Fabric workshop (105 resultados)

Soft cover. Condición: Very Good. Paperback. Binding sound, text clean, light shelfwear. 60-page, color-illustrated oversize exhibition catalogue. Book.

Hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Soft cover. Condición: Very Good. 1st Edition. Softcover, 36 pgs. Catalog for exhibition held Oct. 1 - Nov. 30, 1992. Essays, color illus. Very light wear.

Soft cover. Condición: Very Good. Paperback. Staplebound.

Hardcover with dustjacket; 224 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Soft cover. Condición: Very Good. No Jacket. 1st Edition. 1988 Soft Cover Interior clean; binding tight. Wraps are clean.

Hardcover. Condición: VG+. Estado de la sobrecubierta: VG. Hardback first edition with bright, clean covers and contents. Acetate DJ tad rubbed with indentations but still in nice condition (no splits or tears) . Illustrated. NOT a former library copy. .

Condición: As New. There is a name written on the inside cover, otherwise a very nice, clean copy.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. 1st Edition. Stated first edition. Very nice cloth covers printed in red, green. black and gold. Hardcover with clear plastic dust jacket all in very good condition. The plastic dj is lightly scratched/rubbed. Contains hundreds of illustrations by well known and not known fabric designers. also well know artists who design fabric such as Mark di Suvero.…

Paperback. Condición: Very Good. Paperback. Binding sound, text clean, light shelfwear. SIGNED BY ARTIST with inscription. Not paginated, 40-page illustrated exhibition catalogue. Signed by Author(s). Book.

Condición: Good. *Price HAS BEEN REDUCED by 10% until Monday, Sept. 28 (weekend SALE item)* inscribed by Willie Stokes with a self-portrait sketched by him next to the inscription; 67 pp., paperback, book plate to the front flap, minor library markings, else text clean & binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

Paperback. Condición: VG. Text free of underlining, writing and highlighting. Very nice clean copy. Since Picasso first used the handlebars and seat of a bicycle to form the head of a bull, found objects have become favorite materials of twentieth-century sculpture. From Duchamp's readymades to Armaris accumulations, existing objects have taken on an art life of their own. We had no idea what to expect in 1989 when Donald Lipski accepted our invitation to do a project with The Fabric Workshop and the staff and students of Beaver College and the University of the Arts. In his studio in Brooklyn, we found a gigantic American flag on the wall. Donald had burned it with polka dots in a symmetrical pattern, leaving the thread intact (Boy Scouts used to repair their old flags this way to keep them from unraveling). Donald explained, "People ask: Is this desecration? I say no, its decoration." In another corner, he had torn a flag into strips and then tied the strips together with knots. "This is my first flag ball," he said, "and I think we should call it Who's Afraid of Red, White, and Blue?" which he had wrapped into a big ball. From this beginning, Donald Lipski, whose work seems to have multiple layers of meaning, has done more and more and more with the American flag. His early training as a magician may have helped. Since the first American flag is reputed to have been made by Betsy Ross in Philadelphia, where The Fabric Workshop is located, Lipski's collaboration with us two centuries later seemed both logical and fortuitous. We thank him for allowing us to share in the process of being an American artist, and in such astounding and inventive ways. At a time when flags fly everywhere?from the county courthouse to Calvin Klein shorts?Donald Lipski makes the flag more than a hollow symbol, prophetically covering our planet in red, white, and blue. MARION BOULTON STROUD Founder and Artistic Director, The Fabric Workshop March 22, 1991.…

Softcover staple bound exhibiton catalog, 32 pages, very good condition, no internal marks.

softcover. Condición: Collectible; Like New. First Edition; First Printing. 19 full page color plates pls text illustrations. Introduction by Marion Boulton Stroud. Short essay by John Yau. With a statement by the artist. Published on the occasion of the exhibition, November 9 - December 21, 1990. ; Tight, clean and crisp. A gently browsed book in excellent condition. No inscriptions. No remainder mark. Not ex-library. …

Hardcover. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Paperback. Yellow and color-illustrated wraps with black lettering. 67 pp. Color illustrations, BW portraits. Catalog of an exhibition held at The Fabric Workshop and Museum, March 2007. VG: Exlibrary book. Sticker at the base of the spine. Due date card on back inside cover. Sticker on back inside flap.…

Condición: very_good. This book is in Very good condition. There may be a few flaws like shelf wear and some light wear.

Softcover, 36 pages, very good condition; clean and crisp; no internal marks.

Condición: New.

Paperback. 36p., paperback, 8.5x11 inches, very good. Exhibition catalogue with color photographs of Chin's work. Chin was born in Houston in 1951, and studied at Peabody College in Nashville, TN. Now based in North Carolina, his conceptual artworks have engaged with themes of environmental, social, and political justice. …

hardcover. Condición: very good(+). Estado de la sobrecubierta: very good(+). First. Profusely illustrated with photographs of works, mostly in color. 223 pages. Narrow 4to, patterned cloth boards with gilt areas, printed acetate d.w. (slightly scuffed). Philadelphia: The Fabric Workshop, (1991). First edition. Gentlest of bumping to corners of boards. A very good(+) copy in a very good(+) dust wrapper. A beautiful book on The Fabric Workshop, the only nonprofit organization in the United States devoted to experimental fabric design and printing by emerging and internationally recognized artists. Collaborators of the program include Roy Lichtenstein, Louise Nevelson, Dale Chiuly, Red Grooms, and Robert Venturi. …

Exhibition invite, 4 x 6 inches; very good condition; an unmailed copy.

Paperback. Condición: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condición: As New. 1st Edition. Hardcover, 48 pages. 8.25 x 8 inches. Publication created to accompany Jorge Pardo s exhibition at The Fabric Workshop and Museum, comprised of his 1999 transformation of the Museum entrance and creation of the Jorge Pardo Video Lounge.

Condición: As New. Unread book in perfect condition.

Hardcover without dustjacket as issued, 128 pages, very good condition, except moderate rubbing to covers; no internal marks. Foreign shipping may be extra.

Soft cover. Condición: Fine. 1st Edition. Fabric Workshop, Philadelphia, 1993. Softcover, 36 pp. Exhibition catalog from a collaboration with the conceptual artist Mel Chin and The Fabric Workshop, and the Swarthmore College Art Department. This show took place from October 1 to November 20, 1992. Near fine with light sunning at paper spine. …

Hardcover. Condición: Brand New. 256 pages. 10.50x8.25x1.50 inches. In Stock.

Softcover. Condición: Near fine. Exhibition catalogue for A Cultural Presentation of the United States of America at the 10th Dakar International Biennale, Senegal. Oblong. 8 1/2 x 10 1/2". 40pp. Illustrated from b&w photographs. Errata- Prospectus for 1996 Weems exhibition laid-in. All housed in decorative envelope with string tie.…