Schwarz norman (65 resultados)

hardcover. Condición: Fair.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condición: New. Estado de la sobrecubierta: New. Issued in conjunction with a 1980 exhibition series featuring artwork by American surrealist Man Ray (1890-1976). With essays by Arturo Schwarz, Howard Risatti, and Norman Gambill. The exhibition checklist cites 75 pieces, and most if not all are pictured here. A nice overview of his creative style. Published by The Birmingham Museum of Art 1980,56 pages, B&W.…

Condición: As New. Unread book in perfect condition.

Condición: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Condición: good.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: Good. Softcover staple-bound, 56 pages, good condition; light rubbing to covers and edgewear to spine; no internal marks.

Softcover. Condición: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2010. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2010. Ammareal gives back up to 15% of this item's net price to charity organizations. …

Paperback. Condición: Brand New. 56 pages. German language. 5.00x0.24x8.07 inches. In Stock.

Hardcover. Condición: Good. No dustwrapper, illustrated boards. Ex library, usual marks and scars on the preliminary pages, binding sound; good overall. Book.

Condición: New.

Softcover. Condición: Good with no dust jacket. Binding is sound. Pages age-darkened with slight dampstaining. Wraps faded, soiled, moderately shelf worn. Contents: Morgenthau, "Asia: The American Algeria"; Nissenson, "Israel during the Trial - A Journal"; Goodman, "Utopian Thinking"; van den Haag & Handlin, "A Debate on Federal Aid to Parochial Schools"; Schwarz, "Varieties of African Nationalism"; Borowitz, "Crisis Theology & the Jewish Community"; Marx, "The American Scholar Today"; Kronenberger, "Fashions in Vulgarity"; Lynd, "Jane Addams & the Radical Impulse"; Kristol and Hughes, "Deterrence." Reviews. 11.0" tall; 92 pages. …

Condición: As New. Unread book in perfect condition.

Broschiert. Condición: Gut. 225 Seiten; Das Buch befindet sich in einem gut erhaltenen Zustand. Sprache: Deutsch Gewicht in Gramm: 330.

Taschenbuch. Condición: Neu. Neuware -This volume, the third in our series, introduces the reader to the foundations of German Romantic theory. German Romanticism is fundamentally different from English and French Romanticism. It was the first of many European movements of the same name and, after the Storm and Stress of the 1770's, again marked a radical departure from the Aristotelian tradition established in 17th century France. This departure was again inspired by Shakespeare, who became the decisive influence on German Theatre and still rules the German stage in our time. (.) The movement 'Romantik', emerging twenty years after the 'Sturm und Drang' and its realism, replaces the senses-eye and ear-with 'Geist' and 'Fantasie', or unlimited imagination. Goethe discovers Oriental Literature and its orientation towards the 'Märchen' as the incarnation of 'Geist'. His poetry and his notes in the 'Divan' reveal him to be a proponent of the ideas of 'Romantik'-an observation not acknowledged in traditional 'Germanistik' (German Studies). Like Goethe in his 'Divan', the German Romantics create new, nonexisting worlds through their unbounded 'Fantasie'. 'Natur', the observable world perceived by the senses, is replaced by 'Geist', the freedom of thought and resulting actions. 'Geist' is the creative, inventive, and ordering principle of mind or spirit. This ordering, observable in the abstract, nonrealistic patterns of Oriental carpets or in any artistic manifestation, inspired the 'déréaliser' and 'suggérer' of Symbolist art and literature. Both are artistic principles of Goethe's 'Divan' and the writings of Friedrich Schlegel and Novalis, the acknowledged founders of 'Romantik'. (.) The theory of Romantic poetry, as established in texts published in the 'Athenaeum' (1798-1800), was developed by Schlegel in Jena between 1797 and 1799. In 1799, Friedrich Schlegel moved from Jena to Cologne. His departure marked the end of the Jena circle and of the effort to establish a Romantic movement. As early as February 27, 1794, in a letter to his brother August Wilhelm, he was already outlining his Romantic programme. There he describes a poetic programme aiming at a 'Vereinigung des Wesentlich-Modernen mit dem Wesentlich-Antiken' ('the unification of the essentially modern with the essentially ancient'). All his thoughts in the 'Gespräch über Poesie', from which we have selected the two most important passages, are united by a central thread: the synthesis of the Ancient and the Modern, understood as the unity of opposites. (From the Editors' Introduction).…

225pp. Text in German. Paperback (a bit soiled, still a good copy) Please see description or ask for photos.

Original Navy Hardback. Condición: Very Good Plus. Estado de la sobrecubierta: Very Good. First Edition. 1983. lv, 226pp. B&W frontispiece. 2x B&W illustrations. Contents include: The Seven 'Heads' I. Doctor: Doctor Martin Luther: Subjectivity and Doctrine in the Lutheran Reformation II. Martinus: 'Heresy, Doctor Luther, Heresy!' The Person and Work of Christ. III. Lutherus: Luther and the Princes. IV. Ecclesiastes: A. Doctor Martin Luther, Churchman. A Theologian's Viewpoint. V. Suermerus: Luther's Own Fanatics. VI. Visitator: Luther as Visitor. VII. Barrabus: Luther as Barabbas. & Other Related Essays. Book has gilt titles to spine. Unclipped dust jacket has light wear to top edge. …

Taschenbuch. Condición: Neu. Neuware - This volume, the third in our series, introduces the reader to the foundations of German Romantic theory. German Romanticism is fundamentally different from English and French Romanticism. It was the first of many European movements of the same name and, after the Storm and Stress of the 1770's, again marked a radical departure from the Aristotelian tradition established in 17th century France. This departure was again inspired by Shakespeare, who became the decisive influence on German Theatre and still rules the German stage in our time. (.) The movement 'Romantik', emerging twenty years after the 'Sturm und Drang' and its realism, replaces the senses-eye and ear-with 'Geist' and 'Fantasie', or unlimited imagination. Goethe discovers Oriental Literature and its orientation towards the 'Märchen' as the incarnation of 'Geist'. His poetry and his notes in the 'Divan' reveal him to be a proponent of the ideas of 'Romantik'-an observation not acknowledged in traditional 'Germanistik' (German Studies). Like Goethe in his 'Divan', the German Romantics create new, nonexisting worlds through their unbounded 'Fantasie'. 'Natur', the observable world perceived by the senses, is replaced by 'Geist', the freedom of thought and resulting actions. 'Geist' is the creative, inventive, and ordering principle of mind or spirit. This ordering, observable in the abstract, nonrealistic patterns of Oriental carpets or in any artistic manifestation, inspired the 'déréaliser' and 'suggérer' of Symbolist art and literature. Both are artistic principles of Goethe's 'Divan' and the writings of Friedrich Schlegel and Novalis, the acknowledged founders of 'Romantik'. (.) The theory of Romantic poetry, as established in texts published in the 'Athenaeum' (1798-1800), was developed by Schlegel in Jena between 1797 and 1799. In 1799, Friedrich Schlegel moved from Jena to Cologne. His departure marked the end of the Jena circle and of the effort to establish a Romantic movement. As early as February 27, 1794, in a letter to his brother August Wilhelm, he was already outlining his Romantic programme. There he describes a poetic programme aiming at a 'Vereinigung des Wesentlich-Modernen mit dem Wesentlich-Antiken' ('the unification of the essentially modern with the essentially ancient'). All his thoughts in the 'Gespräch über Poesie', from which we have selected the two most important passages, are united by a central thread: the synthesis of the Ancient and the Modern, understood as the unity of opposites. (From the Editors' Introduction).…