Selvin al (12 resultados)

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Not a book but a 12-inch, 33-1/3 rpm blues LP, Bluesway BLS 6060 from 1973 (originally released 1967 as "Joe Turner Singing the Blues," BLS 6006), near-mint vinyl in a near-mint cardboard jacket. With Buddy Lucas, tenor sax and harmonica, Patti Brown piano, Bob Bushnell, Fender bass, produced by Bob Thiele. Seven cuts including "Well Oh Well," "Poor House" and "Since I Was Your Man" by Joe Turner, the other three including "Cherry Red" by Joe Turner and his original piano player, Pete Johnson. Reduced from $12. Photography by Al Kramer / Album design by Ruby Mazur (ilustrador).…

Soft Cover. Condición: Very Good. 169 pp. Vol. 88, Number 11, November 1988 issue only! Over-sized and/ or over weight book; may require additional postage. Please note that large and/ or heavy items may incur extra shipping charge for both domestic and/or international shipments. Solidly bound copy with minimal external wear, crisp pages and clean text.…

Hardcover. Condición: VG. Tan-gray cloth, gray & red French-fold dust jacket opens up to reveal something underneath; 232 pp., color & BW illus., CD found at rear. Showcases the work of San Francisco-based artist Ron Nagle (b. 1939). With illustrated essays by Dave Hickey, Joel Selvin, Jana Martin, and David Pagel. The illustrated catalogue consists of 51 plates showing ceramic pieces, with a few additional drawings. An accompanying CD contains 21 cuts of Nagle's music. A unique package for exploring a unique and creative person. …

Condición: New. In English.

Condición: New. 1st edition NO-PA16APR2015-KAP.

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book is about how people (we refer to them as practitioners) can help guide participants in creating representations of issues or ideas, such as collaborative diagrams, especially in the context of Participatory Design (PD). At its best, such representations can reach a very high level of expressiveness and usefulness, an ideal we refer to as Knowledge Art. Achieving that level requires effective engagement, often aided by facilitators or other practitioners. Most PD research focuses on tools and methods, or on participant experience. The next source of advantage is to better illuminate the role of practitioners-the people working with participants, tools, and methods in service of a project's larger goals. Just like participants, practitioners experience challenges, interactions, and setbacks, and come up with creative ways to address them while maintaining their stance of service to participants and stakeholders. Our research interest is in understanding what moves and choices practitioners make that either help or hinder participants' engagement with representations. We present a theoretical framework that looks at these choices from the experiential perspectives of narrative, aesthetics, ethics, sensemaking and improvisation and apply it to five diverse case studies of actual practice. Table of Contents: Acknowledgments / Introduction / Participatory Design and Representational Practice / Dimensions of Knowledge Art / Case Studies / Discussion and Conclusions / Appendix: Knowledge Art Analytics / Bibliography / Author Biographies.…

Condición: new. Questo è un articolo print on demand.

Condición: New. Print on Demand.

Condición: New. PRINT ON DEMAND.

Condición: New. Print on Demand.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book is about how people (we refer to them as practitioners) can help guide participants in creating representations of issues or ideas, such as collaborative diagrams, especially in the context of Participatory Design (PD). At its best, such represent.…

Taschenbuch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This book is about how people (we refer to them as practitioners) can help guide participants in creating representations of issues or ideas, such as collaborative diagrams, especially in the context of Participatory Design (PD). At its best, such representations can reach a very high level of expressiveness and usefulness, an ideal we refer to as Knowledge Art. Achieving that level requires effective engagement, often aided by facilitators or other practitioners. Most PD research focuses on tools and methods, or on participant experience. The next source of advantage is to better illuminate the role of practitioners-the people working with participants, tools, and methods in service of a project¿s larger goals. Just like participants, practitioners experience challenges, interactions, and setbacks, and come up with creative ways to address them while maintaining their stance of service to participants and stakeholders. Our research interest is in understanding what moves and choices practitioners make that either help or hinder participants¿ engagement with representations. We present a theoretical framework that looks at these choices from the experiential perspectives of narrative, aesthetics, ethics, sensemaking and improvisation and apply it to five diverse case studies of actual practice. Table of Contents: Acknowledgments / Introduction / Participatory Design and Representational Practice / Dimensions of Knowledge Art / Case Studies / Discussion and Conclusions / Appendix: Knowledge Art Analytics / Bibliography / Author BiographiesSpringer-Verlag KG, Sachsenplatz 4-6, 1201 Wien 120 pp. Englisch.…