Isbn: 9780197266175 - defining the discographic self: desert island discs in context: 211 (proceedings of the british academy) (26 resultados)

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Hardcover. 8vo. pp xxii, 303. Original publisher's red cloth with lettered gilt at the spine. ISBN: 9780197266175 Near fine in near fine dust jacket.

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Condición: Good. Volume 211. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9780197266175.…

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Hardback. Condición: New. First Edition. Hardback. Dust Jacket. The radio programme Desert Island Discs has run almost continuously since 1942, and represents a unique record of the changing place of music in British society. In 2011, recognising its iconic status, the BBC created an online archive that includes podcasts of all programmes from 1976 on, and many from earlier years. Based on this and extensive documentary evidence, Defining the Discographic Self: Desert Island Discs in Context for the first time brings together musicologists, sociologists, and media scholars in one volume. They reflect on the programme's significance, its position within the BBC and Britain's continually evolving media, and its relationship to other comparable programmes. Of particular interest are the meanings attributed to music in the programme by both castaways and interviewers, the ways in which music is invoked in the public presentation of self, the incorporation of music within personal narratives, and changes in musical tastes during the seven decades spanned by the programme. Scholarly chapters are complemented by former castaways' accounts of their appearances, which give fascinating insiders' views into how the programme is made and how its guests prepare for their involvement.…

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Hardcover. Condición: new. Hardcover. The radio programme Desert Island Discs has run almost continuously since 1942, and represents a unique record of the changing place of music in British society. In 2011, recognising its iconic status, the BBC created an online archive that includes podcasts of all programmes from 1976 on, and many from earlier years. Based on this and extensive documentary evidence, Defining the Discographic Self: Desert Island Discs in Context for the first time brings together musicologists, sociologists, and media scholars in one volume. They reflect on the programme's significance, its position within the BBC and Britain's continually evolving media, and its relationship to other comparable programmes. Of particular interest are the meanings attributed to music in the programme by both castaways and interviewers, the ways in which music is invoked in the public presentation of self, the incorporation of music within personal narratives, and changes in musical tastes during the seven decades spanned by the programme. Scholarly chapters are complemented by former castaways' accounts of their appearances, which give fascinating insiders' views into how the programme is made and how its guests prepare for their involvement. Desert Island Discs has run on BBC radio since 1942 and its archive is now accessible. This book is the first to assess the programme from a scholarly perspective. Chapters by musicologists, sociologists, and media scholars are complemented by personal spins by 'castaways', who reflect on talking publicly about the role of music in their lives. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condición: New. Desert Island Discs has run on BBC radio since 1942 and its archive is now accessible. This book is the first to assess the programme from a scholarly perspective. Chapters by musicologists, sociologists, and media scholars are complemented by personal spin.

Hardcover. Condición: Brand New. 303 pages. 9.50x6.50x0.75 inches. In Stock.

Hardback. Condición: New. First Edition. Hardback. Dust Jacket. The radio programme Desert Island Discs has run almost continuously since 1942, and represents a unique record of the changing place of music in British society. In 2011, recognising its iconic status, the BBC created an online archive that includes podcasts of all programmes from 1976 on, and many from earlier years. Based on this and extensive documentary evidence, Defining the Discographic Self: Desert Island Discs in Context for the first time brings together musicologists, sociologists, and media scholars in one volume. They reflect on the programme's significance, its position within the BBC and Britain's continually evolving media, and its relationship to other comparable programmes. Of particular interest are the meanings attributed to music in the programme by both castaways and interviewers, the ways in which music is invoked in the public presentation of self, the incorporation of music within personal narratives, and changes in musical tastes during the seven decades spanned by the programme. Scholarly chapters are complemented by former castaways' accounts of their appearances, which give fascinating insiders' views into how the programme is made and how its guests prepare for their involvement.…

Hardcover. Condición: new. Hardcover. The radio programme Desert Island Discs has run almost continuously since 1942, and represents a unique record of the changing place of music in British society. In 2011, recognising its iconic status, the BBC created an online archive that includes podcasts of all programmes from 1976 on, and many from earlier years. Based on this and extensive documentary evidence, Defining the Discographic Self: Desert Island Discs in Context for the first time brings together musicologists, sociologists, and media scholars in one volume. They reflect on the programme's significance, its position within the BBC and Britain's continually evolving media, and its relationship to other comparable programmes. Of particular interest are the meanings attributed to music in the programme by both castaways and interviewers, the ways in which music is invoked in the public presentation of self, the incorporation of music within personal narratives, and changes in musical tastes during the seven decades spanned by the programme. Scholarly chapters are complemented by former castaways' accounts of their appearances, which give fascinating insiders' views into how the programme is made and how its guests prepare for their involvement. Desert Island Discs has run on BBC radio since 1942 and its archive is now accessible. This book is the first to assess the programme from a scholarly perspective. Chapters by musicologists, sociologists, and media scholars are complemented by personal spins by 'castaways', who reflect on talking publicly about the role of music in their lives. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Buch. Condición: Neu. Neuware - Desert Island Discs has run on BBC radio since 1942 and its archive is now accessible. This book is the first to assess the programme from a scholarly perspective. Chapters by musicologists, sociologists, and media scholars are complemented by personal spins by 'castaways', who reflect on talking publicly about the role of music in their lives.…

Hardcover. Condición: new. Hardcover. The radio programme Desert Island Discs has run almost continuously since 1942, and represents a unique record of the changing place of music in British society. In 2011, recognising its iconic status, the BBC created an online archive that includes podcasts of all programmes from 1976 on, and many from earlier years. Based on this and extensive documentary evidence, Defining the Discographic Self: Desert Island Discs in Context for the first time brings together musicologists, sociologists, and media scholars in one volume. They reflect on the programme's significance, its position within the BBC and Britain's continually evolving media, and its relationship to other comparable programmes. Of particular interest are the meanings attributed to music in the programme by both castaways and interviewers, the ways in which music is invoked in the public presentation of self, the incorporation of music within personal narratives, and changes in musical tastes during the seven decades spanned by the programme. Scholarly chapters are complemented by former castaways' accounts of their appearances, which give fascinating insiders' views into how the programme is made and how its guests prepare for their involvement. Desert Island Discs has run on BBC radio since 1942 and its archive is now accessible. This book is the first to assess the programme from a scholarly perspective. Chapters by musicologists, sociologists, and media scholars are complemented by personal spins by 'castaways', who reflect on talking publicly about the role of music in their lives. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condición: Brand New. 303 pages. 9.50x6.50x0.75 inches. In Stock. This item is printed on demand.