Donald lipski (90 resultados)

Hardcover. Condición: Used.

Hardcover with dustjacket, 104 pages, very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: fine. near fine. NOT an ex library book. 104 pages including the bibliography. Dust jacket has no chips or tears.

hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Very good dark grey boards with grey lettering along spine. Binding and hinges tight and square; Contents clean and unmarked except for signature of Essayist Terrie Sultain on title page. VG dust jacket not price clipped; light rubbing along edges, 1 small closed tear, shelf wear. 104pp.…

Hardcover. Condición: Very Good. No Jacket. 1st Edition. 1st Edition. Hard bound with no jacket. Nice clean copy.

Hardcover. Condición: Very Good. No Jacket. Hard bound, no dust jacket. Published on the occasion of the April 20 - June 4, 1991 exhibition in association with the Experimental Glass Workshop & the Robert Lehman Gallery, New York. 63 pages. Illustrated in color. scarce.

Soft cover. Condición: Good. Published on the occasion of an exhibition at the Southeastern Center for Contemporary Art, January 22 - April 17, 1994 and Galerie Lelong May - June, 1994. Some fading on covers and light wear.

First Edition. First edition. Hardcover. 104 pages. An exhibition that was organized by Stephen Fleischman. Features an essay by Terrie Sultan. Includes numerous color plates, checklist, chronology, biographical information, list of previous exhibitions, list of selected public collections, and a selected bibliography. A fine copy in cloth boards and in a near fine dust jacket with some slight crimping to the top of the rear panel.…

Paperback. Condición: Very Good. Paperback. Binding sound, text clean, light shelfwear. SIGNED BY ARTIST with inscription. Not paginated, 40-page illustrated exhibition catalogue. Signed by Author(s). Book.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Signed & inscribed by Donald Lipski to the previous owner on the half title page. Hardbound in dust jacket. Signed by Author(s).

Paperback. Condición: VG. Text free of underlining, writing and highlighting. Very nice clean copy. Since Picasso first used the handlebars and seat of a bicycle to form the head of a bull, found objects have become favorite materials of twentieth-century sculpture. From Duchamp's readymades to Armaris accumulations, existing objects have taken on an art life of their own. We had no idea what to expect in 1989 when Donald Lipski accepted our invitation to do a project with The Fabric Workshop and the staff and students of Beaver College and the University of the Arts. In his studio in Brooklyn, we found a gigantic American flag on the wall. Donald had burned it with polka dots in a symmetrical pattern, leaving the thread intact (Boy Scouts used to repair their old flags this way to keep them from unraveling). Donald explained, "People ask: Is this desecration? I say no, its decoration." In another corner, he had torn a flag into strips and then tied the strips together with knots. "This is my first flag ball," he said, "and I think we should call it Who's Afraid of Red, White, and Blue?" which he had wrapped into a big ball. From this beginning, Donald Lipski, whose work seems to have multiple layers of meaning, has done more and more and more with the American flag. His early training as a magician may have helped. Since the first American flag is reputed to have been made by Betsy Ross in Philadelphia, where The Fabric Workshop is located, Lipski's collaboration with us two centuries later seemed both logical and fortuitous. We thank him for allowing us to share in the process of being an American artist, and in such astounding and inventive ways. At a time when flags fly everywhere?from the county courthouse to Calvin Klein shorts?Donald Lipski makes the flag more than a hollow symbol, prophetically covering our planet in red, white, and blue. MARION BOULTON STROUD Founder and Artistic Director, The Fabric Workshop March 22, 1991.…

Softcover exhibition catalog, 20 pages, good condition: name written on front cover; no internal marks.

Softcover, 52 pages, good condition, covers yellowed and scuffed with name on top; stamp on first page; no other internal marks. Foreign shipping may be extra.

Paperback. Condición: Good. on cover: 2 old fashioned women's high heeled shoe, laced and tied; Paperback; nd; 36p.; (c. 1983); Good overall with some shelfwear; No marks.

softcover. Condición: Collectible; Like New. First Edition; First Printing. 19 full page color plates pls text illustrations. Introduction by Marion Boulton Stroud. Short essay by John Yau. With a statement by the artist. Published on the occasion of the exhibition, November 9 - December 21, 1990. ; Tight, clean and crisp. A gently browsed book in excellent condition. No inscriptions. No remainder mark. Not ex-library. …

First edition Fine and bright glossy stapled wraps with crisp bright text throughout. Text by Donald Kuspit. Profusely illustrated with deep informative text.

Softcover. Condición: Good. Published on the occasion of an exhibiton at Hillwood Art Gallery, March 18 - April 10, 1987. Some wear on cover and yellowing of pages.

Paperback. Condición: Very Good. Paperback. Ex-library copy from the Austin Museum of Art. The only library markings are a cataloging sticker on the front cover and a small museum stamp on the first page. No other marks or writings.

Pamphlet. Condición: Good.

Cloth. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. 4to - over 9¾ - 12" tall. 1st edition. A Near Fine copy in Near Fine dust jacket. 4to., 104 pp, color. black and white plates and illustrations. Black cloth in white dust jacket. The dj is now protected in a mylar sleeve. A Near Fine copy in Near Fine dust jacket.…

softcover. Condición: Collectible; Like New. First Edition; First Printing. As New. ; Numerous full page plates. Texts by Jeff Fleming and Susan Lubowsky. Published on the occasion of the exhibition at the Southeastern Center for Contemporary Art, January 22 - April 17, 1994, and at Galerie Lelong, May - June, 1994. ; Tight, clean and crisp. In excellent condition. No inscriptions. No remainder mark. Not ex-library. As New. …

Softcover staple-bound exhibition catalog, 24 pages, very good condition, except a few scuffs to covers, no internal marks.

Softcover staple-bound exhibition catalog, 48 pages, very good condition except long crease to rear cover, no internal marks.

Softcover staple-bound exhibition catalog, 32 pages, very good condition.

Soft cover. Condición: Fair. Creased upper right corner. Sections are coming loose. Shipped from the Calico Cat Bookshop, a brick and mortar bookshop established in 1975. Size: Quarto. Book.

Exhibition invite, 4 x 6 inches; very good condition; an unmailed copy.

Exhibition invite, 4 x 6 inches; very good condition; an unmailed copy. This is NOT a book; its a postcard.

Exhibition invite that unfolds, 6 x 9 inches; very good condition; an unmailed copy.

Exhibition invite, 6 x 9 inches; very good condition; a mailed copy with address and postal marks on reverse.

Saddle-stapled wraps. Condición: Very Good. No Jacket. First Edition. 4to - over 9¾" - 12" Tall. A very good copy with minor creasing to one corner of front cover and to lower edge of back cover. Signed and inscribed by the artist on title page. Catalogue to the exhibition at the Germans Van Eck Gallery, New York City, September 14 to October 12, 1985. B/W Photographs.…