Tomer inbar (25 resultados)

Paperback. Condición: Very Good. In the World Enormous is a collection of poems engaged in transition, conversation and what falls between.  They focus on a period that begins shortly before the death of Tomer Inbar's mother and ends after the birth of his twin daughters. In this, the poems constitute a way of thinking out of and about passing and starting again, taking things in their energy, rhythm and moment, including in words with their simultaneously infinite, immediate intimacy and enormity. They have a plangent, even restless, form, with Inbar tellingly indeterminate regarding the direction in which we read and connect and so being open to their engagement from bottom up or top down, moving this way and that, forward and back--though all in one piece. Thought as assemblage seems to sway to subtleties of moment as a momentum that defines a space and way to move through, as presence comes together to inscribe sense, experience or idea. Inbar writes, "These poems like their movement.  I like how these poems move.  Apart from the definitional, I find comfort in being present as things move.  With sibilance.  On their own volition. Taking the qualities of their construction along." More perhaps than this, these poems seem to compel us to think an impossible thought.…

Paperback. Condición: New. In the World Enormous is a collection of poems engaged in transition, conversation and what falls between.  They focus on a period that begins shortly before the death of Tomer Inbar's mother and ends after the birth of his twin daughters. In this, the poems constitute a way of thinking out of and about passing and starting again, taking things in their energy, rhythm and moment, including in words with their simultaneously infinite, immediate intimacy and enormity. They have a plangent, even restless, form, with Inbar tellingly indeterminate regarding the direction in which we read and connect and so being open to their engagement from bottom up or top down, moving this way and that, forward and back-though all in one piece. Thought as assemblage seems to sway to subtleties of moment as a momentum that defines a space and way to move through, as presence comes together to inscribe sense, experience or idea. Inbar writes, "These poems like their movement.  I like how these poems move.  Apart from the definitional, I find comfort in being present as things move.  With sibilance.  On their own volition. Taking the qualities of their construction along." More perhaps than this, these poems seem to compel us to think an impossible thought.…

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback or Softback. Condición: New. Saibara. Book.

Paperback. Condición: Very Good. In the World Enormous is a collection of poems engaged in transition, conversation and what falls between.  They focus on a period that begins shortly before the death of Tomer Inbar's mother and ends after the birth of his twin daughters. In this, the poems constitute a way of thinking out of and about passing and starting again, taking things in their energy, rhythm and moment, including in words with their simultaneously infinite, immediate intimacy and enormity. They have a plangent, even restless, form, with Inbar tellingly indeterminate regarding the direction in which we read and connect and so being open to their engagement from bottom up or top down, moving this way and that, forward and back--though all in one piece. Thought as assemblage seems to sway to subtleties of moment as a momentum that defines a space and way to move through, as presence comes together to inscribe sense, experience or idea. Inbar writes, "These poems like their movement.  I like how these poems move.  Apart from the definitional, I find comfort in being present as things move.  With sibilance.  On their own volition. Taking the qualities of their construction along." More perhaps than this, these poems seem to compel us to think an impossible thought.…

Paperback. Condición: New. In the World Enormous is a collection of poems engaged in transition, conversation and what falls between.  They focus on a period that begins shortly before the death of Tomer Inbar's mother and ends after the birth of his twin daughters. In this, the poems constitute a way of thinking out of and about passing and starting again, taking things in their energy, rhythm and moment, including in words with their simultaneously infinite, immediate intimacy and enormity. They have a plangent, even restless, form, with Inbar tellingly indeterminate regarding the direction in which we read and connect and so being open to their engagement from bottom up or top down, moving this way and that, forward and back-though all in one piece. Thought as assemblage seems to sway to subtleties of moment as a momentum that defines a space and way to move through, as presence comes together to inscribe sense, experience or idea. Inbar writes, "These poems like their movement.  I like how these poems move.  Apart from the definitional, I find comfort in being present as things move.  With sibilance.  On their own volition. Taking the qualities of their construction along." More perhaps than this, these poems seem to compel us to think an impossible thought.…

Paperback. Condición: New. Saibara, a form of Japanese folk song formalized in the Heian Era, are simple poems of everyday life that were set to music. Courtiers would sing the songs in the Kyoto and Nara regions to entertain the upper class. Inbar's translations help us see these earthy, often erotic slices of everyday life anew.…

Condición: As New. Unread book in perfect condition.

Condición: New. 2018. paperback. . . . . .

Condición: New. 2018. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condición: Brand New. 160 pages. 6.00x9.00x9.00 inches. In Stock.

Paperback. Condición: Brand New. 60 pages. 9.00x6.00x0.20 inches. In Stock.

Condición: New.

Condición: New. Brand New.

Condición: As New. Unread book in perfect condition.

Condición: New. Special order item direct from the distributor.

Taschenbuch. Condición: Neu. Neuware - Saibara, a form of Japanese folk song formalized in the Heian Era, are simple poems of everyday life that were set to music. Courtiers would sing the songs in the Kyoto and Nara regions to entertain the upper class. Inbar's translations help us see these earthy, often erotic slices of everyday life anew.…

Taschenbuch. Condición: Neu. Neuware - In the World Enormous is a collection of poems engaged in transition, conversation and what falls between. They focus on a period that begins shortly before the death of Tomer Inbar's mother and ends after the birth of his twin daughters. In this, the poems constitute a way of thinking out of and about passing and starting again, taking things in their energy, rhythm and moment, including in words with their simultaneously infinite, immediate intimacy and enormity. They have a plangent, even restless, form, with Inbar tellingly indeterminate regarding the direction in which we read and connect and so being open to their engagement from bottom up or top down, moving this way and that, forward and back--though all in one piece. Thought as assemblage seems to sway to subtleties of moment as a momentum that defines a space and way to move through, as presence comes together to inscribe sense, experience or idea. Inbar writes, 'These poems like their movement. I like how these poems move. Apart from the definitional, I find comfort in being present as things move. With sibilance. On their own volition. Taking the qualities of their construction along.' More perhaps than this, these poems seem to compel us to think an impossible thought.…

Paperback. Condición: New. Saibara, a form of Japanese folk song formalized in the Heian Era, are simple poems of everyday life that were set to music. Courtiers would sing the songs in the Kyoto and Nara regions to entertain the upper class. Inbar's translations help us see these earthy, often erotic slices of everyday life anew.…

Paperback. Condición: New. In the World Enormous is a collection of poems engaged in transition, conversation and what falls between.  They focus on a period that begins shortly before the death of Tomer Inbar's mother and ends after the birth of his twin daughters. In this, the poems constitute a way of thinking out of and about passing and starting again, taking things in their energy, rhythm and moment, including in words with their simultaneously infinite, immediate intimacy and enormity. They have a plangent, even restless, form, with Inbar tellingly indeterminate regarding the direction in which we read and connect and so being open to their engagement from bottom up or top down, moving this way and that, forward and back-though all in one piece. Thought as assemblage seems to sway to subtleties of moment as a momentum that defines a space and way to move through, as presence comes together to inscribe sense, experience or idea. Inbar writes, "These poems like their movement.  I like how these poems move.  Apart from the definitional, I find comfort in being present as things move.  With sibilance.  On their own volition. Taking the qualities of their construction along." More perhaps than this, these poems seem to compel us to think an impossible thought.…

Condición: New. &Uumlber den AutorNormal0falsefalsefalseEN-USX-NONEX-NONENormal0falsefalsefalseEN-USX-NONEX-NONEBorn in Jerusalem and raised in Brooklyn, Tomer Inbar studied writing at Binghamton University and has an MA in Classical J.

Paperback. Condición: New. In the World Enormous is a collection of poems engaged in transition, conversation and what falls between.  They focus on a period that begins shortly before the death of Tomer Inbar's mother and ends after the birth of his twin daughters. In this, the poems constitute a way of thinking out of and about passing and starting again, taking things in their energy, rhythm and moment, including in words with their simultaneously infinite, immediate intimacy and enormity. They have a plangent, even restless, form, with Inbar tellingly indeterminate regarding the direction in which we read and connect and so being open to their engagement from bottom up or top down, moving this way and that, forward and back-though all in one piece. Thought as assemblage seems to sway to subtleties of moment as a momentum that defines a space and way to move through, as presence comes together to inscribe sense, experience or idea. Inbar writes, "These poems like their movement.  I like how these poems move.  Apart from the definitional, I find comfort in being present as things move.  With sibilance.  On their own volition. Taking the qualities of their construction along." More perhaps than this, these poems seem to compel us to think an impossible thought.…

Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.