V pisani (282 resultados)

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Condición: BUONO. NOTA:Fondo di magazzino, fioriture alla copertiina, / Roma, Edizioni dell'Ateneo cm.16x24, pp.XIX,340, num.tavv.bn.nt. brossura A cura dell'Istituto Italiano di Studi Germanici.

Hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: new.

Condición: New.

Paperback. Condición: New. Throughout the nineteenth century, people heard more music in the theatre - accompanying popular dramas such as Frankenstein, Oliver Twist, Uncle Tom's Cabin, Lady Audley's Secret, The Corsican Brothers, The Three Musketeers, as well as historical romances by Shakespeare and Schiller - than they did in almost any other area of their lives. But unlike film music, theatrical music has received very little attention from scholars and so it has been largely lost to us. In this groundbreaking study, Michael V. Pisani goes in search of these abandoned sounds.Mining old manuscripts and newspapers, he finds that starting in the 1790s, theatrical managers in Britain and the United States began to rely on music to play an interpretive role in melodramatic productions. During the nineteenth century, instrumental music - in addition to song - was a common feature in the production of stage plays.The music played by instrumental ensembles not only enlivened performances but also served other important functions. Many actors and actresses found that accompanimental music helped them sustain the emotional pitch of a monologue or dialogue sequence. Music also helped audiences to identify the motivations of characters. Playwrights used music to hold together the hybrid elements of melodrama, heighten the build toward sensation, and dignify the tragic pathos of villains and other characters. Music also aided manager-directors by providing cues for lighting and other stage effects. Moreover, in a century of seismic social and economic changes, music could provide a moral compass in an uncertain moral universe.Featuring dozens of musical examples and images of the old theatres, Music for the Melodramatic Theatre charts the progress of the genre from its earliest use in the eighteenth century to the elaborate stage productions of the very early twentieth century.…

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condición: very good+. Estado de la sobrecubierta: very good+. 422 pages; 6 1/4 x 9 1/2" "This book offers a comprehensive look at music representations of native America from the precolonial past to the heyday of the American West and up to the present." Inked out sticker on spine and jacket spine; library stamping and the usual markings on page edges and a few pages; barcode sticker and pocket on rear pastedown; jacket in mylar sleeve.…

Condición: New. 2014. 1st Edition. Paperback. Series: Studies in Theatre History and Culture. Num Pages: 384 pages, illustrations. BIC Classification: 1DBKESL; 1KBBEY; 3JH; ANF; AVG. Category: (G) General (US: Trade). Dimension: 236 x 156 x 25. Weight in Grams: 612. . . . . .

Condición: New. pp. 384.

Paperback. Condición: Brand New. 1st edition. 384 pages. 8.00x5.00x1.00 inches. In Stock.

Condición: As New. Unread book in perfect condition.

Condición: New. In English.

Condición: New. 2014. 1st Edition. Paperback. Series: Studies in Theatre History and Culture. Num Pages: 384 pages, illustrations. BIC Classification: 1DBKESL; 1KBBEY; 3JH; ANF; AVG. Category: (G) General (US: Trade). Dimension: 236 x 156 x 25. Weight in Grams: 612. . . . . . Books ship from the US and Ireland.…

Trade Paperback. Condición: Good Plus. Good Plus, internally clean except for a small stain on the title page and the front blank page, solid paperback. Some light corner bumping. 766 pages. Text in Italian and English. Substantial extra postage required except for domestic media mail. #.

Condición: New.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. pp. 384.

ril. ed. piena tela, sovracc. pp. 297 8° 1 tavola rip. f.t. Sottolineature a matita.

In 16° massimo, bross., pp. 610 + 6 n.n. Le letterature del mondo.

Condición: As New. Unread book in perfect condition.

Condición: DISCRETO. COPIA CON PICCOLE MACCHIE ALLA COP. E AL TAGLIO DELLE PAGINE. Roma, Ediz. Dell'Ateneo Completo in 2 voll. cm.17x24,5, pp.XXIV-780, brossura Completo in 2 voll.

brossura. Condición: Buono (Good). In 8, pp. XIV+624. Brossura. Lievissime fioriture alle pagine e segno di piega all'angolo inf. della cop. ant. Buono (Good) . Book.

Hardcover. Condición: Very Good. VG, rebound to hardcover, text block nice and clean.

8°, br.pp. 232.

pp 520-538. -TEXT IN FRENCH- Sprache: Französisch Gewicht in Gramm: 100 Large 8vo. Softcover, no dust jacket, binding stained and with short note, edges bumped, throughout with longitudinal fold, a few pages with pencil marks and short notes.

Milano, Istituto Lombardo di Scienze e Lettere, 1966, in-8, br. edit., pp. 4.