultados)
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paperback. Condición: Very Good. Oxford University Press, NY, c.2003, 1st.trade paperbk.prtg., 655pp., NF $.
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Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1050grams, ISBN:9780199261369.
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Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:9780199261369.
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Paperback. Condición: new. Paperback. This is the first comprehensive collection of English Renaissance literary criticism to appear for nearly a century. Brian Vickers has brought together a wide-ranging selection of texts, some well-known (such as Sir Philip Sidney's Apology for Poetry, the most brilliant critical essay of the… whole Renaissance, here given complete), some little-known (Dudley North's account of Metaphysical poetry), and one being printed for the first time (John Ford's elegy on JohnFletcher).In an extensive introduction the editor surveys the main sources and models for English criticism, which turn out to be the major classical texts fusing poetics andrhetoric: Cicero, Quintilian, Horace, Plutarch. Whereas modern literary theory conceives of an autonomous poetic (the poem existing as a verbal artefact, irrespective of its influence on the reader) in the Renaissance all critical theories were rhetorical, seeing literature as having a deliberate design on its readers, to arouse their feelings and to make them love virtue, hate vice. Writers commonly saw their task as being to 'inflame' readers with the desire to emulategoodness.Renaissance literary criticism is also prescriptive, not descriptive: that is, it describes how literature should be written and what effects it should strive for. Accepting this orientation,the editor has included a substantial selection from the major hand-books on rhetoric and poetics, Thomas Wilson's The Arte of Rhetorique (1560) and George Puttenham's The Arte of English Poesie (1589). The emphasis throughout is on the links between literary criticism and literature itself. Most of the selections were produced by the practitioners themselves, poets and dramatists discussing their art: Gascoigne, Spenser, Campion, Daniel, Jonson, Shakespeare (in one of the scenes he contributedto Edward III), Chapman, Fletcher, Heywood, Massinger, Milton. The anthology also includes discussions of all the major literary genres: Senecan tragedy, comedy, tragicomedy, pastoral and allegory,Homeric translations, epic and romance, religious and lyric poetry.All selections are annotated, identifying classical and other sources, and giving translations for Greek, Latin, and Italian texts. A section is devoted to Further Reading, and an extensive glossary is provided for archaic and technical words. This is a collection of English Renaissance literary criticism. In his introduction Vickers demonstrates that English critics in the period 1520 to 1650 owed most to classical writers on rhetoric and poetics: Cicero, Horace, Quintilian, Plutarch. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condición: new. Paperback. This is the first comprehensive collection of English Renaissance literary criticism to appear for nearly a century. Brian Vickers has brought together a wide-ranging selection of texts, some well-known (such as Sir Philip Sidney's Apology for Poetry, the most brilliant critical essay of the… whole Renaissance, here given complete), some little-known (Dudley North's account of Metaphysical poetry), and one being printed for the first time (John Ford's elegy on JohnFletcher).In an extensive introduction the editor surveys the main sources and models for English criticism, which turn out to be the major classical texts fusing poetics andrhetoric: Cicero, Quintilian, Horace, Plutarch. Whereas modern literary theory conceives of an autonomous poetic (the poem existing as a verbal artefact, irrespective of its influence on the reader) in the Renaissance all critical theories were rhetorical, seeing literature as having a deliberate design on its readers, to arouse their feelings and to make them love virtue, hate vice. Writers commonly saw their task as being to 'inflame' readers with the desire to emulategoodness.Renaissance literary criticism is also prescriptive, not descriptive: that is, it describes how literature should be written and what effects it should strive for. Accepting this orientation,the editor has included a substantial selection from the major hand-books on rhetoric and poetics, Thomas Wilson's The Arte of Rhetorique (1560) and George Puttenham's The Arte of English Poesie (1589). The emphasis throughout is on the links between literary criticism and literature itself. Most of the selections were produced by the practitioners themselves, poets and dramatists discussing their art: Gascoigne, Spenser, Campion, Daniel, Jonson, Shakespeare (in one of the scenes he contributedto Edward III), Chapman, Fletcher, Heywood, Massinger, Milton. The anthology also includes discussions of all the major literary genres: Senecan tragedy, comedy, tragicomedy, pastoral and allegory,Homeric translations, epic and romance, religious and lyric poetry.All selections are annotated, identifying classical and other sources, and giving translations for Greek, Latin, and Italian texts. A section is devoted to Further Reading, and an extensive glossary is provided for archaic and technical words. This is a collection of English Renaissance literary criticism. In his introduction Vickers demonstrates that English critics in the period 1520 to 1650 owed most to classical writers on rhetoric and poetics: Cicero, Horace, Quintilian, Plutarch. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Paperback. Condición: new. Paperback. This is the first comprehensive collection of English Renaissance literary criticism to appear for nearly a century. Brian Vickers has brought together a wide-ranging selection of texts, some well-known (such as Sir Philip Sidney's Apology for Poetry, the most brilliant critical essay of the… whole Renaissance, here given complete), some little-known (Dudley North's account of Metaphysical poetry), and one being printed for the first time (John Ford's elegy on JohnFletcher).In an extensive introduction the editor surveys the main sources and models for English criticism, which turn out to be the major classical texts fusing poetics andrhetoric: Cicero, Quintilian, Horace, Plutarch. Whereas modern literary theory conceives of an autonomous poetic (the poem existing as a verbal artefact, irrespective of its influence on the reader) in the Renaissance all critical theories were rhetorical, seeing literature as having a deliberate design on its readers, to arouse their feelings and to make them love virtue, hate vice. Writers commonly saw their task as being to 'inflame' readers with the desire to emulategoodness.Renaissance literary criticism is also prescriptive, not descriptive: that is, it describes how literature should be written and what effects it should strive for. Accepting this orientation,the editor has included a substantial selection from the major hand-books on rhetoric and poetics, Thomas Wilson's The Arte of Rhetorique (1560) and George Puttenham's The Arte of English Poesie (1589). The emphasis throughout is on the links between literary criticism and literature itself. Most of the selections were produced by the practitioners themselves, poets and dramatists discussing their art: Gascoigne, Spenser, Campion, Daniel, Jonson, Shakespeare (in one of the scenes he contributedto Edward III), Chapman, Fletcher, Heywood, Massinger, Milton. The anthology also includes discussions of all the major literary genres: Senecan tragedy, comedy, tragicomedy, pastoral and allegory,Homeric translations, epic and romance, religious and lyric poetry.All selections are annotated, identifying classical and other sources, and giving translations for Greek, Latin, and Italian texts. A section is devoted to Further Reading, and an extensive glossary is provided for archaic and technical words. This is a collection of English Renaissance literary criticism. In his introduction Vickers demonstrates that English critics in the period 1520 to 1650 owed most to classical writers on rhetoric and poetics: Cicero, Horace, Quintilian, Plutarch. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Librería: moluna, Greven, Alemaniamoluna
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Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. In this collection of English Renaissance literary criticism, Vickers demonstrates that English critics in the period 1520 to 1650 owed most to classical writers on rhetoric and poetics: Cicero, Horace, Quintilian, Pl…utarch. Annotated selections identify cl.
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Condición: New. Print on Demand pp. 672.
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Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This is the first comprehensive collection of English Renaissance literary criticism to appear for nearly a century. Brian Vickers has brought together a wide-ranging selection of texts, some well-known (such as Sir Philip Sidney's Apolo…gy for Poetry, the most brilliant critical essay of the whole Renaissance, here given complete), some little-known (Dudley North's account of Metaphysical poetry), and one being printed for the first time (John Ford's elegy on John Fletcher).In an extensive introduction the editor surveys the main sources and models for English criticism, which turn out to be the major classical texts fusing poetics and rhetoric: Cicero, Quintilian, Horace, Plutarch. Whereas modern literary theory conceives of an autonomous poetic (the poem existing as a verbal artefact, irrespective of its influence on the reader) in the Renaissance all critical theories were rhetorical, seeing literature as having a deliberate design on its readers, to arouse their feelings and to make them love virtue, hate vice. Writers commonly saw their task as being to 'inflame' readers with the desire to emulate goodness.Renaissance literary criticism is also prescriptive, not descriptive: that is, it describes how literature should be written and what effects it should strive for. Accepting this orientation, the editor has included a substantial selection from the major hand-books on rhetoric and poetics, Thomas Wilson's The Arte of Rhetorique (1560) and George Puttenham's The Arte of English Poesie (1589). The emphasis throughout is on the links between literary criticism and literature itself. Most of the selections were produced by the practitioners themselves, poets and dramatists discussing their art: Gascoigne, Spenser, Campion, Daniel, Jonson, Shakespeare (in one of the scenes he contributed to Edward III), Chapman, Fletcher, Heywood, Massinger, Milton. The anthology also includes discussions of all the major literary genres: Senecan tragedy, comedy, tragicomedy, pastoral and allegory, Homeric translations, epic and romance, religious and lyric poetry.All selections are annotated, identifying classical and other sources, and giving translations for Greek, Latin, and Italian texts. A section is devoted to Further Reading, and an extensive glossary is provided for archaic and technical words.
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Taschenbuch. Condición: Neu. English Renaissance Literary Criticism | Brian Vickers | Taschenbuch | Kartoniert / Broschiert | Englisch | 2003 | OUP Oxford | EAN 9780199261369 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
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Condición: New. Print on Demand pp. 672 1:B&W 5.5 x 8.5 in or 216 x 140 mm (Demy 8vo) Perfect Bound on Creme w/Gloss Lam.
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Condición: New. PRINT ON DEMAND pp. 672.
