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Añadir al carritoPaperback. Condición: new. Paperback. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Añadir al carritoPaperback. Condición: new. Paperback. Pangs! is the debut poetry collection from Irish experimental writer and audio-visual artist Robert Herbert McClean.The collection consists of three interconnected sequences of 23 numbered prose-like poems, arranged as a non-linear manual of observations and ideas. They are fast-paced and explosive, honest and fearless, intimate and unashamed.McCleans writing establishes new possibilities for recording and reacting to the realities of modern life. Poems about love, sex, violence and religion exist in a landscape of CCTV, Skype, YouTube, torrents and hard drives, operating via the propulsion of a cohesive yet fragmentary narrative, set to a soundtrack of synth pop and thrash metal. The recent history of Northern Ireland is a continual presence, impossible to ignore.It is a poetry book for the digital age, reflecting our modern culture of obsessive notation and text-based communication; words and sentences crossed out yet visible remind us of the indelible digital traces we leave behind.Pangs! introduces a striking and distinctive new voice, which combines a poetic and lyrical sensibility with a radical and rebellious energy. It is emotionally kaleidoscopic, a panicked e-dreamscape, striving to dismiss the poetic in a satirical dissolution of the traditional lyric I and its associated conventions.As exciting, disturbing and joyful as anything Ive read for ages. In retrospect its as if I sensed this book being darkly prepared, the result of some kind of alchemical process, containing the necessary intensity of a cast charm or secret rite: the product is unlabelled and highly potent. These uniquely-voiced, dynamic and sometimes bewildering poems sift the strewn wreckage of a tradition and history that is both hunted for and resisted, in a strategy boldly at odds with the automatic obliqueness of much poetry with violence and confusion in its origins. Here, a mysteriously driven forensics operates in the wake of an unexplained blast, in a landscape where the dust never settles. Organised like an exploded view at the instant of detonation, McCleans Pangs! are scary and hilarious, conceptual, elusive, alarming, tragic and personal, full of brilliant syntactical feints and collapses, their diversions, manoeuvres and recoveries consistently and unnervingly inventive Youre a linguistic floozy. Youre like a car bomb. I mean everything. Pangs! is an urgent renovation of the Northern Irish poetic tradition from within. Sam RivierePassionate, perverse, unruly and political, Pangs! is a most unlikely melodrama; with the boldness of its imagination and the febrile desperation of its speaker, reading Robert Herbert McCleans book is like watching someone make a heartfelt apology while doing the international blow-job mime. Its rare you see poems treat themselves so irreverently, while clinging on so dearly for life. In Pangs! McClean has done that remarkable thing that poems can, which is to agitate and organise language in such a way that you cant tell the difference between an idea and a feeling, an image and a feeling, a feeling and a feeling Swans are the best friends of a shoe sellers ghost claims the speaker of 2.3; that you know what he means, and believe him, is testament to the compelling imagination and explorative openness of these wonderful, bright poems. Jack Underwood The debut poetry collection from Robert Herbert McClean. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Añadir al carritoPaperback. Condición: new. Paperback. microaggressions is the new poetry collection from American writer and commercial creative Erik Stinson, and is his first book to be published in the UK.The collection is divided into six titled sections, composed of series of short, micro poems that offer observations on subjects ranging from politics to shopping, fashion to ancient history, computer games and celebrity culture to more personal experiences of work and play, love and desire.Stinsons work as a commercial creative is evident in the poems frequent references to consumer culture and the psychology of a capitalist economy. He condenses our collective, globalized urban experience into a series of precise, vividly imagined moments, snapshots appropriate to the onslaught of the information age. They are poems that are both reflective and indicative of the form of modern communication.Stinsons poetry combines minimalist, incidental observations of life in New York City reminiscent of Frank OHara with the concise, rhythmic imagism of William Carlos Williams, transplanted into 21st-century, digital reality. Punctuation is entirely absent, and capital letters only appear in brand names text that might be transposed to a billboard or social media post.The poems in microaggressions are consistently surprising and disquieting. They are set in a time after history, an era of refined destruction and emotional economic decline, in which society has become a death project, working against history and the self.The cover artwork, by American artist Zane Lewis, visualizes the pixelated experience captured in the poems microaggressions that compose a colourful and hallucinatory reality. The closer we look, the more obscured and abstract our vision becomes.microaggressions is Test Centres first publication by an American writer, indicative of the exciting exchange of ideas and styles emerging from the transatlantic poetry scene. The first UK-published poetry collection by American writer and creative director Erik Stinson. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Añadir al carritoPaperback. Condición: new. Paperback. We are excited to announce the publication of lemon, egg, bread, the long-awaited debut from Laura Elliott.lemon, egg, bread is a striking first collection; a series of poems which read as an attempt to speed-write the still-life image. Drawn out of a process of meditation on and intervention within various still-life compositions, including works by Laura Letinsky, the collection explores practices of re-articulation by way of the feminist gaze and the gut.These are direct, imagistic poems formed purely from appetite; a compendium of metabolisms. Bound within sites of both domestic and intellectual labour, the poems narrate the idiosyncratic rituals surrounding food preparation, consumption, and observation.The vocabulary of the vanitas is here reconfigured via a poetics of devouring, which focuses on the liminal, the leftover, and the wasted. The subject speaks in and through the objects of digestion of the still life, mapping interrelations of celebration and shame, desire and rage, inscribing the most complex and fleeting of hungers. lemon, egg, bread is the striking debut collection from Laura Elliott; a series of imagistic poems which read as an attempt to speed-write the still life image. Drawn out of a process of meditation on and intervention within various still life compositions, including works by Laura Letinsky, the collection explores practices of re-articulation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Añadir al carritoPAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
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Añadir al carritoCondición: New. pp. 84.
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Añadir al carritoPaperback. Condición: Brand New. 84 pages. 6.61x4.65x0.28 inches. In Stock.
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Añadir al carritoPaperback. Condición: Brand New. 64 pages. 6.50x4.80x0.28 inches. In Stock.