Weeks rebecca (19 resultados)

Paperback. Condición: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condición: Good. Satisfaction 100% guaranteed.

hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. Condición: New.

Paperback. Condición: New.

Softcover. Condición: Very Good with no dust jacket. Sound binding. Wrapper has light handling wear, remnant of mailing label on back. Pages clean, bright. Contents: Hinderaker and horn, Territorial crossings: histories and historiographies of the early Americas. Burnham, Samuel Gorton's leveller aesthetics and the economics of colonial dissent. Miquelon, Ambiguous concession: what diplomatic archives reveal about article 15 of the Treaty of Utrecht and France's North American policy. Weeks, Of rattlesnakes, wolves, and tigers: a harangue at the Chickasaw Bluffs, 1796. Cleves, "Heedless youth": the Revolutionary War poetry of Ruth Bryant (1760-83). Reviews. 9.25" tall; 204 pages.…

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardcover. Condición: new. Hardcover. The television industry is changing, and with it, the small screen's potential to engage in debate and present valuable representations of American history. Founded in 1972, HBO has been at the forefront of these changes, leading the way for many network, cable, and streaming services into the "post-network" era. Despite this, most scholarship has been dedicated to analysing historical feature films and documentary films, leaving TV and the long-form drama hungry for coverage. In History by HBO: Televising the American Past, Rebecca Weeks fills the gap in this area of media studies and defends the historiographic power of long-form dramas. By focusing on this change and its effects, History by HBO outlines how history is crafted on television and the diverse forms it can take. Weeks examines the capabilities of the long-form serial for engaging with historical stories, insisting that the shift away from the network model and toward narrowcasting has enabled challenging histories to thrive in home settings. As an examination of HBO's unique structure for producing quality historical dramas, Weeks provides four case studies of HBO series set during different periods of United States history: Band of Brothers (2001), Deadwood (20042007), Boardwalk Empire (20122014), and Treme (20102013). In each case, HBO's lack of advertiser influence, commitment to creative freedom, and generous budgets continue to draw and retain talent who want to tell historical stories. Balancing historical and film theories in her assessment of the roles of mise-enscene, characterisation, narrative complexity, and sound in the production of effective historical dramas, Weeks' evaluation acts as an ode to the most recent Golden Age of TV, as well as a critical look at the relationship between entertainment media and collective memory. AUTHOR; Rebecca Weeks is a lecturer in the Bachelor of Art and Design Programme at Media Design School in Auckland, New Zealand. She was the recipient of the Dame Joan Metge Post-Doctoral Research Award. 11 b/w illustrations, 1 graph Examines the capabilities of the long-form serial for engaging with historical stories. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condición: New. 2022. Hardcover. . . . . .

Hardcover. Condición: Brand New. 327 pages. 9.00x6.00x0.93 inches. In Stock.

Condición: New. 2022. Hardcover. . . . . . Books ship from the US and Ireland.

Paperback. Condición: New.

Condición: New. History by HBO examines the capabilities of the long-form serial for engaging with historical stories, insisting that the shift away from the network model and toward narrowcasting has enabled challenging histories to thrive in home settings.&Uumlb.

Buch. Condición: Neu. Neuware - The television industry is changing, and with it, the small screen's potential to engage in debate and present valuable representations of American history. Founded in 1972, HBO has been at the forefront of these changes, leading the way for many network, cable, and streaming services into the 'post-network' era. Despite this, most scholarship has been dedicated to analyzing historical feature films and documentary films, leaving TV and the long-form drama hungry for coverage. In History by HBO: Televising the American Past, Rebecca Weeks fills the gap in this area of media studies and defends the historiographic power of long-form dramas. By focusing on this change and its effects, History by HBO outlines how history is crafted on television and the diverse forms it can take. Weeks examines the capabilities of the long-form serial for engaging with historical stories, insisting that the shift away from the network model and toward narrowcasting has enabled challenging histories to thrive in home settings. As an examination of HBO's unique structure for producing quality historical dramas, Weeks provides four case studies of HBO series set during different periods of United States history: Band of Brothers (2001), Deadwood (2004-2007), Boardwalk Empire (2012-2014), and Treme (2010-2013). In each case, HBO's lack of advertiser influence, commitment to creative freedom, and generous budgets continue to draw and retain talent who want to tell historical stories. Balancing historical and film theories in her assessment of the roles of mise-en-scène, characterization, narrative complexity, and sound in the production of effective historical dramas, Weeks' evaluation acts as an ode to the most recent Golden Age of TV, as well as a critical look at the relationship between entertainment media and collective memory.…

Hardcover. Condición: new. Hardcover. The television industry is changing, and with it, the small screen's potential to engage in debate and present valuable representations of American history. Founded in 1972, HBO has been at the forefront of these changes, leading the way for many network, cable, and streaming services into the "post-network" era. Despite this, most scholarship has been dedicated to analysing historical feature films and documentary films, leaving TV and the long-form drama hungry for coverage. In History by HBO: Televising the American Past, Rebecca Weeks fills the gap in this area of media studies and defends the historiographic power of long-form dramas. By focusing on this change and its effects, History by HBO outlines how history is crafted on television and the diverse forms it can take. Weeks examines the capabilities of the long-form serial for engaging with historical stories, insisting that the shift away from the network model and toward narrowcasting has enabled challenging histories to thrive in home settings. As an examination of HBO's unique structure for producing quality historical dramas, Weeks provides four case studies of HBO series set during different periods of United States history: Band of Brothers (2001), Deadwood (20042007), Boardwalk Empire (20122014), and Treme (20102013). In each case, HBO's lack of advertiser influence, commitment to creative freedom, and generous budgets continue to draw and retain talent who want to tell historical stories. Balancing historical and film theories in her assessment of the roles of mise-enscene, characterisation, narrative complexity, and sound in the production of effective historical dramas, Weeks' evaluation acts as an ode to the most recent Golden Age of TV, as well as a critical look at the relationship between entertainment media and collective memory. AUTHOR; Rebecca Weeks is a lecturer in the Bachelor of Art and Design Programme at Media Design School in Auckland, New Zealand. She was the recipient of the Dame Joan Metge Post-Doctoral Research Award. 11 b/w illustrations, 1 graph Examines the capabilities of the long-form serial for engaging with historical stories. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Paperback. Condición: New.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. 255 p. : ill. (some col.) ; 29 cm. LCCN 81011012 ISBN 9780821211267, 9780821215616, 0821211269, 0821215612 LC N6512.5.P45 G6 Dewey 709.73 OCLC 7574256 peach-colored cloth in photographic dustjacket ; Contents: Contemporary American Realism: a contemporary definition -- Portraits, nudes and the figure outdoors -- Narrative painting: its purpose is to edify -- The new landscape: rural and urban America -- Still life: objects that delight the eye -- The realist alternative in American sculpture ; 59 color, 150 black and white illustrations ; artsits featured include Lennart Anderson, John Baeder, William Bailey, Jack Beal, Tom Blackwell, Nell Blaine, Carolyn Brady, Diane Burko, Vija Celmins, Hilo Chen, Chuck Close, Robert Cottingham, Rebecca Davenport, John DeAndrea, George Deem, Lois Dodd, Rackstraw Downes, Don Eddy, Martha Mayer Erlebacher, Richard Estes, Janet Fish, Audrey Flack, Jane Freilacher, Frank Gallo, Paul georges, Gregory Gillespie, Ralph Goings, Sidney Goodman, Robert Graham, Harold gregor, Duane Hanson, Ian Hornak, Yvonne Jacquette, Wolf Kahn, Alex Katz, Robert Kulicke, Gabriel Laderman, Alfred Leslie, Michael Mazur, Millard Midgette, Richard McDermott Miller, John Moore, Malcolm Morley, Catherine Murphy, Alice Neel, Jud Nelson, Dan Nice, George Nick, David Park, David Parrish, Philip Pearlstein, Stephen Posen, Joseph Raffael, Paul Sarisian, Ben Schonzeit, George Segal, Sylvia Sleigh, Raphael Soyer, Altoon Sultan, Wayne Thiebaud, Sidney Tillim, Andy Warhol, James Weeks, Neil Welliver, Robert White, Andrew Wyeth, James Wyeth, Famio Yoshimura ; FINE/FINE. Book.…

Condición: New. Print on Demand.