Winter martina (54 resultados)

Condición: As New. Unread book in perfect condition.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. 1.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: Brand New. 184 pages. 5.75x0.47x8.19 inches. In Stock.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New.

Taschenbuch. Condición: Neu. Neuware -In an era when media and their narratives significantly shape public perceptions, it is imperative we examine and broaden our understanding of how Islam - a religious and cultural tradition of remarkable depth and diversity - is portrayed-on screen. For decades now, the depiction of Islam in film and television has often been reduced to a narrow set of stereotypes, often caricatures of Islam or Muslims portrayed as shadowy villains, sinister figures, and potential terrorists. This final, and frequent, portrayal is associated with the events of 9/11 and their aftermath and with various global political and social developments. Found across media, it was taken up in particular by the entertainment industry. This depiction was not entirely new, as a thorough survey of the representation of Islam in US-American cinema since 1979 has made evident, but only if Islam was a topic at all. However, the first decades of the twenty-first century have seen a deepening of the negative stereotypes.Current scholarship on this topic has pointed to the one-sidedness of such depictions and the problems they create. Indeed, one-dimensional narratives not only misrepresent the rich traditions and practices of Islam but also enhance the skewed perception of Islam in the West. This issue seeks to counter such tendencies, but without falling into the trap of being merely apologetic. To that end it provides a rich and diverse collection of contributions on aspects of how Islam and Muslims are presented on-screen.Faced with a remarkable response to the call for papers for this issue, we selected contributions that could be grouped together under specific headings. The first section of the issue contains articles focused on particular strands of the Islamic tradition or on a specific ethnicity in the Islamic world. The second section is devoted to the wider Islamic diaspora 'in the West', a topic on which we received the largest number of proposals, likely a reflection of the longer history of academic study of this particular theme. The thematic section of this issue concludes with a contribution on a Muslim filmmaker whose work is widely admired as an example of an alternative view on the Islamic tradition. 184 pp. Englisch.…

Taschenbuch. Condición: Neu. Neuware -In an era when media and their narratives significantly shape public perceptions, it is imperative we examine and broaden our understanding of how Islam - a religious and cultural tradition of remarkable depth and diversity - is portrayed-on screen. For decades now, the depiction of Islam in film and television has often been reduced to a narrow set of stereotypes, often caricatures of Islam or Muslims portrayed as shadowy villains, sinister figures, and potential terrorists. This final, and frequent, portrayal is associated with the events of 9/11 and their aftermath and with various global political and social developments. Found across media, it was taken up in particular by the entertainment industry. This depiction was not entirely new, as a thorough survey of the representation of Islam in US-American cinema since 1979 has made evident, but only if Islam was a topic at all. However, the first decades of the twenty-first century have seen a deepening of the negative stereotypes.Current scholarship on this topic has pointed to the one-sidedness of such depictions and the problems they create. Indeed, one-dimensional narratives not only misrepresent the rich traditions and practices of Islam but also enhance the skewed perception of Islam in the West. This issue seeks to counter such tendencies, but without falling into the trap of being merely apologetic. To that end it provides a rich and diverse collection of contributions on aspects of how Islam and Muslims are presented on-screen.Faced with a remarkable response to the call for papers for this issue, we selected contributions that could be grouped together under specific headings. The first section of the issue contains articles focused on particular strands of the Islamic tradition or on a specific ethnicity in the Islamic world. The second section is devoted to the wider Islamic diaspora 'in the West', a topic on which we received the largest number of proposals, likely a reflection of the longer history of academic study of this particular theme. The thematic section of this issue concludes with a contribution on a Muslim filmmaker whose work is widely admired as an example of an alternative view on the Islamic tradition. 184 pp. Englisch.…

kart. Condición: Gut. 23 x 23 cm ; Paperbackausgabe, 183 Seiten mit zahlreichen Abbildungen. Gutes Exemplar. hw1016 ISBN: 3935874030.

Taschenbuch. Condición: Neu. Neuware -In an era when media and their narratives significantly shape public perceptions, it is imperative we examine and broaden our understanding of how Islam - a religious and cultural tradition of remarkable depth and diversity - is portrayed-on screen. For decades now, the depiction of Islam in film and television has often been reduced to a narrow set of stereotypes, often caricatures of Islam or Muslims portrayed as shadowy villains, sinister figures, and potential terrorists. This final, and frequent, portrayal is associated with the events of 9/11 and their aftermath and with various global political and social developments. Found across media, it was taken up in particular by the entertainment industry. This depiction was not entirely new, as a thorough survey of the representation of Islam in US-American cinema since 1979 has made evident, but only if Islam was a topic at all. However, the first decades of the twenty-first century have seen a deepening of the negative stereotypes.Current scholarship on this topic has pointed to the one-sidedness of such depictions and the problems they create. Indeed, one-dimensional narratives not only misrepresent the rich traditions and practices of Islam but also enhance the skewed perception of Islam in the West. This issue seeks to counter such tendencies, but without falling into the trap of being merely apologetic. To that end it provides a rich and diverse collection of contributions on aspects of how Islam and Muslims are presented on-screen.Faced with a remarkable response to the call for papers for this issue, we selected contributions that could be grouped together under specific headings. The first section of the issue contains articles focused on particular strands of the Islamic tradition or on a specific ethnicity in the Islamic world. The second section is devoted to the wider Islamic diaspora 'in the West', a topic on which we received the largest number of proposals, likely a reflection of the longer history of academic study of this particular theme. The thematic section of this issue concludes with a contribution on a Muslim filmmaker whose work is widely admired as an example of an alternative view on the Islamic tradition.…

Taschenbuch. Condición: Neu. Neuware - In an era when media and their narratives significantly shape public perceptions, it is imperative we examine and broaden our understanding of how Islam - a religious and cultural tradition of remarkable depth and diversity - is portrayed-on screen. For decades now, the depiction of Islam in film and television has often been reduced to a narrow set of stereotypes, often caricatures of Islam or Muslims portrayed as shadowy villains, sinister figures, and potential terrorists. This final, and frequent, portrayal is associated with the events of 9/11 and their aftermath and with various global political and social developments. Found across media, it was taken up in particular by the entertainment industry. This depiction was not entirely new, as a thorough survey of the representation of Islam in US-American cinema since 1979 has made evident, but only if Islam was a topic at all. However, the first decades of the twenty-first century have seen a deepening of the negative stereotypes. Current scholarship on this topic has pointed to the one-sidedness of such depictions and the problems they create. Indeed, one-dimensional narratives not only misrepresent the rich traditions and practices of Islam but also enhance the skewed perception of Islam in the West. This issue seeks to counter such tendencies, but without falling into the trap of being merely apologetic. To that end it provides a rich and diverse collection of contributions on aspects of how Islam and Muslims are presented on-screen. Faced with a remarkable response to the call for papers for this issue, we selected contributions that could be grouped together under specific headings. The first section of the issue contains articles focused on particular strands of the Islamic tradition or on a specific ethnicity in the Islamic world. The second section is devoted to the wider Islamic diaspora 'in the West', a topic on which we received the largest number of proposals, likely a reflection of the longer history of academic study of this particular theme. The thematic section of this issue concludes with a contribution on a Muslim filmmaker whose work is widely admired as an example of an alternative view on the Islamic tradition.…

Paperback. Condición: Brand New. 44 pages. German language. 8.82x0.43x12.68 inches. In Stock. Glökler, Angela; Hoffmann, Martina (ilustrador).

paperback. Condición: New.

Taschenbuch. Condición: Neu. Neuware -In an era when media and their narratives significantly shape public perceptions, it is imperative we examine and broaden our understanding of how Islam - a religious and cultural tradition of remarkable depth and diversity - is portrayed-on screen. For decades now, the depiction of Islam in film and television has often been reduced to a narrow set of stereotypes, often caricatures of Islam or Muslims portrayed as shadowy villains, sinister figures, and potential terrorists. This final, and frequent, portrayal is associated with the events of 9/11 and their aftermath and with various global political and social developments. Found across media, it was taken up in particular by the entertainment industry. This depiction was not entirely new, as a thorough survey of the representation of Islam in US-American cinema since 1979 has made evident, but only if Islam was a topic at all. However, the first decades of the twenty-first century have seen a deepening of the negative stereotypes.Current scholarship on this topic has pointed to the one-sidedness of such depictions and the problems they create. Indeed, one-dimensional narratives not only misrepresent the rich traditions and practices of Islam but also enhance the skewed perception of Islam in the West. This issue seeks to counter such tendencies, but without falling into the trap of being merely apologetic. To that end it provides a rich and diverse collection of contributions on aspects of how Islam and Muslims are presented on-screen.Faced with a remarkable response to the call for papers for this issue, we selected contributions that could be grouped together under specific headings. The first section of the issue contains articles focused on particular strands of the Islamic tradition or on a specific ethnicity in the Islamic world. The second section is devoted to the wider Islamic diaspora 'in the West', a topic on which we received the largest number of proposals, likely a reflection of the longer history of academic study of this particular theme. The thematic section of this issue concludes with a contribution on a Muslim filmmaker whose work is widely admired as an example of an alternative view on the Islamic tradition.Schüren Verlag, Universitätsstraße 55, 35037 Marburg 184 pp. Englisch.…

Buch. Condición: Neu. Neuware -Ein sechs Monate altes Baby wird aus der Wohnung seiner Mutter geraubt. Die kriminelle Handlung wird schon nach wenigen Tagen vom damaligen sozialistischen Staat legitimiert und das Kind wächst bei diesen fremden Adoptiveltern ohne Geschwister, ohne Großeltern und ohne weitere Verwandte auf. Die vermeintlichen Eltern erziehen es in ihrem Sinne und verschweigen seine Herkunft, bis das Kind eines Tages die alles offenbarende Entdeckung macht und das bestätigt findet, was es schon immer geahnt hat. Es ist die unglaubliche Geschichte der Autorin, die sich genau so, wie beschrieben, zugetragen hat. Das Buch zeigt auf, wozu Menschen fähig sind und was mit Hilfe eines autoritären Regimes möglich ist. 176 pp. Deutsch.…

Buch. Condición: Neu. Neuware -Ein sechs Monate altes Baby wird aus der Wohnung seiner Mutter geraubt. Die kriminelle Handlung wird schon nach wenigen Tagen vom damaligen sozialistischen Staat legitimiert und das Kind wächst bei diesen fremden Adoptiveltern ohne Geschwister, ohne Großeltern und ohne weitere Verwandte auf. Die vermeintlichen Eltern erziehen es in ihrem Sinne und verschweigen seine Herkunft, bis das Kind eines Tages die alles offenbarende Entdeckung macht und das bestätigt findet, was es schon immer geahnt hat. Es ist die unglaubliche Geschichte der Autorin, die sich genau so, wie beschrieben, zugetragen hat. Das Buch zeigt auf, wozu Menschen fähig sind und was mit Hilfe eines autoritären Regimes möglich ist. 176 pp. Deutsch.…

Taschenbuch. Condición: Neu. Representations of Islam and Muslims in Film | From Stereotype to Scenescape | Martina Bär (u. a.) | Taschenbuch | Journal for Religion, Film and Media | 184 S. | Englisch | 2025 | Schüren Verlag | EAN 9783741005107 | Verantwortliche Person für die EU: Schüren Verlag GmbH, Universitätsstr. 55, 35037 Marburg, info[at]schueren-verlag[dot]de | Anbieter: preigu.…

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Ein 6 Monate altes Baby wird aus der Wohnung seiner Mutter geraubt. Schon nach wenigen Tagen wird die kriminelle Handlung staatlich legitimiert. Das Kind wächst bei diesen fremden Eltern ohne Geschwister, ohne Großeltern und ohne sonstige Verwandte auf. Die Adoptiveltern verschweigen seine Herkunft, bis das Kind eines Tages die alles offenbarende Entdeckung macht und das bestätigt findet, was es schon immer geahnt hat. Die Erzählung schildert die enormen emotionalen Herausforderungen, denen sich das Mädchen aufgrund der Lebenslüge zu stellen hatte. Es durfte mit niemandem darüber sprechen und musste alles mit sich selbst ausmachen. Das ganze Ausmaß der erschütternden Wahrheit erkannte sie erst nach 1990 infolge der Wiedervereinigung der beiden deutschen Staaten. Es ist eine wahre Geschichte.…

Verlag M. Faste, Kassel, 2003. 132 Seiten mit vielen Abbildungen, Pappband, quart---- sehr gutes Exemplar - 794 Gramm.

Verlag M. Faste, Kassel, 2004. 120 Seiten mit vielen Abbildungen, Pappband, quart---- sehr gutes Exemplar - 728 Gramm.

Paperback. Condición: New. 1.

Erste Auflage. 23 x 23,5 cm. 183 S. Illustrierter OKarton. Gutes bis sehr gutes Exemplar. Jubiläumsausstellung anlässlich der 10. Vergabe des Rubenspreises an Maria Lassnig; vorherige Preisträger waren Hans Hartung, Francis Bacon, Lucian Freud, Giorgio Morandi, Antoni Tapies, Rupprecht Geiger, Fritz Winter, Cy Twombly und Emil Schumacher. Durchgehend mit Abbildungen versehen.…

kart. Condición: Sehr gut. 110 S. : Ill., graph. Darst. ; 24 cm sehr gutes Exemplar Sprache: Deutsch Gewicht in Gramm: 229.

broschiert/Taschenbuch. 115 S. (24 cm) OKt. 1. Aufl. Sehr guter Zustand. Auflage: 1 ISBN 3873875179.

Buch. Condición: Neu. Neuware - Ein sechs Monate altes Baby wird aus der Wohnung seiner Mutter geraubt. Die kriminelle Handlung wird schon nach wenigen Tagen vom damaligen sozialistischen Staat legitimiert und das Kind wächst bei diesen fremden Adoptiveltern ohne Geschwister, ohne Großeltern und ohne weitere Verwandte auf. Die vermeintlichen Eltern erziehen es in ihrem Sinne und verschweigen seine Herkunft, bis das Kind eines Tages die alles offenbarende Entdeckung macht und das bestätigt findet, was es schon immer geahnt hat. Es ist die unglaubliche Geschichte der Autorin, die sich genau so, wie beschrieben, zugetragen hat. Das Buch zeigt auf, wozu Menschen fähig sind und was mit Hilfe eines autoritären Regimes möglich ist.…

paperback. Condición: Sehr gut. 366 Seiten; Sprache: Deutsch Gewicht in Gramm: 500.