Isbn: 9780195106480 - admitting the holocaust: collected essays (26 resultados)

paperback. Condición: Good.

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Condición: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Paperback. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condición: Good. New Ed. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Condición: Good. New Ed. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

1995. Judaica. Oxford University Press. 202p. Very good paperback.

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Softcover. Condición: Very Good.

paperback. Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Paperback. Condición: Good.

Paperback. Condición: Like New. First Edition. First Edition, First Printing. Published by Oxford University Press, 1996. Octavo. Paperback. Book is like new.

Condición: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pen, pencil & highlighter markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,250grams, ISBN:9780195106480.…

Paperback. Condición: Like New. First Edition. First Edition, First Printing. Published by Oxford University Press, 1996. Octavo. Paperback. Book is like new.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,300grams, ISBN:9780195106480.

Condición: Very Good.

Condición: Good.

Paperback. Condición: new. New Copy. Customer Service Guaranteed.

Condición: Very Good. Envoi rapide Très bon état avec sa jaquette intérieur propre bonne tenue. in8. 1995. Cartonné jaquette. 213 pages. Very Good.

Condición: New. A collection of Langer's essays which represent his efforts to see the Holocaust as it really was. The essays examine the ways in which accounts of the Holocaust - in history, literature, film and theology - have extended and sometimes limited our insight into this event. Num Pages: 224 pages, black & white illustrations. BIC Classification: 1DFG; HBJD; HBTZ1; HBWQ; JFHF. Category: (P) Professional & Vocational. Dimension: 203 x 135 x 11. Weight in Grams: 197. . 1996. Paperback. . . . . Books ship from the US and Ireland. …

Condición: New. In English.

Condición: New. A collection of Langer's essays which represent his efforts to see the Holocaust as it really was. The essays examine the ways in which accounts of the Holocaust - in history, literature, film and theology - have extended and sometimes limited our insight into this event. Num Pages: 224 pages, black & white illustrations. BIC Classification: 1DFG; HBJD; HBTZ1; HBWQ; JFHF. Category: (P) Professional & Vocational. Dimension: 203 x 135 x 11. Weight in Grams: 197. . 1996. Paperback. . . . . …

Taschenbuch. Condición: Neu. Neuware - In the face of the Holocaust, writes Lawrence L. Langer, our age clings to the stable relics of faded eras, as if ideas like natural innocence, innate dignity, the inviolable spirit, and the triumph of art over reality were immured in some kind of immortal shrine, immune to the ravages of history and time. But these ideas have been ravaged, and in Admitting the Holocaust. Langer presents a series of essays that represent his effort, over nearly a decade, to wrestle with this rupture in human values--and to see the Holocaust as it really was. His vision is necessarily dark, but he does not see the Holocaust as a warrant for futility, or as a witness to the death of hope. It is a summons to reconsider our values and rethink what it means to be a human being. These penetrating and often gripping essays cover a wide range of issues, from the Holocaust's relation to time and memory, to its portrayal in literature, to its use and abuse by culture, to its role in reshaping our sense of history's legacy. In many, Langer examines the ways in which accounts of the Holocaust--in history, literature, film, and theology--have extended, and sometimes limited, our insight into an event that is often said to defy understanding itself. He singles out Cynthia Ozick as one of the few American writers who can meet the challenge of imagining mass murder without flinching and who can distinguish between myth and truth. On the other hand, he finds Bernard Malamud's literary treatment of the Holocaust never entirely successful (it seems to have been a threat to Malamud's vision of man's basic dignity) and he argues that William Styron's portrayal of the commandant of Auschwitz in Sophie's Choice pushed Nazi violence to the periphery of the novel, where it disturbed neither the author nor his readers. He is especially acute in his discussion of the language used to describe the Holocaust, arguing that much of it is used to console rather than to confront. He notes that when we speak of the survivor instead of the victim, of martyrdom instead of murder, regard being gassed as dying with dignity, or evoke the redemptive rather than grevious power of memory, we draw on an arsenal of words that tends to build verbal fences between what we are mentally willing--or able--to face and the harrowing reality of the camps and ghettos. A respected Holocaust scholar and author of Holocaust Testimonies: The Ruins of Memory, winner of the 1991 National Book Critics Circle Award for criticism, Langer offers a view of this catastrophe that is candid and disturbing, and yet hopeful in its belief that the testimony of witnesses--in diaries, journals, memoirs, and on videotape--and the unflinching imagination of literary artists can still offer us access to one of the darkest episodes in the twentieth century.…

Paperback. Condición: new. Paperback. In the face of the Holocaust, writes Lawrence L. Langer, our age clings to the stable relics of faded eras, as if ideas like natural innocence, innate dignity, the inviolable spirit, and the triumph of art over reality were immured in some kind of immortal shrine, immune to the ravages of history and time. But these ideas have been ravaged, and in Admitting the Holocaust. Langer presents a series of essays that represent his effort, over nearly a decade, towrestle with this rupture in human values--and to see the Holocaust as it really was. His vision is necessarily dark, but he does not see the Holocaust as a warrant for futility, or as a witness to the deathof hope. It is a summons to reconsider our values and rethink what it means to be a human being.These penetrating and often gripping essays cover a wide range of issues, from the Holocaust's relation to time and memory, to its portrayal in literature, to its use and abuse by culture, to its role in reshaping our sense of history's legacy. In many, Langer examines the ways in which accounts of the Holocaust--in history, literature, film, and theology--have extended, and sometimeslimited, our insight into an event that is often said to defy understanding itself. He singles out Cynthia Ozick as one of the few American writers who can meet the challenge of imagining mass murderwithout flinching and who can distinguish between myth and truth. On the other hand, he finds Bernard Malamud's literary treatment of the Holocaust never entirely successful (it seems to have been a threat to Malamud's vision of man's basic dignity) and he argues that William Styron's portrayal of the commandant of Auschwitz in Sophie's Choice pushed Nazi violence to the periphery of the novel, where it disturbed neither the author nor his readers. He is especially acute in hisdiscussion of the language used to describe the Holocaust, arguing that much of it is used to console rather than to confront. He notes that when we speak of the survivor instead of the victim, of martyrdom instead ofmurder, regard being gassed as dying with dignity, or evoke the redemptive rather than grevious power of memory, we draw on an arsenal of words that tends to build verbal fences between what we are mentally willing--or able--to face and the harrowing reality of the camps and ghettos.A respected Holocaust scholar and author of Holocaust Testimonies: The Ruins of Memory, winner of the 1991 National Book Critics Circle Award for criticism, Langer offers a view of thiscatastrophe that is candid and disturbing, and yet hopeful in its belief that the testimony of witnesses--in diaries, journals, memoirs, and on videotape--and the unflinching imagination of literary artists can stilloffer us access to one of the darkest episodes in the twentieth century. A series of essays on the Holocaust. Langer examines the ways in which accounts of the Holocaust--in history, literature, film, and theology--have extended, and sometimes limited, our insight into an event that is often said to defy understanding itself. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…