Wylie duncan (18 resultados)

Paperback. Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Single Issue Magazine. Condición: New. BRAND NEW. Still in unopened plastic. 100% Satisfaction Guaranteed. Orders received before 3PM PT typically ship same day. All profits support the non-profit community.

Single Issue Magazine. Condición: Fine.

Hardcover. Condición: new. Hardcover. Duncan Wylie (b.1975) is an artist based in London. Harare-born, Wylie's painting practice mines from a sensibility that is directly connected to his experience as an African artist living and working in Europe first in Paris, where he studied and became a citizen, and latterly in London, where he now lives and works. His striking, colour-drenched paintings move from the intimate to the apocalyptic, offering thoughtful and powerful observations about the modern world, its infrastructure and institutions, ideologies and identities. This publication is Wylie's first major monograph, documenting twenty years of work, from early paintings focused on urban destruction, through to the emergence of figures in his canvases, whether tightrope walkers, African dandies 'sapeurs' or water diviners. Themes of displacement, entropy and resistance resulting from colonial legacies recur in his works, which encompass and layer images of urban chaos with the flotsam of uprooted lives. Swimming pools, their surfaces variously reflective or opaque, are increasingly prominent, offering a critique of resource access and restriction. Steeped in art from an early age, Wylie's work is acutely connected to the history of painting, and the relationship between British and French painting. His mother was a curator at the National Gallery of Zimbabwe, which housed items from the Zimbabwean Stone Sculpture movement as well as the Courtauld Collection. Trained under artist Helen Lieros while in Zimbabwe, Wylie subsequently moved to Paris, completing his Master's degree at the Ecole nationale superieure des Beaux-Arts in 1999. He has exhibited in group surveys at numerous important institutions including the Palais de Tokyo, Paris, Musee d'Art Moderne de Paris, Musee de Grenoble, and, in 2017, the inaugural exhibition of the Louvre, Abu Dhabi, among others. He has been the subject of several solo shows, most recently with Backslash gallery in Paris. In her foreword, Adelaide Bannerman, Curatorial Director of Tiwani Contemporary, a gallery devoted to artists from Africa and its global diaspora, introduces readers to Wylie's wide-ranging practice and the scope of the book. Juliette Singer, a champion of Wylie's work for over a decade, talks with him about the notion of time in his work, with a focus on the suspension and collision of different moments and geographies within a single image. They cover Wylie's evolution as an artist, from his breakthrough in 2005, which emerged in response to Robert Mugabe's enforced clearing of Zimbabwe's slums, to the vivid mise-en-scenes of his most recent paintings. The publication is divided into chapters introduced by Zimbabwe-based educator, critic and gallerist Valerie Kabov that trace this evolution across distinct but interconnected bodies of work. Curator and writer Marc Donnadieu provides a contextual essay, examining Wylie's painterly techniques and dynamic juxtapositions of themes. Duncan Wylie was born in 1975 in Harare, Zimbabwe. He received his Master's from the Ecole nationale superieure des Beaux-Arts in Paris in 1999 and became a citizen of France in 2005. He now lives and works in London. He is co-author of the book Zimbabwe: Art, Symbol and Meaning, a vital document to Zimbabwe's rich, vanishing, art. Edited by Laura Allsop and designed by Joe Gilmore, the book has been produced by Hurtwood and published by Anomie Publishing, London. AUTHOR: Duncan Wylie (b.1975) is a Zimbabwe-born artist based in London, with a Master's degree from the Ecole nationale superieure des Beaux-Arts in Paris. He has had recent solo shows at Backslash gallery, Paris, and participated in recent group exhibitions at the Fondation Blachere, Bonnieux, France, and Musee Carnavalet Histoire de Paris, Paris. 150 images A publication dedicated to Duncan Wylie's practice, exploring the evolution of his dist Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: As New. Unread book in perfect condition.

Condición: New.

BOOK PAPERBACK. Archibooks à Paris,2009, in 4 à l'italienne (24 x 29,5 cm), 63 pages. Illustration en couleurs de 28 hors-texte reproductions de tableaux de Duncan Wylie. Couverture souple illustrée à rabats. +++++++ Depuis le début des années 2000, l'artiste américain Duncan Wylie entreprend une recherche picturale sur le thème de l'architecture en explorant les effets du temps, mais aussi de l'homme sur ces constructions en proie au chaos. Du 4 juillet au 27 septembre 2009, le musée de Grenoble présente une exposition monographique rassemblant une série de tableaux de l'artiste. Pour accompagner l'événement, le catalogue compile de nombreuses toiles présentées au musée. Les images sont enrichies de deux textes de Philippe Piguet et Lisa Liedmann et d'une interview de Duncan Wylie réalisée par Guy Tosatto - Très bon état avec un ENVOI du peintre sur la page de garde. Duncan Wylie. (ilustrador).…

hardcover. Condición: New. *Brand new* Ships from USA.

Soft cover. Condición: Very Good. 1st Edition. After the Agreement is an exploration and critical analysis of contemporary photography in Belfast after the Good Friday Agreement of 1998, and its relationship to a duty of memory, and ideas of justice and betrayal. The book draws on a series of practitioner-led talks by the photographers John Duncan, Mary McIntyre, Malcolm Craig Gilbert, Paul Seawright, Kai Olaf Hesse and David Farrell, providing a discursive space that is part academy, part community activism and part cultural practice. These were intended to enable an exploration of contemporary photography in analytical proximity to what is going on currently across a range of disciplines: urbanism and the regeneration of the city, curatorial practices, the arts academy, community activism and photographic practice. Through placing contemporary photography in dialogue with other disciplines and the contested histories of the city, the series explored the centrality and complexity of meaning as an intersection of the social, political and aesthetic. 160 pages : colour illustrations ; 25 cm. Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.…

Soft cover. Condición: Near Fine. 1st Edition. Bel exemplaire. ISBN 014014143X. Illustrated. The long drawn out waning of the British Empire. Book.

Condición: New. 2025. Bilingual. hardcover. . . . . .

Condición: New. 2025. Bilingual. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condición: new. Hardcover. Duncan Wylie (b.1975) is an artist based in London. Harare-born, Wylie's painting practice mines from a sensibility that is directly connected to his experience as an African artist living and working in Europe first in Paris, where he studied and became a citizen, and latterly in London, where he now lives and works. His striking, colour-drenched paintings move from the intimate to the apocalyptic, offering thoughtful and powerful observations about the modern world, its infrastructure and institutions, ideologies and identities. This publication is Wylie's first major monograph, documenting twenty years of work, from early paintings focused on urban destruction, through to the emergence of figures in his canvases, whether tightrope walkers, African dandies 'sapeurs' or water diviners. Themes of displacement, entropy and resistance resulting from colonial legacies recur in his works, which encompass and layer images of urban chaos with the flotsam of uprooted lives. Swimming pools, their surfaces variously reflective or opaque, are increasingly prominent, offering a critique of resource access and restriction. Steeped in art from an early age, Wylie's work is acutely connected to the history of painting, and the relationship between British and French painting. His mother was a curator at the National Gallery of Zimbabwe, which housed items from the Zimbabwean Stone Sculpture movement as well as the Courtauld Collection. Trained under artist Helen Lieros while in Zimbabwe, Wylie subsequently moved to Paris, completing his Master's degree at the Ecole nationale superieure des Beaux-Arts in 1999. He has exhibited in group surveys at numerous important institutions including the Palais de Tokyo, Paris, Musee d'Art Moderne de Paris, Musee de Grenoble, and, in 2017, the inaugural exhibition of the Louvre, Abu Dhabi, among others. He has been the subject of several solo shows, most recently with Backslash gallery in Paris. In her foreword, Adelaide Bannerman, Curatorial Director of Tiwani Contemporary, a gallery devoted to artists from Africa and its global diaspora, introduces readers to Wylie's wide-ranging practice and the scope of the book. Juliette Singer, a champion of Wylie's work for over a decade, talks with him about the notion of time in his work, with a focus on the suspension and collision of different moments and geographies within a single image. They cover Wylie's evolution as an artist, from his breakthrough in 2005, which emerged in response to Robert Mugabe's enforced clearing of Zimbabwe's slums, to the vivid mise-en-scenes of his most recent paintings. The publication is divided into chapters introduced by Zimbabwe-based educator, critic and gallerist Valerie Kabov that trace this evolution across distinct but interconnected bodies of work. Curator and writer Marc Donnadieu provides a contextual essay, examining Wylie's painterly techniques and dynamic juxtapositions of themes. Duncan Wylie was born in 1975 in Harare, Zimbabwe. He received his Master's from the Ecole nationale superieure des Beaux-Arts in Paris in 1999 and became a citizen of France in 2005. He now lives and works in London. He is co-author of the book Zimbabwe: Art, Symbol and Meaning, a vital document to Zimbabwe's rich, vanishing, art. Edited by Laura Allsop and designed by Joe Gilmore, the book has been produced by Hurtwood and published by Anomie Publishing, London. AUTHOR: Duncan Wylie (b.1975) is a Zimbabwe-born artist based in London, with a Master's degree from the Ecole nationale superieure des Beaux-Arts in Paris. He has had recent solo shows at Backslash gallery, Paris, and participated in recent group exhibitions at the Fondation Blachere, Bonnieux, France, and Musee Carnavalet Histoire de Paris, Paris. 150 images A publication dedicated to Duncan Wylie's practice, exploring the evolutio Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Hardcover. Condición: new. Hardcover. Duncan Wylie (b.1975) is an artist based in London. Harare-born, Wylie's painting practice mines from a sensibility that is directly connected to his experience as an African artist living and working in Europe first in Paris, where he studied and became a citizen, and latterly in London, where he now lives and works. His striking, colour-drenched paintings move from the intimate to the apocalyptic, offering thoughtful and powerful observations about the modern world, its infrastructure and institutions, ideologies and identities. This publication is Wylie's first major monograph, documenting twenty years of work, from early paintings focused on urban destruction, through to the emergence of figures in his canvases, whether tightrope walkers, African dandies 'sapeurs' or water diviners. Themes of displacement, entropy and resistance resulting from colonial legacies recur in his works, which encompass and layer images of urban chaos with the flotsam of uprooted lives. Swimming pools, their surfaces variously reflective or opaque, are increasingly prominent, offering a critique of resource access and restriction. Steeped in art from an early age, Wylie's work is acutely connected to the history of painting, and the relationship between British and French painting. His mother was a curator at the National Gallery of Zimbabwe, which housed items from the Zimbabwean Stone Sculpture movement as well as the Courtauld Collection. Trained under artist Helen Lieros while in Zimbabwe, Wylie subsequently moved to Paris, completing his Master's degree at the Ecole nationale superieure des Beaux-Arts in 1999. He has exhibited in group surveys at numerous important institutions including the Palais de Tokyo, Paris, Musee d'Art Moderne de Paris, Musee de Grenoble, and, in 2017, the inaugural exhibition of the Louvre, Abu Dhabi, among others. He has been the subject of several solo shows, most recently with Backslash gallery in Paris. In her foreword, Adelaide Bannerman, Curatorial Director of Tiwani Contemporary, a gallery devoted to artists from Africa and its global diaspora, introduces readers to Wylie's wide-ranging practice and the scope of the book. Juliette Singer, a champion of Wylie's work for over a decade, talks with him about the notion of time in his work, with a focus on the suspension and collision of different moments and geographies within a single image. They cover Wylie's evolution as an artist, from his breakthrough in 2005, which emerged in response to Robert Mugabe's enforced clearing of Zimbabwe's slums, to the vivid mise-en-scenes of his most recent paintings. The publication is divided into chapters introduced by Zimbabwe-based educator, critic and gallerist Valerie Kabov that trace this evolution across distinct but interconnected bodies of work. Curator and writer Marc Donnadieu provides a contextual essay, examining Wylie's painterly techniques and dynamic juxtapositions of themes. Duncan Wylie was born in 1975 in Harare, Zimbabwe. He received his Master's from the Ecole nationale superieure des Beaux-Arts in Paris in 1999 and became a citizen of France in 2005. He now lives and works in London. He is co-author of the book Zimbabwe: Art, Symbol and Meaning, a vital document to Zimbabwe's rich, vanishing, art. Edited by Laura Allsop and designed by Joe Gilmore, the book has been produced by Hurtwood and published by Anomie Publishing, London. AUTHOR: Duncan Wylie (b.1975) is a Zimbabwe-born artist based in London, with a Master's degree from the Ecole nationale superieure des Beaux-Arts in Paris. He has had recent solo shows at Backslash gallery, Paris, and participated in recent group exhibitions at the Fondation Blachere, Bonnieux, France, and Musee Carnavalet Histoire de Paris, Paris. 150 images A publication dedicated to Duncan Wylie's practice, exploring the evolutio Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. Condición: Brand New. 268 pages. French language. 11.25x9.75x11.42 inches. In Stock.

No Binding. Condición: Fine. Invitation. 1) JGM Galerie, Paris, 2012. --- 2) Musee de Grenoble, 2009. --- Fine. Ephemera.

Hardcover. Condición: Good. 2020 , 256 pp Gillian Atherstone , Duncan Wylie Photos with People and Artifacts in it 5 Continents Hard Cover.