Shugio (43 resultados)

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. Print on Demand. This book offers a rare glimpse into the fascinating world of Japanese Ukiyo-e prints from the Edo period, showcasing the artistry of twelve influential masters. It traces the development of Ukiyo-e, exploring its origins in popular culture and its evolution into a celebrated art form. The book delves into the unique techniques and materials employed, such as woodblock printing and hand-coloring. Each master's distinct style and contributions are examined, shedding light on their groundbreaking innovations that shaped the art of Ukiyo-e. The prints depict a wide range of subjects, from everyday life and landscapes to portraits of famous actors and beautiful women. Beyond its aesthetic appeal, Ukiyo-e prints also provide valuable insights into Japanese culture and society during the Edo period. The author analyzes the prints' social commentary, revealing how they captured the spirit of the time and reflected the changing values and tastes of the populace. By presenting these exquisite prints alongside contextual information and expert analysis, this book not only celebrates the artistry of Ukiyo-e but also offers a captivating lens into Japanese history and cultural expression. It is an invaluable resource for collectors, art enthusiasts, and anyone seeking to understand the enduring legacy of Japanese prints. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.…

Taschenbuch. Condición: Neu. Neuware - This is a catalogue documenting the extensive collection of Oriental art objects belonging to Thomas E. Waggaman of Washington, D.C. Compiled in 1896, this volume provides a detailed inventory of Asian art, offering insights into the artistic tastes and collecting practices of the late 19th century. It is an invaluable resource for art historians, collectors, and anyone interested in the history of Asian art appreciation in the United States. The catalogue details a wide array of objects, reflecting the rich cultural heritage of the East. This historical record provides a glimpse into a significant private collection and is a must-have for researchers and enthusiasts alike.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Paperback. Condición: New. Print on Demand. This book explores the captivating world of Japanese ceramics, featuring an exquisite collection spanning centuries of artistry. The author, a renowned expert on the subject, provides insightful commentary on each piece, guiding readers through the history, techniques, and cultural significance of Japanese pottery. From the delicate porcelains of Arita to the rustic stoneware of Bizen, this book showcases the diverse styles and influences that have shaped Japanese ceramics. The author reveals the stories behind the renowned potters and kilns, shedding light on the creative forces that have produced these enduring masterpieces. Beyond its historical and technical aspects, the book delves into the aesthetic principles that have made Japanese ceramics so admired around the world. Discussions on the interplay of form, glaze, and decoration illuminate the subtle nuances and profound beauty that characterize these works of art. This book offers a comprehensive and accessible guide to the rich tradition of Japanese ceramics. Readers will gain a deeper understanding of the techniques, aesthetics, and cultural contexts that have made this art form a timeless treasure, inspiring appreciation for the artistry and craftsmanship that continue to define it. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.…

Buch. Condición: Neu. Neuware - This is a catalogue documenting the extensive collection of Oriental art objects belonging to Thomas E. Waggaman of Washington, D.C. Compiled in 1896, this volume provides a detailed inventory of Asian art, offering insights into the artistic tastes and collecting practices of the late 19th century. It is an invaluable resource for art historians, collectors, and anyone interested in the history of Asian art appreciation in the United States. The catalogue details a wide array of objects, reflecting the rich cultural heritage of the East. This historical record provides a glimpse into a significant private collection and is a must-have for researchers and enthusiasts alike.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Hardcover. Condición: Very Good. Special Edition. [OGAWA, Kazumasa, photographer; SHUGIO, Hiromichi, editor; TAMURA, T., colour plates] Japanese Art Folio Tokyo : Published by K. Ogawa, [contents 1898-1899, this deluxe bound volume issued] 1901. Printed at the Tokyo Tsukiji Type Foundry. Large folio (approx. 32 x 47 cm), original decorated silk boards in a chrysanthemum brocade pattern over stiff boards, printed paper title label to the front board, gilt edges, closed with cord ties in the traditional Japanese deluxe binding style; 72 (73) collotype and colour plates reproducing classical Japanese paintings, each protected by a tissue guard carrying a bilingual English/Japanese caption identifying the artist, subject, and holding collection; twelve colour plates by T. Tamura, the remainder monochrome collotypes by Ogawa Kazumasa, F.R.P.S. With an important and historical presentation inscription to the front free endpaper: "To Sir John See, With compliments from Admiral Kamimura, June 1, 1903." Sir John See (1845-1907), KCMG, was the sitting Premier of New South Wales from 1901 to 1904. Admiral Kamimura Hikonojō (1849-1916) commanded the Imperial Japanese Navy's Training Squadron (the cruisers Matsushima, Itsukushima, and Hashidate) on its 1902-03 training cruise, which brought the first Japanese naval visit to Australia since 1887. The squadron, carrying over 1,300 officers and men, reached Sydney in early June 1903, where the NSW Government hosted a formal reception for the visiting officers at Parliament House under See's premiership; Kamimura himself was still writing from Sydney as late as 10 June. This was presentation copy of Japanese art was presented as an official gift-giving accompanying the squadron's goodwill visit (SMH, 15 June 1903, p. 8, National Library of Australia, nla.news-article14532469). This copy was edited by Hiromichi Shugio, a key figure in Meiji-era cultural diplomacy toward the West (curator of the Grolier Club's landmark 1889 ukiyo-e exhibition and Imperial Commissioner for Japanese art at Chicago, Paris, and St. Louis) and produced by Ogawa Kazumasa, Japan's pioneering collotype printer and publisher of the art journal Kokka. Admiral Kamimura was an important figure and would go on to greater fame the following year commanding the IJN 2nd Fleet at the Battle off Ulsan and at Tsushima during the Russo-Japanese War. This presentation copy is from a figure of real subsequent historical stature to a serving Australian head of government, at a documented moment of early Australia-Japan naval diplomacy. Boards bright overall with some wear to the silk at the extremities and spine ends, title label toned with a faint vertical crease; presentation leaf on gold-flecked decorative paper, inscription clear and fully legible. Text/tissue guard leaves with scattered foxing in places, heavier to a few individual leaves; the plates themselves are bright and clean, with colours strong on the twelve Tamura plates. All black and white and colour plates are present. Overall a well-preserved example of this scarce deluxe Meiji-era folio, with Kamimura-See presentation. OGAWA, Kazumasa (ilustrador).…

Condición: New. Print on Demand pp. 36.

Paperback. Off-white vellum wraps with gilt lettering; 3 preliminary leaves, 318 pp. (mostly unopened). Cover of this book reads, "Volume First," but there is no evidence of more volumes before 1896. In great condition for its age. VG (Wraps and textblock are moderately edgeworn/toned/foxed/smudged/scuffed; spine strip is chipped at both ends; notes on ffep; interior is clean, but moderately foxed; binding is solid.).…

Paperback. Oversized tan stiff wraps, blue paper wraps with black lettering in English and Japanese; 2 pp followed by one color wood engraving and 4 photographed and collotyped illustrations with descriptive guard sheets. Originally issued in 12 parts, each part containing one wood-engraving in colors by T. Tamura, and the remaining plates being photographed and collotyped by K. Ogawa, all from the original paintings. This is Part 10. VG- (heavy wear to boards with chipping, soiling and age toning, pages within and plates are very clean and clear.).…

Paperback. Oversized tan stiff wraps, blue paper wraps with black lettering in English and Japanese; 2 pp followed by one color wood engraving and 4 photographed and collotyped illustrations with descriptive guard sheets. Originally issued in 12 parts, each part containing one wood-engraving in colors by T. Tamura, and the remaining plates being photographed and collotyped by K. Ogawa, all from the original paintings. This is Part 5. VG- (heavy wear to boards with chipping, soiling and age toning, pages within and plates are very clean and clear.).…

Softcover. First Edition. Folio (13" x 19") in original gray printed wraps issued in 12 monthly parts in slipcases. Complete set with a total of 72 prints, including 12 in color. Each part contains 6 individual prints by artists including Hokusai, Shunsho, Choshun, Ritsuo, Kaigetsudo, and many others. The first print in each portfolio is in color executed by T. Tamura. The other prints are uncolored collotypes by the publisher. Each plate is protected by a captioned tissue guard with a description in English. Each part housed in individual stiff board slipcase with printed title. In the preface the publisher states that the purpose of this publication is "to facilitate the study of Japanese art and to satisfy in a modest way the desire of many who can not enjoy the privilege of seeing the originals. It is the editor's hope to select the best examples of our acknowledged masters and to show the most striking features of all the artists as possible." Complete sets of this handsome publication are uncommon. Plates are generally Fine with some light foxing to a few of the margins. A few of the wrappers are faded, but they are generally in very nice condition with no chips or tears. The slipcases are a bit worn, six of them soiled and spotted. Part 1 lacks its wrappers, and Parts 11 and 12 lack their slipcases. Overall Very Good and scarce.…

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1896 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 35 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 35 H. Shugio, Grolier Club.…

Condición: New. Print on Demand.

Paperback. Condición: Brand New. 328 pages. 8.75x5.75x0.74 inches. This item is printed on demand.

Condición: Portfolio. Fine. Photographed and Collotyped by K. Ogawa, F.R.P.S. One colour plate by T. Tamura, 5 black and white, with printed tissue guards. Inscribed to Russell Sturges from H. Shugio. Photographed and Collotyped by K. Ogawa, F.R.P.S. One colour plate by T. Tamura, 5 black and white, with printed tissue guards. Signed. …

Condición: New. Print on Demand.

Condición: New. PRINT ON DEMAND.

guter Zustand mit 9 Holzschn. in Lichtdruck und 2 blattgroßen Farbholzschnitten von T. Tamura. 2 Obrosch.-Bde. in Olwd.-Mappe. . Fol.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1893 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 337 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 337 Waggaman, Thomas Ennalls, 1839-1906. [from old catalog],Shugio, H., [from old catalog] ed.…