volgsten ulrik (57 resultados)

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Soft cover. Condición: Very Good. VERY GOOD softcover, no marks in text, uncreased spine, clean covers. Book.

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Condición: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. Since the beginning of human civilization, music has been used as a device to control social behavior, where it has operated as much to promote solidarity within groups as hostility between competing groups. Music is an emotive manipulator that influences attitude, motivation and behavior at many levels and in many contexts. This volume is the first to address the social ramifications of music's behaviorally manipulative effects, its morally questionable uses and control mechanisms, and its economic and artistic regulation through commercialization, thus highlighting not only music's diverse uses at the social level but also the ever-fragile relationship between aesthetics and morality.

Paperback. Condición: New. Since the beginning of human civilization, music has been used as a device to control social behavior, where it has operated as much to promote solidarity within groups as hostility between competing groups. Music is an emotive manipulator that influences attitude, motivation and behavior at many levels and in many contexts. This volume is the first to address the social ramifications of music's behaviorally manipulative effects, its morally questionable uses and control mechanisms, and its economic and artistic regulation through commercialization, thus highlighting not only music's diverse uses at the social level but also the ever-fragile relationship between aesthetics and morality.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: new. Paperback. Since the beginning of human civilization, music has been used as a device to control social behavior, where it has operated as much to promote solidarity within groups as hostility between competing groups. Music is an emotive manipulator that influences attitude, motivation and behavior at many levels and in many contexts. This volume is the first to address the social ramifications of musics behaviorally manipulative effects, its morally questionable uses and control mechanisms, and its economic and artistic regulation through commercialization, thus highlighting not only musics diverse uses at the social level but also the ever-fragile relationship between aesthetics and morality. ".a timely book that.sets a standard for a new field of study and therefore deserves to be read widely.[the volume's] contributions contain fascinating material for further study." A International Institute for Asian Studies Newsletter "Steven Brown and Ulrik Volgsten haveput together a valuable collection of essays on a consistently interesting theme. The book constitutes an important resource for the future development of this theme." A Music Perception ".fascinating and challenging.this book, illustrates the diversity, the depth and the potential of the field of the sociology of music. As much as these texts enlighten, they also highlight the vastness of the research yet to be conducted. However, this book is far more than just a compilation of papers presented at a conference, they are relevant discussions to anybody who turns on the radio, purchases or downloads a record or even sings a lullaby." A Leonardo Digital Reviews Since the beginning of human civilization, music has been used as a device to control social behavior, where it has operated as much to promote solidarity within groups as hostility between competing groups. Music is an emotive manipulator that influences attitude, motivation and behavior at many levels and in many contexts. This volume is the first to address the social ramifications of music's behaviorally manipulative effects, its morally questionable uses and control mechanisms, and its economic and artistic regulation through commercialization, thus highlighting not only music's diverse uses at the social level but also the ever-fragile relationship between aesthetics and morality. Steven Brown is a researcher in cognitive neuroscience in the Department of Psychology at Simon Fraser University in Vancouver, Canada. He received his doctorate at Columbia University in New York, and has done research at the Pasteur Institute in Paris, the Karolinska Institute in Stockholm, and the University of Texas Health Science Center in San Antonio. His research deals with the neural basis of human communication, including the arts. Ulrik Volgsten is a research fellow in the Department of Culture, Aesthetics and Media at GAteborg University in Sweden. He received his doctorate in the Department of Musicology at Stockholm University, and has published papers on both musical and philosophical topics. Volgsten's multidisciplinary research mainly focuses on human communication in different Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Paperback. Condición: Brand New. 376 pages. 8.75x6.00x0.75 inches. In Stock.

Paperback. Condición: New. Since the beginning of human civilization, music has been used as a device to control social behavior, where it has operated as much to promote solidarity within groups as hostility between competing groups. Music is an emotive manipulator that influences attitude, motivation and behavior at many levels and in many contexts. This volume is the first to address the social ramifications of music's behaviorally manipulative effects, its morally questionable uses and control mechanisms, and its economic and artistic regulation through commercialization, thus highlighting not only music's diverse uses at the social level but also the ever-fragile relationship between aesthetics and morality.

Paperback. Condición: New. In shrink wrap. Looks like an interesting title!

Paperback. Condición: new. Paperback. Since the beginning of human civilization, music has been used as a device to control social behavior, where it has operated as much to promote solidarity within groups as hostility between competing groups. Music is an emotive manipulator that influences attitude, motivation and behavior at many levels and in many contexts. This volume is the first to address the social ramifications of musics behaviorally manipulative effects, its morally questionable uses and control mechanisms, and its economic and artistic regulation through commercialization, thus highlighting not only musics diverse uses at the social level but also the ever-fragile relationship between aesthetics and morality. ".a timely book that.sets a standard for a new field of study and therefore deserves to be read widely.[the volume's] contributions contain fascinating material for further study." A International Institute for Asian Studies Newsletter "Steven Brown and Ulrik Volgsten haveput together a valuable collection of essays on a consistently interesting theme. The book constitutes an important resource for the future development of this theme." A Music Perception ".fascinating and challenging.this book, illustrates the diversity, the depth and the potential of the field of the sociology of music. As much as these texts enlighten, they also highlight the vastness of the research yet to be conducted. However, this book is far more than just a compilation of papers presented at a conference, they are relevant discussions to anybody who turns on the radio, purchases or downloads a record or even sings a lullaby." A Leonardo Digital Reviews Since the beginning of human civilization, music has been used as a device to control social behavior, where it has operated as much to promote solidarity within groups as hostility between competing groups. Music is an emotive manipulator that influences attitude, motivation and behavior at many levels and in many contexts. This volume is the first to address the social ramifications of music's behaviorally manipulative effects, its morally questionable uses and control mechanisms, and its economic and artistic regulation through commercialization, thus highlighting not only music's diverse uses at the social level but also the ever-fragile relationship between aesthetics and morality. Steven Brown is a researcher in cognitive neuroscience in the Department of Psychology at Simon Fraser University in Vancouver, Canada. He received his doctorate at Columbia University in New York, and has done research at the Pasteur Institute in Paris, the Karolinska Institute in Stockholm, and the University of Texas Health Science Center in San Antonio. His research deals with the neural basis of human communication, including the arts. Ulrik Volgsten is a research fellow in the Department of Culture, Aesthetics and Media at GAteborg University in Sweden. He received his doctorate in the Department of Musicology at Stockholm University, and has published papers on both musical and philosophical topics. Volgsten's multidisciplinary research mainly focuses on human communication in different Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: New. Since the beginning of human civilization, music has been used as a device to control social behavior, where it has operated as much to promote solidarity within groups as hostility between competing groups. Music is an emotive manipulator that influences attitude, motivation and behavior at many levels and in many contexts. This volume is the first to address the social ramifications of music's behaviorally manipulative effects, its morally questionable uses and control mechanisms, and its economic and artistic regulation through commercialization, thus highlighting not only music's diverse uses at the social level but also the ever-fragile relationship between aesthetics and morality.

Paperback. Condición: New.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Hardback. Condición: New. Since the beginning of human civilization, music has been used as a device to control social behavior, where it has operated as much to promote solidarity within groups as hostility between competing groups. Music is an emotive manipulator that influences attitude, motivation and behavior at many levels and in many contexts. This volume is the first to address the social ramifications of music's behaviorally manipulative effects, its morally questionable uses and control mechanisms, and its economic and artistic regulation through commercialization, thus highlighting not only music's diverse uses at the social level but also the ever-fragile relationship between aesthetics and morality.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. Since the beginning of human civilization, music has been used as a device to control social behavior, where it has operated as much to promote solidarity within groups as hostility between competing groups. Music is an emotive manipulator that influences attitude, motivation and behavior at many levels and in many contexts. This volume is the first to address the social ramifications of music's behaviorally manipulative effects, its morally questionable uses and control mechanisms, and its economic and artistic regulation through commercialization, thus highlighting not only music's diverse uses at the social level but also the ever-fragile relationship between aesthetics and morality.

Condición: New. 2025. hardcover. . . . . .

Condición: New.

Hardcover. Condición: Brand New. 376 pages. 9.00x6.25x0.80 inches. In Stock.

Buch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - This edited volume offers a new perspective on the new objectivity movement in music during the interwar period, challenging the view of it as a solely German or Berlin-based movement. Unlike architecture or visual arts, musicology has rarely applied the term beyond Germany. Yet, new objectivity in music spanning composition, performance, and listening had significant European expressions. Key features included a rejection of expressionism, interest in mechanical reproduction (radio, gramophone), and objective performance styles. Through historiographical analysis and diverse case studies from several European countries, the book presents the movement as a broader, locally rooted phenomenon reflecting a shared Zeitgeist. It explores how these ideas emerged independently across national contexts, offering new insights into the cultural and political dynamics of the period. By examining aesthetic, institutional, political, and performative dimensions, the book invites a rethinking of new objectivity as a transnational and multifaceted phenomenon, and proposes its relevance as a tool for historiographical inquiry in music studies.

Condición: New. 2025. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condición: Brand New. 300 pages. 8.27x5.83x8.27 inches. In Stock.