webster craig s (23 resultados)

SingleIssueMagazine. Condición: Good. Vol. XXVIII, No. 4. Pulp magazine. Edited by John W. Campbell, Jr. Cover art by Rogers for "Second Stage Lensmen" (pt. 2 of 4) by E. E. "Doc" Smith. "Defense Line" (novelette) by Vic Phillips; "The Sorcerer's Apprentice" by Colin Keith [Malcolm Jameson]; "Bullard Reflects" by Malcolm Jameson; "Operation Successful" by Robert Arthur; "Homo Saps" by Webster Craig [Eric Frank Russell]. Articles: "Sergeant Terry Bull's Terrible Weapons" by Willy Ley; "Inside Out Matter" by R. S. Richardson. Readers' Departments: "The Editor's Page: Expansion"; "In Times to Come"; "The Analytical Laboratory"; "Brass Tacks". Illustrated by Cartier, Kramer and Rogers. Letters from Malcolm Jameson, Nelson Bond and others. Old tape; tears; creasing; tanning; small mid-cover tears. Book.

SingleIssueMagazine. Condición: Good. Vol. XXVIII, No. 4. Pulp magazine. Edited by John W. Campbell, Jr. Cover art by Rogers for "Second Stage Lensmen" (pt. 2 of 4) by E. E. "Doc" Smith. "Defense Line" (novelette) by Vic Phillips; "The Sorcerer's Apprentice" by Colin Keith [Malcolm Jameson]; "Bullard Reflects" by Malcolm Jameson; "Operation Successful" by Robert Arthur; "Homo Saps" by Webster Craig [Eric Frank Russell]. Articles: "Sergeant Terry Bull's Terrible Weapons" by Willy Ley; "Inside Out Matter" by R. S. Richardson. Readers' Departments: "The Editor's Page: Expansion"; "In Times to Come"; "The Analytical Laboratory"; "Brass Tacks". Illustrated by Cartier, Kramer and Rogers. Letters from Malcolm Jameson, Nelson Bond and others. Hard puncture to nid rear penetrates nearly halff way through; 1.5" tear at spien head; minor tears at heel;; minor losses at ends.sue; tanning. Book.

SingleIssueMagazine. Condición: Good to Very Good-. Vol. XXVIII, No. 4. Pulp magazine. Edited by John W. Campbell, Jr. Cover art by Rogers for "Second Stage Lensmen" (pt. 2 of 4) by E. E. "Doc" Smith. "Defense Line" (novelette) by Vic Phillips; "The Sorcerer's Apprentice" by Colin Keith [Malcolm Jameson]; "Bullard Reflects" by Malcolm Jameson; "Operation Successful" by Robert Arthur; "Homo Saps" by Webster Craig [Eric Frank Russell]. Articles: "Sergeant Terry Bull's Terrible Weapons" by Willy Ley; "Inside Out Matter" by R. S. Richardson. Readers' Departments: "The Editor's Page: Expansion"; "In Times to Come"; "The Analytical Laboratory"; "Brass Tacks". Illustrated by Cartier, Kramer and Rogers. Letters from Malcolm Jameson, Nelson Bond and others. Tape and glue repairs to leaning spine with 4" tear at head; stress; creasing; dusty. Book.

SingleIssueMagazine. Condición: Good to Very Good-. Vol. XXVIII, No. 4. Pulp magazine. Edited by John W. Campbell, Jr. Cover art by Rogers for "Second Stage Lensmen" (pt. 2 of 4) by E. E. "Doc" Smith. "Defense Line" (novelette) by Vic Phillips; "The Sorcerer's Apprentice" by Colin Keith [Malcolm Jameson]; "Bullard Reflects" by Malcolm Jameson; "Operation Successful" by Robert Arthur; "Homo Saps" by Webster Craig [Eric Frank Russell]. Articles: "Sergeant Terry Bull's Terrible Weapons" by Willy Ley; "Inside Out Matter" by R. S. Richardson. Readers' Departments: "The Editor's Page: Expansion"; "In Times to Come"; "The Analytical Laboratory"; "Brass Tacks". Illustrated by Cartier, Kramer and Rogers. Letters from Malcolm Jameson, Nelson Bond and others. Both covers glued on at hinges; old tape at spine head; owner's stamp on cover; chipping to all front cover edges and corners; dealer's marks. Good to Very Good-. Book.

SingleIssueMagazine. Condición: Very Good-. Vol. XXVIII, No. 4. Pulp magazine. Edited by John W. Campbell, Jr. Cover art by Rogers for "Second Stage Lensmen" (pt. 2 of 4) by E. E. "Doc" Smith. "Defense Line" (novelette) by Vic Phillips; "The Sorcerer's Apprentice" by Colin Keith [Malcolm Jameson]; "Bullard Reflects" by Malcolm Jameson; "Operation Successful" by Robert Arthur; "Homo Saps" by Webster Craig [Eric Frank Russell]. Articles: "Sergeant Terry Bull's Terrible Weapons" by Willy Ley; "Inside Out Matter" by R. S. Richardson. Readers' Departments: "The Editor's Page: Expansion"; "In Times to Come"; "The Analytical Laboratory"; "Brass Tacks". Illustrated by Cartier, Kramer and Rogers. Letters from Malcolm Jameson, Nelson Bond and others. Short tears at hinge ends; corner chips; tanning; standard wear and tear at edges and corners; dealer's mark. Book.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. 198 pages. 9.18x6.12x9.21 inches. In Stock.

Brossura. Condición: come nuovo. Estado de la sobrecubierta: ottimo. prima edizione. Offering unique insight into the world of contemporary art, this book looks at four generations of artists, from the established to the newly emerged. Photographs of each of the artists, taken by Amanda Eliasch during 2002 in the artists' studios, are set alongside examples of their work. The text by Gemma de Cruz provides a brief overview of who the artists are, what they do and how their work and ideas fit into the art world at this time. This book draws attention to a particular selection of artists who together form a strong idea of what is happening now in contemporary art in London, featuring artists who are influential alongside those they have influenced. Descrizione bibliografica Title: British Artists at Work Author: Gemma De Cruz (Texts by) Other Authors: with additional material by Kay Hartenstein-Saatchi and Martin Maloney Photographs by: Amanda Eliasch Original concept by: Franca Sozzani Publisher: New York: Assouline, 2003 Physical Description: 192 pagine; 28 cm; Fully illustrated; In shrink wrap (In pellicola termoretraibile) Weight: 2,4 Kilograms; hundreds of b/w and colour illustrations ISBN: 2843235057, 9782843235054 Language: English Soggetti: Arte contemporanea, Young British Artists, Concettuale, Collezionismo, Libri illustrati, Artisti emergenti, Opere, Collezioni, Installazioni, Mostre, Astrattismo, Pittura, Scultura, Plastica, Esposizioni, Personali, Trend, Cultura, Edizioni pregiate, Moda, Fotografia, Inghilterra, Gran Bretagna, Various, Contemporary British Painting, Modern Art, Peter Thomas Blake, Britannique, Groupe d'artistes, Peintures, Aquarelles, Dessins, Gravures, Dipinti, Acquerelli, Disegni, Incisioni, Olio, Tele, Ritratti, Paesaggio, Video, Cinema, Sessualità, Pop, Fumetti, Postmoderno, Giovani, Quotazioni, Oggetti, Kartell, Design, Monument, Incisioni, Incisori, Sculture geometriche, Biomorfiche, Granito, Pietra calcarea, Marmo, Pigmenti, Malta, Acciaio inossidabile, Colori, Decorazioni, Progetti architettonici, Scenografie, Testi, Frasi, Superblack, Nero, Vantablack, Damien Hirst, Formaldeide, Stile, Prêt-à-porter, YBAs, Brit Pack, Britart, Visual, Goldsmiths College, Tattiche shock, Materiali di recupero, Charles Saatchi, Tracey Emin, Fine Art, Freeze, Videoarte, Immagini, Readymade, Turner Prize, Sensation, Biennale, Venezia, Vogue Italia, Vitrine, Tate, Anni Ottanta, Anni Novanta, Anni Duemila, Gallerie commerciali, My Bed, Femminismo, The Physical Impossibility Of Death In the Mind Of Someone Living, Libri fuori catalogo, Contemporary art, Conceptual, Collecting, Illustrated books, Emerging artists, Works, Collections, Installations, Exhibitions, Abstractionism, Painting, Sculpture, Plastic, Exhibitions, Personal, Culture, Fine editions, Fashion, Photography, England, Great Britain, Paintings, Watercolors, Drawings, Engravings, Oil, Canvases, Portraits, Landscape, Video, Cinema, Sexuality, Comics, Postmodern, Young people, Quotes, Objects, Engravings, Engravers, Geometric sculptures, Biomorphic, Granite, Limestone, Marble, Pigments, Mortar, Steel stainless steel, Colors, Decorations, Architectural projects, Scenography, Texts, Phrases, Black, Formaldehyde, Style, Shocking tactics, Recycled materials, Video art, Images, Venice, Italy, Eighties, Nineties, Years 2000, Commercial galleries, Feminism, Out of print books Parole e frasi comuni abstract painting ACRYLIC ON CANVAS ANTONY GORMLEY history world body CHANTAL JOFFE colour contemporary create D.J. SIMPSON Damien decorative DETAIL DEXTER DALWOOD dress emotional exhibition feel figures film FIONA RAE Gagosian GARY HUME GAVIN TURK gestures GILBERT & GEORGE GILLIAN WEARING girl Goldsmiths College GRAYSON PERRY HOUSEHOLD GLOSS PAINT HOWARD HODGKIN huge IAN DAVENPORT images installation Jay Jopling White Cube JENNY SAVILLE JIM LAMBIE JUN HASEGAWA KIRSTEN GLASS landscape LISA MILROY look magazines MARC QUINN MARTIN MALONEY MARTIN MCGINN MAT COLLISHAW MICHAEL CRAIG-MARTIN MICHAEL RAEDECKER NEIL RUMMING objects OIL BOARD White Cube I know nothing about the art world but I have been involved in making a book for Italian Vogue for Franca Sozzani, the editor. I suppose I became interested in art about ten years ago when I met Charles Saatchi at the Amanpuri Hotel in Thailand. I was sitting by the swimming pool and he was sitting with the film director David Puttnam. He asked me where I lived and I told him in Chester Square. "Well, introduce me to your husband because we need clever young people like him." So we became friends, but not within the art world. Johan was his "cleaner," as he called him, he'd clean up his mess and he cleaned up the Saatchi deal between the old and new companies. I really appreciated Charles's help recently as he assisted me with my photographic shows of nudes. The last one he came to he said, "Oh, definitely, definitely commercial, stick to 1930s Paris." I had been working with Martin Maloney and doing some colour photographs, and Martin said, "Keep on with them." Charles said, "If you keep on with them you'd better go into magazines." So I went to New York and took my book round and I got a call back from Visionaire. I then telephoned Katy Barker who was the only photographic agent I knew and asked her advice. She told me that I couldn't show nudes and that I should do some fashion photographs. So I was introduced to a girl named Rushka Bergman who helped me take the correct photographs for my book. I showed them to the photographer Michel Comte, who took me to Italian Vogue. I then did one or two jobs for Franca, including the Kartell Catalogue, which many photographers did. It showed artists in their chairs. She liked the pictures and suggested I do a book on artists in their studios. I asked for a writer, and Martin suggested Gemma de Cruz, and we drew up a list together. The list in the book is quite varied: It is Young British Artists and a few of the Establishment who actually made the young artists or helped to make them. I liked the older guys because I think as a cu.

Hardcover. Condición: Very Good-. Webster, A. V.; Ross-Craig, S. Ilustrador. 1st Edition. Brown cloth boards with gilt titles; lightly bumped and marked only. Internally very crisp, clean and bright with the exception of some foxing to the prelims, the index and the outside edges of the textblock; the rest of the textblock has just the occasional spot. Includes all 14 stunning colour plates by Webster and Ross-Craig which remain very crisp and bright, though the frontispiece has become detached; a colour folding map at the rear which has a little foxing; and, the large glossary bookmark on green ribbon, again crisp and bright but with a few spot of foxing.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Condición: New.

Condición: New. 1st edition NO-PA16APR2015-KAP.

Condición: New. In.

Hardcover. Condición: Brand New. 216 pages. 9.19x6.13x0.67 inches. In Stock.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Marcus A. Henning is an Associate Professor and Post-Graduate Academic Advisor in the Centre for Medical and Health Sciences Education at the University of Auckland. His research interests include: quality of life, motivation, organizati.

Condición: New. Print on Demand.

Condición: New. PRINT ON DEMAND.