9780198950721 - modernism’s whims (13 resultados)
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Hardcover. Condición: new. Hardcover. Thomas Hardy asks of the ghost stalking him: 'Whither, O whither will your whim now draw me?' Immediately tripping up on its own laid-out comma, then pausing to howl theatrically, and hedging its bets with a stuttering, archaic 'whither' that sceptically hovers between 'where' and 'whether',… this line has already begun to worry about where it is going or being 'whim-drawn.' On the other hand, it enjoys its worry, over-performs the conundrum. It is a whim addressing a whim.Beci Carver's Modernism's Whims is a book about whims; their tyrannies, arbitrariness, ultimate frivolity: how they may feel urgent for all their lightness, while still letting you play, letting you go, letting you off the hook. The book is at once a meditation on the whim as a phenomenon and an endeavour to track the specific (albeit necessarily intangible) literary whims of four modernist writers: Hardy, T. S. Eliot, William Empson, Elsie Elizabeth Phare. Moving counter to the otherwise professionalised spirit of modernism, these literary whims and their author sponsors are imagined to occupy a fugitive position within the broader movement, their progress dangerously silly. Carver situates modernism after whim's Golden Age in the mid-nineteenth century, at a literary-historical moment when authors were expected to know what they were about. Hardy's stalker ghost is on the run. Beci Carver's Modernism's Whims asks: what is it that 'whim' names? - what manner of simultaneously playful and possibly preoccupying thing? The book focuses, in answering this question, on the work of four twentieth-century experimental and intermittently whimsical authors: Thomas Hardy, T. S. Eliot, William Empson, and Elsie Elizabeth Phare. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Hardcover. Condición: new. Hardcover. Thomas Hardy asks of the ghost stalking him: 'Whither, O whither will your whim now draw me?' Immediately tripping up on its own laid-out comma, then pausing to howl theatrically, and hedging its bets with a stuttering, archaic 'whither' that sceptically hovers between 'where' and 'whether',… this line has already begun to worry about where it is going or being 'whim-drawn.' On the other hand, it enjoys its worry, over-performs the conundrum. It is a whim addressinga whim.Beci Carver's Modernism's Whims is a book about whims; their tyrannies, arbitrariness, ultimate frivolity: how they may feel urgent for all their lightness, while stillletting you play, letting you go, letting you off the hook. The book is at once a meditation on the whim as a phenomenon and an endeavour to track the specific (albeit necessarily intangible) literary whims of four modernist writers: Hardy, T. S. Eliot, William Empson, Elsie Elizabeth Phare. Moving counter to the otherwise professionalised spirit of modernism, these literary whims and their author sponsors are imagined to occupy a fugitive position within the broader movement, their progressdangerously silly. Carver situates modernism after whim's Golden Age in the mid-nineteenth century, at a literary-historical moment when authors were expected to know what they were about. Hardy'sstalker ghost is on the run. Beci Carver's Modernism's Whims asks: what is it that 'whim' names? - what manner of simultaneously playful and possibly preoccupying thing? The book focuses, in answering this question, on the work of four twentieth-century experimental and intermittently whimsical authors: Thomas Hardy, T. S. Eliot, William Empson, and Elsie Elizabeth Phare. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
