schwarz viktor m (8 resultados)

Perfect Paperback. Condición: Brand New. German language. 7.01x4.65x0.32 inches. In Stock.

Paperback. Condición: New.

Taschenbuch. Condición: Neu. Neuware -Giotto (gest. 1337) hat die Malerei gleich mehrfach neu erfunden. Schon früh in seinem Leben wurde er überregional berühmt. Seine Kunst ließ die Zeitgenossen den christlichen Glauben sinnlich intensiv erleben. Der wenig später einsetzenden Renaissance aber hat Giottos wandlungsreiches Werk die entscheidenden Wege gewiesen. Michael Victor Schwarz stellt höchst anschaulich dar, was wir über das Leben des Künstlers wissen, für wen er malte, was seine Bilder bezweckten und wie sich sein Werk zwischen Rom und Assisi, Padua, Florenz und Neapel entwickelte.

Taschenbuch. Condición: Neu. Neuware - Giotto (gest. 1337) hat die Malerei gleich mehrfach neu erfunden. Schon früh in seinem Leben wurde er überregional berühmt. Seine Kunst ließ die Zeitgenossen den christlichen Glauben sinnlich intensiv erleben. Der wenig später einsetzenden Renaissance aber hat Giottos wandlungsreiches Werk die entscheidenden Wege gewiesen. Michael Victor Schwarz stellt höchst anschaulich dar, was wir über das Leben des Künstlers wissen, für wen er malte, was seine Bilder bezweckten und wie sich sein Werk zwischen Rom und Assisi, Padua, Florenz und Neapel entwickelte.

Taschenbuch. Condición: Neu. Giotto | Viktor M. Schwarz | Taschenbuch | 128 S. | Deutsch | 2009 | C.H. Beck | EAN 9783406582486 | Verantwortliche Person für die EU: Verlag C.[.] GmbH & Co. KG, Wilhelmstr. 9, 80801 München, produktsicherheit[at]beck[dot]de | Anbieter: preigu.

fester Einband. 425 S., Abb. Kart. *neuwertig* Giotto (1334) is the first European artist about whom it is possible to write following the schema of "life and work". The situation of the sources, however, is complicated: On Giotto's life, there are on the one hand biographical accounts from the mid-fourteenth century onwards that responded to various ideological requirements (patriotism, humanism, Renaissance ideology, cult of the artist); on the other, there is extensive documentary material from Giotto's lifetime, which seems to reflect less the biography of an artist than that of a bourgeois businessman resolutely climbing the social ladder. The present volume focuses on this second aspect of the Giotto figure's double life relating it to the form of existence of the pre-modern artist. Sprache: Englisch.

fester Einband. 431 S.; mit 22 Farbabb. auf Taf. u. 149 s/w-Abb. Kart. *nahezu neuwertig* The paintings examined and contextualised in this volume are those secured for Giotto through early written sources. These sources also help to reconstruct the sequence of his works and artistic inventions as is plausible in the context of media culture in the decades around and after 1300: while Giotto was spiritually and intellectually formed in the sphere of the Florentine Dominicans, his artistic path began in Rome in the shadow of the Curia. The breakthrough to his own artistic concept came immediately before and during his work in Padua. In addition to prominent churchmen, ecclesiastical institutions, and the King of Naples, his clients were predominantly members of Italy's urban and financial elites. The adoption and further development of his inventions by other - especially Sienese - painters pressured him in his later years to try new approaches again. Sprache: Englisch.

fester Einband. 593 S.; mit 20 Farbabb. auf Taf. u. 380 s/w-Abb. Kart. *nahezu neuwertig* The paintings examined and contextualised in this volume are those secured for Giotto through early written sources. These sources also help to reconstruct the sequence of his works and artistic inventions as is plausible in the context of media culture in the decades around and after 1300: while Giotto was spiritually and intellectually formed in the sphere of the Florentine Dominicans, his artistic path began in Rome in the shadow of the Curia. The breakthrough to his own artistic concept came immediately before and during his work in Padua. In addition to prominent churchmen, ecclesiastical institutions, and the King of Naples, his clients were predominantly members of Italy's urban and financial elites. The adoption and further development of his inventions by other - especially Sienese - painters pressured him in his later years to try new approaches again. Sprache: Englisch.