Wout berger (24 resultados)

Hardcover. First edition. Very Good+ clothbound hardcover in a Near Fine dust jacket; from the International Center of Photography library with a bookplate to the front paste down and a stamp to the title page and colophon page, otherwise no other indications. All dust jackets are protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Presents the work of four photographers: Joachim Schmid, Wout Berger/Noor Damen, and Korrie Besems; the catalogue for an exhibition held at the Nederlands Foto Instituut, Rotterdam, in February-March, 1999. Essays by Schmid, Linda Roodenburg, Hans Aarsman, Janny Rodermond, and Paul Gilroy. From a first edition limited to 1400 copies. 112 pages; color illustrations throughout; 9.75 x 11.25 inches. Contributor and artists' biographies. Text in English and Dutch.…

cloth, square 4to, dustj 125+xvi pp., num ills monograph on the Dutch architect Sjoerd Soeters; tekst in Dutch and English; richly illustrated with fullpage b/w photographs; LIKE NEW condition.

Condición: Good. Paperback, illustrated with photographs in colour and b/w, text in Dutch and English, 4to.

Condición: Good. Original pictorial boards, illustrated endpapers, illustrated with numerous (double page) photographs in colour, unpaged, oblong (circa 27x33cm).

Leinen. Condición: Sehr gut. 27x25,5cm; 123; XV.; Gewebe (Schwarzer Leinen). Sprache: Niederländisch, Zustand: Sehr Gut, eher ungelesen; Schutzumschlag (hat min. bis geringe Gebrauchsspuren); * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.…

Hardcover. Condición: Fine. design by Marcel Hermans, edition of 1000 / 1300 copies, 730 gr, 24,3 x 17,3 x 2 cm.

Wrappers, Oblong. Neat label on verso front side, else fine. Please see description or ask for photos.

Stiff pictorial wrappers (softcover), 27 x 34 cms., (28) pp. with 13 full-page color photographs by Wout Berger. In very good condition.

Rotterdam, Nederlands Foto Instituut, n.d. Big size paperback. 130 pages.With illustrations in color and b/w. Text in French and English. NEAR FINE COPY [Photography / Dutch [Nederlandse Fotografie] ].

Lex. 8° (25-30 cm), OKarton. 80 S. mit zahlr.Fotoabb. Texte in Holländisch und Englisch; Vorderdeckel an oberer rechter Ecke mit kleiner Knickspur, sonst guter Zustand Sprache: Niederländisch Gewicht in Gramm: 500.

Hardcover. Condición: As New. 1st Edition. SIGNED, edition of 800 copies, 816 gr, 27 x 33,5 cm, design by Tessa van der Waals. Signed by Author(s).

No Binding. Condición: New. Set of eight postcard from the serie When I open my Eyes Wout Berger: "I have been a photographer for over 35 years. I have lived on the IJsselmeer for over 35 years. When I open my eyes in the morning, the first thing I see is the IJsselmeer. Sometimes I take a photo of the lake, but really seeing it is different. It was only when a friend said to me, "You live in your subject," that the penny dropped. I set up a tripod in a fixed spot in front of the bedroom window and started looking. I ended up with sixty photos in total. Together, those photos are my IJsselmeer. No one photo is more beautiful than another. If you look at photos that way, you get caught up in aesthetics. I don't want aesthetics. I want to photograph wind, light. Elements of which we only know the manifestations. You don't see the wind, you see a wave. You don't see light, you see the cloud that catches the light. And yet I want to capture wind and light. By constantly looking at the same subject at the same coordinates. The differences between the shots may be small. There may be a month's difference between two photos that appear almost identical. Meanwhile, the subject remains the same. At least, that's what you think. Unnoticed, the subject begins to change. At first it was the lake, the horizon, the sun, the clouds, the wave, but unnoticed, the subject becomes the differences between the photos. The transitions. In them, I hope to approach the untouchable. Hopeless, of course. But the attempt.…

Softcover. Condición: Good. Paperback, illustrated with numerous full page photographs in colour, design by Tessa van der Waals, unpaged, 4to.

Condición: , , mooi exemplaar / fine copy. Estado de la sobrecubierta: , , mooi exemplaar / fine copy. 2012, softcover, mooi exemplaar / fine copy.

Brossura. Condición: nuovo. "I've been a photographer for over thirty-five years. I have been living on the IJsselmeer for over thirty-five years. When I open my eyes in the morning, the first thing I see is the IJsselmeer. Sometimes I take pictures of the sea, actually seeing it means something different. Until one day a friend said to me: "You live in your own subject", then the penny dropped. I set a tripod in front of the bedroom window and began to look. At the beginning you are grateful for every sailboat that comes into the picture. Every intense discoloration of the sky: a photo. But very quickly you begin to leave out any distraction from the picture. Anyone who is open to this topic will sooner or later do so. I no longer photograph sailboats, nor birds or people. I photograph small waves, fog, rain and clouds. These, too, can be distracting. But they almost always appear shapeless, transparent, wet. They are practically colorless themselves, but they take on the color of the light that hits them and reflect it. In total there are sixty photos, they form the IJsselmeer. None of the photos is more beautiful than another. When you look at photos in this way, you lose yourself in pure aesthetics. I am not looking for the aesthetics. I would like to photograph the wind or light elements that we can only perceive indirectly. (Wout Berger, excerpt from the artist's statement in the book) " . cm 24x30,5; pp. 130; 64 COL; paperback. New, still in its shrinkwrap.…

Hardcover. Condición: gut. Wout Berger - Like Birds. First Edition 800 copies In deutscher Sprache. pages.

Leather / fine binding. Condición: New. &Uumlber den AutorChaya Brasz is director of the Center for Research on Dutch Jewry. She wrote extensively on the history of Dutch Jewry, including De Kille van Kuilenburg (Culemborg, 1984), Removing the Yellow Badge.

Hardcover. Condición: Very Good. 1st Edition. Floral like impressionistic colour photography taken between 2002-2009, oblong 4to, 1st edn, 1/800cc, uncommon, VG.

Fragment, Amsterdam, 1992. 27 x 24 cm. Paperback / Softcover. Met illustraties in kleur en z/w. 80 pag. ALS NIEUW [.

Condición: Very Good. Berger, Wout (ilustrador).

Softcover/Paperback. Condición: As New. Estado de la sobrecubierta: As New. First edition. Book condition: New (Minimal toning; else fine; Includes original signed print. Perfect bound.) Binding: Softcover Language: Dutch, English Edition: First edition Publishing place: Amsterdam Publishing Year: 1992 Description: In 1986, commissioned by the city of Amsterdam, Berger photographed the transitional area between the city and countryside. In this peripheral region he stumbled across an area severely contaminated by chemical waste. He became fascinated by this landscape, where beautiful orchids bloomed. In this wasteland he recognised the opposition between form and content. This led to his large-scale project, "Giflandschap" (Poisoned landscape). Between 1988 and 1990 he visited 1200 chemical waste dumps in the Netherlands, recording 170 of them. Most of these photographs look like idyllic landscapes â" until you realise that carcinogenic materials are to be found under these innocent looking sites. They are landscapes of extremities. 0.800000. Berger, Wout (ilustrador). …

The Hague, Gallery van Kranendonk. 2003. Wrappers, Oblong. l Book with 13 full page photographs by Wout Berger.

Den Haag / The Hague around 2010, col.photos, 800 copies printed (code O-72).

The hague 2003, 13 photos, softcover, good shape (code |O-63).