Wein bibi (26 resultados)

paperback. Condición: Good.

Condición: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condición: Very Good. First Paperback Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condición: very_good. Book has been gently used and well cared for. Minimal signs of wear. May contain a name or small mark inside, but overall clean with no major defects. Fully readable and in solid condition.

Paperback. Condición: Very Good. Provocative from the opening lines, this is a treasure trove of love, loss, humor, and self-discovery amidst the trees and cabins of the Adirondack Mountains:Somewhere around the age of 40, when I should have been deciding if I wanted to take my last chance at having a second child, should have been looking for a good job? I began instead to learn everything I could about staying out all night in the woods. Since I live in Manhattan, this pursuit could hardly be construed as even marginally relevant to my real life.Think Gretal Ehrlich and Annie Dillard. But this work is both more personal and more universal. Think Barbara Kingsolver?s Prodigal Summer for sensitivity to the natural world and narrative sweep.This book stands out from other tales of the land: it is about the romance and primitive majesty of the wilderness, how it shelters and awes us, terrifies us, and ultimately provides us with a sense of place. Here is exquisitely detailed narration balanced with sharp insights into modern life in the wilderness.?Bibi Wein offers a lovely and penetrating look into the thickets of the Adirondack woods and of the human heart.? ?Bill McKibben, author of The End of Nature?The Way Home is a beautifully written, deeply spiritual and disarmingly honest meditation on nature?that found in the glorious out-of-doors as well as that of the infinitely less elegant (and far more exasperating) human being. Think of it as modern-day Walden?a way to sit in an armchair and experience the soul-stirring revelations that are offered when one learns to keep quiet and let the land speak.? ?Elizabeth Berg, author of The Art of Mending.…

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Very Good. Estado de la sobrecubierta: No Jacket as Issued. First Paperback Edition. AD2 - A first paperback edition book SIGNED by author on the half-title page in very good condition that has some bumped corners, wrinkling, chipping and crease, label on the back, some light scratches, light discoloration and shelf wear. Winner of the Tupelo Literary Fiction/Non-fiction Award. 8"x5.25", 205 pages. Satisfaction Guaranteed. Size: 8vo - over 7¾" - 9¾" tall. Signed by Author.…

Hardcover. Condición: Good. Blue cloth, black lettering, text solid. Novel section.

Condición: New. Brand New.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Clean and solid. ; Color Photographs; 4to; 224 pages.

Trade Paperback. Condición: Used Good. Previous owner's name in ink in front. Otherwise unmarked and good condition.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition; First Printing. Light edgewear and surfacewear. A nice, bright copy. ; Color & B&W Photographs; 11.1 X 0.9 X 9 inches; 224 pages.

Hardcover. Condición: Very Good+. Estado de la sobrecubierta: Very Good+. First Edition. Color Photographs; 4to 11" - 13" tall; 224 pages; 2001 Kodansha International. Oversize HC/DJ. 1st edtion. Snugly bound and neat in crisp edged and uniformly bright pictorial dust jacket. Just mild shelf wear to jacket edges and spine ends; trace dust spotting to the top edge. Light shelf evidence to the jacket surfaces. Contents clean, bright, and unmarked. Profusely illustrated with color photographs. VG++/VG+ . Oversize book may require additional charges for expedited or international shipping.…

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. 1st Edition. Light edge wear to jacket.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Paperback. Condición: Brand New. 205 pages. 8.00x5.25x0.75 inches. In Stock.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. An unmarked near fine copy with dust jacket protective cover.

Condición: New.

hardback. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. hardback, octavo, a very good tightly bound copy in a well preserved dust wrapper, the text is clean and unmarked, 214pp.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Used - Like New. For centuries, bamboo has fascinated legions of craftspeople, plant lovers and devotees of the handcrafted object. And nowhere is bamboo used more elegantly and distinctly than in Japan. Its presence touches every part of daily life-art, crafts, design, literature, and food. Its beauty enlivens textile designs, restaurant interiors, and holiday festivities. Artist and writer Nancy Moore Bess set out to discover just how bamboo-crafted objects attained such heights in Japan. Her travels took her throughout the country and through centuries of accumulated artifacts. After five years of dedicated research and study, she has assembled an unparalleled collection of writings and photographs that uncover the hidden beauty of bamboo. Bess unveils the boundless uses of this versatile material in Japan, ranging from the most elegant and refined to the most humble. She shows bamboo's applications in the garden and home, in the cherished accessories of the tea ceremony and flower arranging, and in an endless array of crafts from elaborate baskets to colorful kites and dolls. With illuminating text and over 250 exquisite photographs, illustrations, and artwork, Bess reveals the intricacies and resources of this lovely versatile plant. She explores the Japanese reverence for bamboo's natural beauty, adding immeasurably to our knowledge of the Asian sensibility and lifestyle. [AN ON-LINE INTERVIEW WITH THE AUTHOR]Q. Could you tell us a little about your background? A. I am fond of saying that I'm a basketmaker from California. It is true, but . I have lived on the east coast more years than those early, influential ones in California. I learned to make baskets on 8th Avenue in New York City. Basketry is the focus of my professional life. I weave, teach, and exhibit. No matter where I travel, I find basketmakers and a conversation begins. Much of my first trip in Japan (11 months in 1986-87) was devoted to meeting basketmakers and watching them work. Q. What motivated you to write this book? / What got you started? A. When I first wrote the book proposal, I was thinking only of those basketmakers I had met in Japan - how hard they worked, how varied their baskets, how ubiquitous basketry was in Japan. As the book topic broadened to include ALL of bamboo in Japan, I found that I had much to learn, and the research began. Each interview led to more library work. Each book in the library led to more interviews. It was a never-ending circle for five years. I still can't resist a good book that reveals something new to me about bamboo in Japan. Q. Could you tell us a little about the contents of the book? A. The main thesis of the book is that bamboo touches every aspect in daily life in Japan, even in urban Tokyo or Osaka. At first, everyone tends to think this is an overly 'romantic' approach; however, upon more careful examination (or reading of Bamboo in Japan), it becomes clear that, unlike other single 'material' in Japan, bamboo is linked to everything - language, ritual, home life, food, design, art, and crafts. Other plants are important, pine and rice straw, for instance. But they don't have both the symbolism AND the practical use, it is 'either/or.' Only bamboo touches the everyday and the elegant, the practical and the elite, the farmer and the urban housewife. Only bamboo can go from kitchen zaru to the artwork of Living National Treasures. Q. What do you see as the centerpiece of the book? / Why is the book important? A. The marriage of text and illustration makes Bamboo in Japan successful. This bond allows the reader to penetrate the book at many different levels - one can look at the illustrations, read only the captions, dive into one section or all. All the text and illustrations are tied to the main thesis - bamboo touches every aspect of daily life in Japan - so the impact is considerable. Bamboo in Japan is important, in part, because it hasn't been done before. Earlier English-language books on the topic of bamboo covered part of the story, but not all. This book offers everyone a chance to really read about this incredible plant in Japan and its many guises. Bamboo enchants, and Bamboo in Japan lets the reader experience this. Q. What did you yourself learn from writing the book? A. So many things . some personal and emotional. I learned that I can't do everything, but I can be persistent and decide my priorities. I knew I was attracted to bamboo as a craft material, but I didn't realize how passionate I would become about bamboo as a plant. I'll never stop reading and learning about bamboo and never stop being an advocate for bamboo workers. Q. What would you like readers to take away with them after reading this book? A. I'd like people to acknowledge the bamboo craftspeople for their skill, vulnerability, and dedication. I'd like everyone to look to other cultures with an open mind and heart. I'd like them to walk down a lane in Japan and SEE the bamboo. Q. What people or books were influential in the writing of your book? A. The Japanese publications about bamboo and crafts were an amazing resource. I only wish I could read them myself and not have to rely on sections being translated for me. That separation between me and the information is troubling. I always think there is one more book I need to read, one more craftsperson I need to talk with, one more garden I need to photograph . then I'll be on top of it. The bamboo enthusiasts in both Japan and the USA were amazing. We all share a common passion, and they were generous with information and, sometimes, funding. The Japan Bamboo Society in Kyoto was especially helpful, as was The American Bamboo Society here. I'd still be writing if ABS hadn't helped me out with grants! Q. What are your plans for the future, in terms of new books or other projects? A. I don't think I'll ever stop the research on bamboo. At the moment, I am concentrating on gathering information about bamboo as a 'motif' in folk tales around the world. I sus. …

Hardcover. Condición: Good. Estado de la sobrecubierta: Good. Presumed First Edition, First printing. x, 309, [1] pages. Appendix. DJ has wear, soiling, tears and chips. Edge soiling. From the DJ: a study in depth of our alienated children. Bibi Wein has written, co-authored or contributed to a dozen books. Her short fiction, features and essays have appeared in numerous national magazines and literary journals, including Mademoiselle, OMNI, Kalliope, Other Voices, and American Letters & Commentary. She works as an editorial consultant, feature writer, and teacher of creative writing. The Way Home is her first book of creative nonfiction. Winner of the 2003 Tupelo Press Literary Fiction/Non-Fiction Prize. From an article in The New York Times: This book is based on first hand research (from the acid heads of Hashbury to the malcontents of exurbia), on intensive interviews with both the author's subjects and their mentors. A 27 year old novelist. Bibi Wein divides her teenagers into three groups: the dopers, the street dwellers, and the political radicals. What ties them together, inevitably, is their sense of being out of place and out of tune. They are strangers everywhere. One typical "doper" in Pennsylvania describes his decision to drop out this way: "Everyone thought I left Kentwood because I was too smart for the system. Actually, I left out of fear. Fear of the social order. Just a general feeling of âI don't fit in.' " A "political" girl in California explained the lure of drugs: "Depression. A feeling like there's no place for me. There's always unconsciousness to escape to. . . ." Pampered yet ignored by their parents, bored to tears in school, lavished with material goodsâ"Miss Wein tells us that the kids of her title have had few opportunities to test themselves, to prove their worth. Her cast of characters (too many of them stock figures) are hardly paragons. Sometimes they come across as thoughtless and self indulgent, fleeing to Nirvanas of peace and love that never were. They seldom make the same effort to understand their parents that they demand their parents make to understand them. For the most part, however, she finds the "runaway generation" intelligent, vibrantâ"and unwilling to swallow the goals and standards handed down to them. "It is indeed a terrified society," she concludes, "that must go to the lengths we do to keep youth and its ideas and energies so suppressed. . . . We are fortunate that more and more of our adolescents are rising above our fears and falsehoodsâ"and claiming their right to a voice in their own lives and the world we all live in.".…

Perfect Paperback. Condición: New. In shrink wrap. Looks like an interesting title.