scott alison m (47 resultados)

Paperback. Condición: Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority!

Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condición: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Paperback. Condición: New.

paperback. Condición: New.

Condición: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.

Softcover. Condición: Near Fine. Near Fine paperback. 48 pages. Joshua Rose, editor-in-chief. ; OV21; 7x9 inches; 48 pages.

Paperback. Condición: Good. New and unread, however has several large creases on the cover, and warping. Pages completely readable. Shipped from the UK within 2 business days of order being placed.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. The writing of Iris Murdoch has long been of interest to both literature enthusiasts and students of philosophy. The years Murdoch spent studying philosophy at Oxford and Cambridge left an indelible imprint on her work. The essays in this book address both Murdoch's philosophy and writing in the context of Continental philosophy and postmodern fiction. Many of the twelve essays resist the prevailing critical orthodoxies, introducing instead new theories with which to approach one of Britain's most revered authors.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condición: As New. No Jacket. 1st Edition. Softcover book in as new condition with clean covers and edges. Pages are clean, tight and unmarked. Appears unread.

Paperback. Condición: new. Paperback. The writing of Iris Murdoch has long been of interest to both literature enthusiasts and students of philosophy. The years Murdoch spent studying philosophy at Oxford and Cambridge left an indelible imprint on her work. The essays in this book address both Murdoch's philosophy and writing in the context of Continental philosophy and postmodern fiction. Many of the twelve essays resist the prevailing critical orthodoxies, introducing instead new theories with which to approach one of Britain's most revered authors. The writing of Iris Murdoch has long been of interest to both literature enthusiasts and students of philosophy. This anthology of international essays addresses both Murdoch's philosophy and writing in the context of Continental philosophy and postmodern fiction. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback or Softback. Condición: New. Iris Murdoch and the Moral Imagination. Book.

126 pp.; 21.5 x 28 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Periodical about site-specific art, this issue focusing on energy. Edited by Alison Sky and Michelle Stone. Contents include: "Introductions," by James Wine; "Our Enduring Illusions," by James S. Mellett; "Energy and Civilization," by René Dubos; "Plant, Eat, and Work!," by Lewis Mumford; "Sunlight Convergence / Solar Burn," by Charles Ross; "Solar Energy and Survival," by Alan H. Balfour; "Fire Cycles," by Anthony McCall; "Architectural Prospects," by Richard G. Stein; "Tomorrow's Energy: Glowing Prospect," by Jerry Grey; "Interview with Fred S. Dubin," by Alison Sky; "The ID Monster," by U.F.O.; "Towards a Zero Energy Architecture," by John Lobell; "Personal Mobility in the U.S.A.," by David J. Neuman; "Travelog," by Allan Kaprow; "A Subjective Study of the L.A. Freeway Grid," by O.M. Ungers; "Railroad Young Men's Christian Association," by Andrew MacNair; "Autorama," by Chip Lord & Ant Farm; "The Energy of Reuse," by Hugh Hardy; "Spatiology," by Vittorio Giorgini; "Premises for Future Planning," by Percival Goodman; "People in Glass Houses," by Witold Rybczynski; "Architecture for a New Era," by Jeffrey Cook; "The Seagram's Building and it's Plaza," by Marilyn Wood & the Celebrations Group; "The Liberation of Human Energy," by Barbara M. Hubbard; "Transformations of a SOHO Street," by Ruth Heller Coron; "Performance as Energy," by M. Paul Friedberg; "Image's Identity, by Francesc Torres; "This man lives in my building," by Donald Lorimer; "Interview with Denise Scott Brown," by Alison Sky; "On Energy," by Jean Dupuy; "Los Angeles: Architecture of the Cinema," by Kip K. McBane; "Video," by Nam June Paik; "Set Timer," by Jim Cobb; "Television Delivers People," Richard Serra; "Pickin' Up the Pieces of Universal Order and Architecture," by Mimi Lobell; "The Washington Monument Sundial," by Yuri Schwebler and "Biographical Notes." Cover photo Michelle Stone. Good. Significant rubbing of covers and cover edges with bumping and wear to corners. Contents clean and unmarked. Due to large size and weight, additional shipping charges will be required for international orders.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. First Printing - First Thus. (viii) 182 pp. Black boards lettered in red on the spine; headband; illustrated in colour. Lightly rubbed on the corners of the dustjacket; no interior markings. The Contents are: Introduction: Populist Culture and Pop Art: Essays: The Pulps: Their Weaknesses Were Their Strengths by Roger T. Reed; The Cover Artists and Their Publishers by Fred Cook; Yes, I Was There by Shirley Steeger. Science Fiction, Science Fact and Fantasy: Painted Answers: Essays: When Pulp Art Was in Flower by Forrest J. Ackerman; Collecting Pulp Paintings: Dramatic Imagery and Color by Steve Kennedy; The Science Fiction Pulps by Sam Moskowitz. The New Knights: Essays: The Pulps and Their Illustrators: A Brief Survey by Walt Reed; The Lure of the Pulps: An Artist's Perspective by Jim Steranko; Remembering Rafael de Soto by John de Soto. The Noblest Savage: Essays: Important Pulp Paintings in the Burroughs Collection by Danton Burroughs; A Conversation with J. Allen St. John, Dean of Fantasy Illustrators by Darrell C. Richardson; The Paper They're Printed on by Alison M. Scott. Ladies in Terror: Essays: Painting the Story by John Locke; The Art That Dared to be Wild by James van Hise; Remembering Norman Saunders by Zina Saunders. To Dare the Devil: Aviation, War and Western Art: Essays: The Cover Art of the Air War Pulps by George Hocutt; Editing the Western Pulps by Bruce Cassidy; and Where Have All the Paintings Gone? by Charles G. Martignette; followed by appendices and an index. Size: 4to. Book.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. In.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. pp. 416.

Condición: New. pp. 416.

Paperback. Condición: Brand New. 270 pages. 9.00x6.00x0.75 inches. In Stock.

VG. no dj. purple covers are clean and bright without blemish. sharp-cornered. no inscriptions or marginalia. This book is a path-breaking collection of essays which explore the diverse and complex ways American culture has been shaped by the looming presence of the atomic bomb, the central icon of technology, diplomacy, and war, of the second half of the twentieth century. These essays were originally presented as papers at a 1995 conference at Bowling Green State University commemorating the fiftieth anniversary of the Bomb; this collection is unusual in the range of subjects addressed, which range from abstract expressionism and modernist poetry to television sitcoms and advertisements for lipstick and appliances. The papers fall into four general areas of investigation and interpretation: the analysis of widespread cultural issues or social movements; the examination of particular cultural artifacts; the explorations of aspects of political, diplomatic, or military history; and recollections or interpretations of personal experience. Contents: The Consequences of the Atomic Bomb: The End of the Soviet Union and the Beginning of Environmental Hysteria, Edward Teller; Bert the Turtle Meets Doctor Spock: Parenting in Atomic Age America, Daniel Gomes; Commercial Fallout: The Image of Progress and the Feminine Consumer in the Atomic Age (1945-1962), John Gregory Stocke; From the Missile Gap to the Culture Gap: Modernism in the Fallout from Sputnik, David Howard; Detonating on Canvas: The Abstract Bomb in American Art, Richard Martin; SANE and Beyond Sane: Poets and the H-Bomb, 1958-1960, Daniel Belgrad; From Science to Science Fiction: Leo Szilard and Fictional Persuasion, Michael L. Lewis; Sh-Boom or, How Early Rock Roll Taught Us to Stop Worrying and Love the Bomb, Richard Aquila; Are You Ready for the Great Atomic Power? Music and Protest, 1945-1960, Joseph C. Ruff; Stories Told by Godzilla and Rodan, Helen Schwartz; The Berlin Crisis, the Bomb Shelter Craze and Bizarre Television: Expressions of an Atomic Age Counterculture in the Early 1960s, Margot A. Henricksen; Peace on Earth Without Goodwill T.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. 1st ed. [1st printing] ; 191 pages : illustrations, portraits ; 24 cm ; ISBN 9780932298508, 0932298508 ; OCLC 17567376 ; grey and red cloth in photographic dustjacket ; features recollections of Lethea Turman Lochridge, Helen Turman Markey, Laura Rose Gause, Elizabeth Little Meriweather, Margaret Rosser Aichel, Virginia Maude Eastman, Daisy Arnold Maude, Mrs, Sidney Owen, Mrs. S. R. Dull, Sarah Orme Huger, Harold Latham, Mariana Goldsmith Knox, Bitsy Sims Alison, Alice Hamilton, Minnie Hite Moody, Frances Austin Catts, Mary Virginia McConnell Adair, Georgia Hoyle Adams Manry, Julia Brantley Willet, Eugenia Snow Van Kuller, Elizabeth Scott Thomas, Elizabeth Shuemake McCleskey, Eleanor Roosevelt, Franklin M. Garrett, Elizabeth Whitman Hunt, Richard Harwell, Mary Upshaw Pike, Jerry Rivers Mangham, Lamar Slaton Hitt, Margaret Peavy Hitt, Celestine Sibley, Doris Lockerman, Louise Hastings, Cary Wilmer Jr, Harold Martin, Sims Maddox, Dan Abrams, Medora Field Perkerson, Ellen Newell Bryan, Callie Orme Healey, Marguerite Sharp Reynolds Scott, Mynita Swan Gerakitis, and photos by Franklin Nix ; Yolanda Gwin started as a young lady with the Atlanta Journal-Constitution and for many, many years was a society writer and editor for the Journal-Constitution. Yolanda wrote t he first review of Gone With The Wind in February of 1936 and has since written many articles about the book and the movie. Her book, Yolanda's Atlanta, was published in 1983 by Peachtree Publishers. ; SIGNED by author Yolanda Gwin on the front endpaper ; FINE/FINE. Signed by Author(s). Book.

Hardcover. Condición: Fine. Dungey, Alison, Ph.D. Ilustrador. 2nd Edition. RE: The Hardcover Certification Manual: Fine condition white boards with blue front cover and spine lettering. The first chapter contains some neatly applied yellow highlighting to 12 pages. This hardcover volume is otherwise in as new condition. Includes About the Authors; Preface; Introduction: What is good nutrition? and Introductory case study; Glossary and INdex; Appendices; and References. Illustrated with black-and-white photographs; black-and-white drawings, tables, charts, graphs, etc. 495 pages. RE: The Softcover Certification Workbook: Fine condition white softcover with blue front cover and spine lettering. The first three pages contains neatly scripted one or two sentence responses to questions; the volume is otherwise in fine condition. Includes About the Workbook and Study Guide and The Best Way to Use This Workbook and Study Guide, Illustrated with black-and-white photographs. 84 pages.