Stein louise k (52 resultados)

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: Good. Good condition. 2nd edition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

paperback. Condición: Acceptable. This is a used book in good condition and may show some signs of use or wear . This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condición: Near Fine. Prentice Hall History of Music Series. Near Fine copy in soft covers. xx, 396 pages. Shipping Category: Book/Large Score.

Hardcover. Condición: Very Good. 2002 reprint of the 1993 edition. Laminated boards.

Soft cover. Condición: Very Good. No Jacket. 2nd Edition. 2nd ed ; xx, 396 pages : illustrations ; 23 cm. ; ISBN 9780134000459, 0134000455 ; OCLC 38356436 ; LCCN 98012248 LC ML172 .B86 1999 Dewey 780.9031 ; green black and white stiff pictorial paper wrappers ; Howard Mayer Brown was an American musicologist. Brown obtained his BA from Harvard in 1951 and his Ph.D. in 1959, studying under Walter Piston and Otto Gombosi among others. ; A history of Renaissance music focused on the music itself and the social and institutional contexts that shaped musical genres and performance. This book provides a complete overview of music in the 15th and 16th Centuries. It explains the most significant features of the music and the distinguishing characteristics of Renaissance composers (in Europe and the New World). It includes a large integrated anthology of 94 musical examples, as well as illustrations of musical instruments, notation, and ensembles. ; Provides an overview of the place of music in Renaissance society. Explains the most significant features of the music, and the distinguishing characteristics of each of the leading Renaissance composers. Emphasizes the music itself -- what it was like, and how it changed. Features many musical examples. Reflects the massive new scholarship in the field and new music examples -- e.g., Spanish and English music, the Italian madrigal, and the influence of Renaissance humanism on music ; Contents 1. The Beginnings: Dunstable and the Contenance Angloise, -- 2. Dufay and Binchois, -- 3. Ockeghem and Busnoys, -- 4. Music of the Courts and Chapels in Italy, 1490-1520, -- 5. Josquin Des Prez, -- 6. Josquin's Contemporaries, -- 7. The Post-Josquin Generation, -- 8. Sixteenth-Century Genres and Traditions, -- 9. Instrumental Music, -- 10. The Music of the Reformation and the Council of Trent, -- 11. Palestrina, Lasso, Victoria, and Byrd, -- 12. The End of the Renaissance, ; Prentice-Hall history of music series ; VG. Book.…

hardcover. Condición: Very Good. Estado de la sobrecubierta: Includes dust jacket.

Paperback. Condición: Brand New. 2nd sub edition. 396 pages. 9.25x6.25x1.00 inches. In Stock.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condición: Fine.

Hardcover. Condición: Very good. Estado de la sobrecubierta: Very good. First edition. 9 1/2'' x 6 1/2''. 566pp. with index. Embossed stamp on fly-leaf. Minor nick and wear to dustjacket.

Condición: New. Satisfaction Guaranteed or your money back.

Couverture souple. Condición: Très bon. Middleton (Wisconsin), A-R Editions, 2014, soft cover, about 12 X 9 inches, 281 pages. Our copy looks almost as new but it's an ex-library copy with a few discreet library marks inside. WARNING ; This book will requires additional postage for international delivery (specially to ship out of America) , please ask me before command.…

Condición: New.

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: new.

Condición: As New. Unread book in perfect condition.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Hardcover. Condición: Brand New. 696 pages. 0.00x0.00x0.00 inches. In Stock.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condición: new. Hardcover. This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read on the Oxford Academic platform and offered as a free PDF download from OUP and selected open access locations.During a crucial period in opera's development as a genre and as a business, the flamboyantly libertine Spanish aristocrat Gaspar de Haro y Guzman (1629-87), Marques de Heliche and del Carpio, influencedoperatic practices and productions for both Italian and Hispanic operas. A voracious collector of books and antiquities and famed connoisseur of visual art, the marques financed operas in both Spain and Italy andfurther shaped them through his ideas, energy, and politics. His legacy also brought forth the first operas of the Americas, as posthumous revivals of the operatic genres he nurtured appeared in the Americas less than fifteen years after his death. In this book, author Louise K. Stein follows the trajectory of this first operatic producer to have shaped opera in two different worldsDLEurope and the AmericasDLand in doing so, advances our musical and historical understanding of seventeenth- andearly eighteenth-century opera and cultural encounter.Each chapter focuses on different productions spearheaded by the Marques in Madrid, Rome, and Naples during his lifetime,with the final chapter considering how his influence continued in operatic productions in Lima, Mexico City, and other regions of New Spain after his death. Alongside this portrait of the distinguish patron of the arts, Stein shows how conventions of musical dramaturgy for both private and commercial opera were developed within a consistent politics of production across the far-flung administrative centers of the Spanish empire in the years 1650-1730. She reveals the place of opera within thesiglo de oro (Golden Age) of Hispanic theatre and delves deeply into how the Marques became the principal patron of Alessandro Scarlatti in Italy after his time in Rome, sparking a reliable productionsystem for Italian opera in Naples. Stein also addresses gendered performanceDLhow beliefs about female fertility conditioned listeners and shaped the operatic genreDLand advances the concept of the "womanly voice" in the first extant Hispanic operas, the Italian operas produced in Naples between 1683 and 1687, and the first operas of the Americas from 1701 to 1730. In this book, author Louise K. Stein analyzes early modern opera as appreciated and produced by Gaspar de Haro y Guzman (1629-87), Marques de Heliche and del Carpio and a distinguished patron of the arts in Madrid, Rome, and Naples. It also reveals his lasting legacy in the Americas during a crucial period for the growth and development of opera and the history of singing. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Buch. Condición: Neu. Neuware - This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read on the Oxford Academic platform and offered as a free PDF download from OUP and selected open access locations.During a crucial period in opera's development as a genre and as a business, the flamboyantly libertine Spanish aristocrat Gaspar de Haro y Guzmán (1629-87), Marqués de Heliche and del Carpio, influenced operatic practices and productions for both Italian and Hispanic operas. A voracious collector of books and antiquities and famed connoisseur of visual art, the marqués financed operas in both Spain and Italy and further shaped them through his ideas, energy, and politics. His legacy also brought forth the first operas of the Americas, as posthumous revivals of the operatic genres he nurtured appeared in the Americas less than fifteen years after his death. In this book, author Louise K. Stein follows the trajectory of this first operatic producer to have shaped opera in two different worlds-Europe and the Americas-and in doing so, advances our musical and historical understanding of seventeenth- and early eighteenth-century opera and cultural encounter.Each chapter focuses on different productions spearheaded by the Marqués in Madrid, Rome, and Naples during his lifetime, with the final chapter considering how his influence continued in operatic productions in Lima, Mexico City, and other regions of New Spain after his death. Alongside this portrait of the distinguish patron of the arts, Stein shows how conventions of musical dramaturgy for both private and commercial opera were developed within a consistent politics of production across the far-flung administrative centers of the Spanish empire in the years 1650-1730. She reveals the place of opera within the siglo de oro (Golden Age) of Hispanic theatre and delves deeply into how the Marqués became the principal patron of Alessandro Scarlatti in Italy after his time in Rome, sparking a reliable production system for Italian opera in Naples. Stein also addresses gendered performance-how beliefs about female fertility conditioned listeners and shaped the operatic genre-and advances the concept of the 'womanly voice' in the first extant Hispanic operas, the Italian operas produced in Naples between 1683 and 1687, and the first operas of the Americas from 1701 to 1730.…

Hardcover. Condición: Brand New. 696 pages. 0.00x0.00x0.00 inches. In Stock.

Paperback. Condición: Good. Good - . In good condition. Pages have few markings Ex-library.