Tsai joyce (37 resultados)

Hard Cover. Condición: vg+. Estado de la sobrecubierta: --. SIGNED by illustrator on front ep with her business card glued in; 36 pages; text in English & Chinese, unmarked; color illustrations; binding solid; color il'd cover; no dj. Pattie Caprio (ilustrador). Hardcover.

Hardcover. Condición: Fine. First Edition. 4to. 160 pages. We specialize in fine books in collectible condition. Orders are professionally packaged and shipped promptly.

Condición: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

hardcover. Condición: Fine.

hardcover. Condición: Very Good. Missing dust jacket.

hardcover. Condición: Very Good. very clean hardcover no jacket. no marks. clean text. solid binding. very light wear. ISBN matches listing. Fast service with confirmation, no international or priority orders over 4lbs.

Hardcover without dustjacket as issued; unpaginated; very good condition; small crimps to upper corners of boards; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Fine. 1st. Pictorial boards, 160 pages, illustrations (some colour); 31 cm. Published on the occasion of an exhibition at the Santa Barbara Museum of Art, Santa Barbara, California, from July 5 to September 27, 2015. Firm binding, clean inside copy. OVERSIZE! No priority/international, except by special arrangement. A large-format coffee-table book. Richly illustrated with colour plates. *** "Laszlo Moholy-Nagy (1895-1946) became notorious for the declarations he made about the end of painting, encouraging artists to exchange brush, pigment, and canvas for camera, film, and searchlight. Even as he made these radical claims, he painted throughout his career. The practice of painting enabled Moholy-Nagy to imagine generative relationships between art and technology, and to describe the shape that future possibilities might take. Joyce Tsai illuminates the evolution of painting's role for Moholy-Nagy through key periods in his career: at the German Bauhaus in the 1920s, in the Netherlands and the United Kingdom in the early 1930s, and as director of the New Bauhaus in Chicago in the last decade of his life. The book also includes an introduction to the history, qualities, and significance of plastic materials that Moholy-Nagy used over the course of his career, and an essay on how his project of shaping habitable space in his art and writing resonated with artists and industrial designers in the 1960s and 1970s." - Publisher. Size: 4to. Collectible.…

Condición: As New. Unread book in perfect condition.

Hardcover First Printing. First Edition. Illustrated boards, fine.

Condición: New. 2018. Hardcover. . . . . .

Hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condición: New. This provocative book examines crucial philosophical questions László Moholy-Nagy explored in theory and practice throughout his career. Why paint in a photographic age? Why work by hand when technology holds so much promise? The stakes of painting, or not painting, were tied to much larger considerations of the ways art, life, and modernity were linked for Moholy and his avant-garde peers. Joyce Tsai's close analysis reveals how Moholy's experience in exile led to his attempt to recuperate painting, not merely as an artistic medium but as the space where the trace of human touch might survive the catastrophes of war. László Moholy-Nagy: Painting after Photography will significantly reshape our view of the artist's oeuvre, providing a new understanding of cultural modernism and the avant-garde.…

Hardcover. Condición: As New. A lavishly illustrated 159pp overview of Moholy-Nagy's artistic output - published to coincide with the exhibition at Santa Barbara Museum of Art, 2015. A very close to Fine copy with pristine interior, no wear to binding and only light shelf-wear to pictorial board covers. Please see five pictures attached. Note: Owing to 1.3kg weight an adjustment to shipping charge may be requested for some International destinations.…

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New. 2018. Hardcover. . . . . . Books ship from the US and Ireland.

Condición: New. In English.

Hardcover. Condición: new. Hardcover. This provocative book examines crucial philosophical questions Laszlo Moholy-Nagy explored in theory and practice throughout his career. Why paint in a photographic age? Why work by hand when technology holds so much promise? The stakes of painting, or not painting, were tied to much larger considerations of the ways art, life, and modernity were linked for Moholy and his avant-garde peers. Joyce Tsais close analysis reveals how Moholys experience in exile led to his attempt to recuperate painting, not merely as an artistic medium but as the space where the trace of human touch might survive the catastrophes of war. Laszlo Moholy-Nagy: Painting after Photography will significantly reshape our view of the artists oeuvre, providing a new understanding of cultural modernism and the avant-garde. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condición: Brand New. 210 pages. 10.25x7.25x1.00 inches. In Stock.

Condición: New.

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

Hardcover. Condición: Brand New. 210 pages. 10.25x7.25x1.00 inches. In Stock.

Hardback. Condición: New. This provocative book examines crucial philosophical questions László Moholy-Nagy explored in theory and practice throughout his career. Why paint in a photographic age? Why work by hand when technology holds so much promise? The stakes of painting, or not painting, were tied to much larger considerations of the ways art, life, and modernity were linked for Moholy and his avant-garde peers. Joyce Tsai's close analysis reveals how Moholy's experience in exile led to his attempt to recuperate painting, not merely as an artistic medium but as the space where the trace of human touch might survive the catastrophes of war. László Moholy-Nagy: Painting after Photography will significantly reshape our view of the artist's oeuvre, providing a new understanding of cultural modernism and the avant-garde.…

Condición: Very Good. Very Good+; Hardcover; Light wear to the covers; Unblemished textblock edges; The endpapers and all text pages are clean and unmarked; Tight binding; This book will be shipped in a sturdy cardboard box with foam padding; Large Format (11.75" - 12.75" tall); 2.5 lbs; Gray covers with painting illustration, and title in red, black, and white lettering; 2015, Santa Barbara Museum of Art; 160 pages; "The Paintings of Moholy-Nagy: The Shape of Things to Come," by Joyce Tsai, et al.…

hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

Condición: Very Good. Very Good; Hardcover; Light wear to the covers; Unblemished textblock edges; The endpapers and all text pages are clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Large Format (11.75" - 12.75" tall); 2.3 lbs; Gray covers with painting illustration, and title in red, black, and white lettering; 2015, Santa Barbara Museum of Art; 160 pages; "The Paintings of Moholy-Nagy: The Shape of Things to Come," by Joyce Tsai, et al. …