Sen sambudha (32 resultados)

Condición: New. pp. 183.

Condición: New. pp. 183 Index 1st Published.

Condición: New. pp. 183 Acknowledgement.

Hardcover. Condición: New. ISBN:9788173044526.

Hardcover. Condición: New. 1st Edition. This volume looks at the early Indian novel in a comparative frame, in the light of new conceptual approaches and research. It looks at novels written in various Indian languages as well as English. This is not a chronological or comprehensive history of the Indian novel, but a book about the connections between the novel in India as an emerging genre in relation to discourses such as political writing, visual culture, popular print genres, law and ethnography. A wide-ranging examination of the early Indian novel of the kind to be found here has not been attempted before. This volume breaks new ground in the scholarship on the novel both in India and Europe. It will contribute to discussions on cultural modernity, the emergence of public spheres, and the history of expressive resources and literary languages in modern India.…

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Paperback. Condición: New.

Hardcover. 8vo. pp xii, 188. Original publisher's black and white illustrated paper covered boards. Illustrated and black and white throughout. ISBN: 9780814211922 About fine.

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PF. Condición: New.

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Condición: New. In English.

Condición: New. pp. 202.

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Condición: New. pp. 202.

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Paperback. Condición: Brand New. 112 pages. 8.50x5.44x0.26 inches. In Stock.

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Paperback. Condición: New.

Condición: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Just as his great contemporary William Makepeace Thackeray, Charles Dickens found his footing as a writer in the early-nineteenth-century market for popular print entertainment. However, even though Thackeray was a skilled caricaturist and a prolific producer of political squibs, burlesques, and ballads, he thought of novel writing as a serious literary pursuit that needed to be separated from mere "magazinery." On the other hand, Dickens did not personally produce graphic caricatures or even the sort of squibs with which Thackeray flooded the pages of Punch, but these forms had a huge influence on his fiction. In London, Radical Culture, and the Making of the Dickensian Aesthetic, Sambudha Sen argues that the popular novelistic aesthetic that underlay Dickens's fiction was composed of, above all, the expressive resources that it absorbed from the nineteenth-century market for print and visual entertainment. Sen's book aims to precisely chart the series of displacements and "reactivations" by which expressive strategies of these extraliterary discourses found their way into Dickens's novels. Sen also examines the ways in which the expressive modes that Dickens absorbed from popular print and visual culture affected his novelistic techniques. Sen draws on some of Thackeray's novels to illustrate how Dickens's representation of "character" within the big city and his negotiations of the ceremonial discourses of power differ from Thackeray's more properly literary representations. London, Radical Culture, and the Making of the Dickensian Aesthetic breaks new ground in its elaboration of the symbiotic relationship between the Dickensian "popular novelistic aesthetic" and expressive resources that germinated in popular forms such as radical journalism, radical cartooning, city sketches, and panoramas. It is therefore likely to generate further research on the interanimation between canonical literature and popular forms.…

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condición: New. PRINT ON DEMAND pp. 202.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Just as his great contemporary William Makepeace Thackeray, Charles Dickens found his footing as a writer in the early-nineteenth-century market for popular print entertainment. However, even though Thackeray was a skilled caricaturist and a prolific producer of political squibs, burlesques, and ballads, he thought of novel writing as a serious literary pursuit that needed to be separated from mere 'magazinery.' On the other hand, Dickens did not personally produce graphic caricatures or even the sort of squibs with which Thackeray flooded the pages of Punch, but these forms had a huge influence on his fiction.In London, Radical Culture, and the Making of the Dickensian Aesthetic, Sambudha Sen argues that the popular novelistic aesthetic that underlay Dickens's fiction was composed of, above all, the expressive resources that it absorbed from the nineteenth-century market for print and visual entertainment. Sen's book aims to precisely chart the series of displacements and 'reactivations' by which expressive strategies of these extraliterary discourses found their way into Dickens's novels. Sen also examines the ways in which the expressive modes that Dickens absorbed from popular print and visual culture affected his novelistic techniques. Sen draws on some of Thackeray's novels to illustrate how Dickens's representation of 'character' within the big city and his negotiations of the ceremonial discourses of power differ from Thackeray's more properly literary representations.London, Radical Culture, and the Making of the Dickensian Aesthetic breaks new ground in its elaboration of the symbiotic relationship between the Dickensian 'popular novelistic aesthetic' and expressive resources that germinated in popular forms such as radical journalism, radical cartooning, city sketches, and panoramas. It is therefore likely to generate further research on the interanimation between canonical literature and popular forms.…