Isbn: 9780198182696 - shakespeare and classical comedy: the influence of plautus and terence (22 resultados)

Condición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

hardcover. Condición: New. Hardcover and dust jacket. Good binding and cover. Clean, unmarked pages.

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:0198182694.…

Condición: New. A survey of Shakespeare's comedies, charting the influence upon them of the ancient playwrights, Plautus and Terence. The book analyzes these sources and places the comedies in their Renaissance context, as well as in the larger context of European theatre. Num Pages: 246 pages, bibliography. BIC Classification: 1DBKE; 2AB; DSGS. Category: (P) Professional & Vocational. Dimension: 225 x 146 x 19. Weight in Grams: 432. . 1994. hardcover. . . . . …

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: New. A survey of Shakespeare's comedies, charting the influence upon them of the ancient playwrights, Plautus and Terence. The book analyzes these sources and places the comedies in their Renaissance context, as well as in the larger context of European theatre. Num Pages: 246 pages, bibliography. BIC Classification: 1DBKE; 2AB; DSGS. Category: (P) Professional & Vocational. Dimension: 225 x 146 x 19. Weight in Grams: 432. . 1994. hardcover. . . . . Books ship from the US and Ireland. …

Condición: New. In English.

Condición: As New. Unread book in perfect condition.

Condición: NEW.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. This book surveys Shakespeare's comedies, charting the influence upon them of the ancient playwrights, Plautus and Terence. Robert Miola analyses these sources, and places the comedies in their Renaissance context, as well as in the larger context of European theatre.Discovering new indebtedness, and discerning new patterns in previously attested borrowings, Shakespeare and Classical Comedy presents an integrated and comprehensive assessment of the complex interactions of the Classical, Shakesparian, and other Renaissance theatres. Robert Miola re-evaluates Plautus and Terence in the light of the Greek antecedents, and gives special attention to Renaissance translations and commentaries, Italian theorists, and playwrights, as well as contemporary dramtist such as Middleton, Joson, Heywood, and Chapman. Four broad catergories organize the discussion - New Comedic errors, intrigue, alazoneia, and romance - and each is illustrated by illuminating readings of individual Shakespearian plays. The author keeps in view Shakespeare's eclecticism, his habit of combining disparate sources and traditions, as well as the rich history of literary criticism and theatrical interpretation. The book concludes by discussing the presence of New Comedy in tragedy, in Hamlet and King Lear.Robert Miola's thoroughly researched book ranges over a vast amount of European drama, from Aristophanes to Beckett and Ionesco. It makes an important contribution to our understanding not only of Shakespeare and of his foremost antecedents, but also of his artistry and achievement.…

Hardback. Condición: New. This book surveys Shakespeare's comedies, charting the influence upon them of the ancient playwrights, Plautus and Terence. Robert Miola analyses these sources, and places the comedies in their Renaissance context, as well as in the larger context of European theatre.Discovering new indebtedness, and discerning new patterns in previously attested borrowings, Shakespeare and Classical Comedy presents an integrated and comprehensive assessment of the complex interactions of the Classical, Shakesparian, and other Renaissance theatres. Robert Miola re-evaluates Plautus and Terence in the light of the Greek antecedents, and gives special attention to Renaissance translations and commentaries, Italian theorists, and playwrights, as well as contemporary dramtist such as Middleton, Joson, Heywood, and Chapman. Four broad catergories organize the discussion - New Comedic errors, intrigue, alazoneia, and romance - and each is illustrated by illuminating readings of individual Shakespearian plays. The author keeps in view Shakespeare's eclecticism, his habit of combining disparate sources and traditions, as well as the rich history of literary criticism and theatrical interpretation. The book concludes by discussing the presence of New Comedy in tragedy, in Hamlet and King Lear.Robert Miola's thoroughly researched book ranges over a vast amount of European drama, from Aristophanes to Beckett and Ionesco. It makes an important contribution to our understanding not only of Shakespeare and of his foremost antecedents, but also of his artistry and achievement.…

Condición: new. Questo è un articolo print on demand.

Hardcover. Condición: new. Hardcover. This book surveys Shakespeare's comedies, charting the influence upon them of the ancient playwrights, Plautus and Terence. Robert Miola analyses these sources, and places the comedies in their Renaissance context, as well as in the larger context of European theatre.Discovering new indebtedness, and discerning new patterns in previously attested borrowings, Shakespeare and Classical Comedy presents an integrated and comprehensive assessmentof the complex interactions of the Classical, Shakesparian, and other Renaissance theatres. Robert Miola re-evaluates Plautus and Terence in the light of the Greek antecedents, and gives specialattention to Renaissance translations and commentaries, Italian theorists, and playwrights, as well as contemporary dramtist such as Middleton, Joson, Heywood, and Chapman. Four broad catergories organize the discussion - New Comedic errors, intrigue, alazoneia, and romance - and each is illustrated by illuminating readings of individual Shakespearian plays. The author keeps in view Shakespeare's eclecticism, his habit of combining disparate sources and traditions, as well as the rich historyof literary criticism and theatrical interpretation. The book concludes by discussing the presence of New Comedy in tragedy, in Hamlet and King Lear.Robert Miola's thoroughlyresearched book ranges over a vast amount of European drama, from Aristophanes to Beckett and Ionesco. It makes an important contribution to our understanding not only of Shakespeare and of his foremost antecedents, but also of his artistry and achievement. This book surveys Shakespeare's comedies, charting the influence upon them of the ancient playwrights, Plautus and Terence. Analysing these sources, and placing the comedies in their Renaissance context, as well as in the larger context of European theatre, Robert Miola's book looks at the theory of comedy. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condición: Brand New. 1st edition. 248 pages. 8.75x5.50x0.75 inches. In Stock. This item is printed on demand.

Hardcover. Condición: new. Hardcover. This book surveys Shakespeare's comedies, charting the influence upon them of the ancient playwrights, Plautus and Terence. Robert Miola analyses these sources, and places the comedies in their Renaissance context, as well as in the larger context of European theatre.Discovering new indebtedness, and discerning new patterns in previously attested borrowings, Shakespeare and Classical Comedy presents an integrated and comprehensive assessmentof the complex interactions of the Classical, Shakesparian, and other Renaissance theatres. Robert Miola re-evaluates Plautus and Terence in the light of the Greek antecedents, and gives specialattention to Renaissance translations and commentaries, Italian theorists, and playwrights, as well as contemporary dramtist such as Middleton, Joson, Heywood, and Chapman. Four broad catergories organize the discussion - New Comedic errors, intrigue, alazoneia, and romance - and each is illustrated by illuminating readings of individual Shakespearian plays. The author keeps in view Shakespeare's eclecticism, his habit of combining disparate sources and traditions, as well as the rich historyof literary criticism and theatrical interpretation. The book concludes by discussing the presence of New Comedy in tragedy, in Hamlet and King Lear.Robert Miola's thoroughlyresearched book ranges over a vast amount of European drama, from Aristophanes to Beckett and Ionesco. It makes an important contribution to our understanding not only of Shakespeare and of his foremost antecedents, but also of his artistry and achievement. This book surveys Shakespeare's comedies, charting the influence upon them of the ancient playwrights, Plautus and Terence. Analysing these sources, and placing the comedies in their Renaissance context, as well as in the larger context of European theatre, Robert Miola's book looks at the theory of comedy. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Buch. Condición: Neu. Shakespeare and Classical Comedy | The Influence of Plautus and Terence | Robert S. Miola | Buch | Gebunden | Englisch | 1997 | OUP Oxford | EAN 9780198182696 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. …

Condición: New. Print on Demand pp. 248.

Condición: New. Print on Demand pp. 248 44:B&W 5.5 x 8.5 in or 216 x 140 mm (Demy 8vo) Case Laminate on Creme w/Gloss Lam.

Condición: New. PRINT ON DEMAND pp. 248.