Wilfried raussert (290 resultados)

Condición: New.

Paperback. Condición: New. Halifax's former Poet Laureate Afua Cooper and photographer Wilfried Raussert collaborate in this book of poems and photographs focused on everyday Black experiences. The result is a jambalaya - a dialogue between image and text. Cooper translates Raussert's photos into poetry, painting a profound image of what disembodied historical facts might look like when they are embodied in contemporary characters. This visual and textual conversation honours the multiple layers of Blackness in the African diaspora around North America and Europe. The result is a work that amplifies black beauty and offers audible resistance.…

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condición: New. Halifax's former Poet Laureate Afua Cooper and photographer Wilfried Raussert collaborate in this book of poems and photographs focused on everyday Black experiences. The result is a jambalaya - a dialogue between image and text. Cooper translates Raussert's photos into poetry, painting a profound image of what disembodied historical facts might look like when they are embodied in contemporary characters. This visual and textual conversation honours the multiple layers of Blackness in the African diaspora around North America and Europe. The result is a work that amplifies black beauty and offers audible resistance.…

Paperback. Condición: New.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. 64 pages. 9.00x6.00x0.25 inches. In Stock.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: New. In English.

Condición: New. In English.

Condición: New.

Condición: New.

Taschenbuch. Condición: Neu. Neuware -This book examines public art practices in three eras of social and political upheaval: the 1920s-1930s, 1960s-1970s, and today. Heydays of artistic innovation and provocation, these periods see the rise of grassroots and avant-garde practices that intervene in the crises of their day by reclaiming public space for community building and social transformation. Artists of various cultural, social, and political movements in these times establish the street and other public spaces as laboratories for redefining the nation, culture, and community-in short, for endowing the world with new possibilities. Such revolutionary aesthetics can be found in the public art practices of Jamaican and U.S.-American Garveyism, Mexican muralism, North and South American 1960s theatre and happenings, and the contemporary Zapatista, Occupy Wall Street, and Black Lives Matter movements.ContentsIntroductionPublic Space, Art Practice, and the Social . 1Chapter IParading and Performing in the Streets:Cultural and Artistic Practices in Garveyismand the Harlem Renaissance . 29Chapter IIMexican Avant-Gardes and InterAmerican Flows:Redefining the Relation between Art Practiceand Public Space in the 1920s and 1930s . 63Chapter IIIThe Body as Public Sphere:Taking Theatre, Performance, and Music to the Streetsin the Turbulent 1960s and 1970s . 103Chapter IVOff the Grid:Art Practices and Public Space in the Contemporary Period . 159Epilogue . 211 232 pp. Englisch.…

Taschenbuch. Condición: Neu. Neuware -This book examines public art practices in three eras of social and political upheaval: the 1920s-1930s, 1960s-1970s, and today. Heydays of artistic innovation and provocation, these periods see the rise of grassroots and avant-garde practices that intervene in the crises of their day by reclaiming public space for community building and social transformation. Artists of various cultural, social, and political movements in these times establish the street and other public spaces as laboratories for redefining the nation, culture, and community-in short, for endowing the world with new possibilities. Such revolutionary aesthetics can be found in the public art practices of Jamaican and U.S.-American Garveyism, Mexican muralism, North and South American 1960s theatre and happenings, and the contemporary Zapatista, Occupy Wall Street, and Black Lives Matter movements.ContentsIntroductionPublic Space, Art Practice, and the Social . 1Chapter IParading and Performing in the Streets:Cultural and Artistic Practices in Garveyismand the Harlem Renaissance . 29Chapter IIMexican Avant-Gardes and InterAmerican Flows:Redefining the Relation between Art Practiceand Public Space in the 1920s and 1930s . 63Chapter IIIThe Body as Public Sphere:Taking Theatre, Performance, and Music to the Streetsin the Turbulent 1960s and 1970s . 103Chapter IVOff the Grid:Art Practices and Public Space in the Contemporary Period . 159Epilogue . 211 232 pp. Englisch.…

Condición: Neu. Blues, Jazz and Narrativity in African American Culture. Exploring the temporal dimension of African American music in its development from early forms of blues and jazz to the free and fast-paced sequences of jazz musicians such as John Coltrane and Ornette Coleman, this volume addresses music as a key metaphor for the analysis of time in African American culture. Two narrative strategies emerge from tracing the impact of musical time on narrativity in an intercultural sphere - novels by Langston Hughes, Ralph Ellison, Toni Morrison, Ismael Reed, and Ntozake Shange representing the textual basis for critical analysis. First, the excursions into the field of music illustrate blues' and jazz's pivotal role in shaping and redefining a particular African American sense of time from the Harlem Renaissance to the contemporary period. Second, the exploration of the writers' historical imagination unfolds a story about alternating concepts of history and culture, as they emerge from the impact of musical time on the novelistic discourse. 173 Seiten, broschiert (American Studies. A Monograph Series; vol. 87/Universitätsverlag C. Winter 2000). Früher EUR 25,00. Gewicht: 222 g - Softcover/Taschenbuch.…

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: New.

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: New.

Taschenbuch. Condición: Neu. Neuware.

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Taschenbuch. Condición: Neu. Neuware - This book examines public art practices in three eras of social and political upheaval: the 1920s-1930s, 1960s-1970s, and today. Heydays of artistic innovation and provocation, these periods see the rise of grassroots and avant-garde practices that intervene in the crises of their day by reclaiming public space for community building and social transformation. Artists of various cultural, social, and political movements in these times establish the street and other public spaces as laboratories for redefining the nation, culture, and community-in short, for endowing the world with new possibilities. Such revolutionary aesthetics can be found in the public art practices of Jamaican and U.S.-American Garveyism, Mexican muralism, North and South American 1960s theatre and happenings, and the contemporary Zapatista, Occupy Wall Street, and Black Lives Matter movements.ContentsIntroductionPublic Space, Art Practice, and the Social . 1Chapter IParading and Performing in the Streets:Cultural and Artistic Practices in Garveyismand the Harlem Renaissance . 29Chapter IIMexican Avant-Gardes and InterAmerican Flows:Redefining the Relation between Art Practiceand Public Space in the 1920s and 1930s . 63Chapter IIIThe Body as Public Sphere:Taking Theatre, Performance, and Music to the Streetsin the Turbulent 1960s and 1970s . 103Chapter IVOff the Grid:Art Practices and Public Space in the Contemporary Period . 159Epilogue . 211.…