Sargeant amy (107 resultados)

Paperback. Condición: Good.

Paperback. Condición: Good.

Paperback. Condición: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: As New. Unread copy in mint condition.

Condición: New. Brand New.

Paperback. Condición: New. Whose lives count as fully human? The answer matters for everyone, disabled or not.The ancient Greek ideal linked physical wholeness to moral wholeness - the virtuous citizen was "beautiful and good." It's an ideal that has all too often turned deadly, casting those who do not measure up as less than human. In the pre-Christian era, infants with disabilities were left on the rocks; in modern times, they have been targeted by eugenics.Much has changed, thanks to the tenacious advocacy of the disability rights movement. Yesteryear's hellish institutions have given way to customized educational programs and assisted living centers. Public spaces have been reconfigured to improve access. Therapies and medical technology have advanced rapidly in sophistication and effectiveness. Protections for people with disabilities have been enshrined in many countries' antidiscrimination laws.But these victories, impressive as they are, mask other realities that collide awkwardly with society's avowals of equality. Why are parents choosing to abort a baby likely to have a disability? Why does Belgian law allow for euthanasia in cases of disability, even absent a terminal diagnosis or physical pain? Why, when ventilators were in short supply during the first Covid wave, did some states list disability as a reason to deny care?On this theme: - Heonju Lee tells how his son with Down syndrome saved another child's life.- Molly McCully Brown and Victoria Reynolds Farmer recount their personal experiences with disability.- Amy Julia Becker says meritocracies fail because they value the wrong things.- Maureen Swinger asks six mothers around the world about raising a child with disabilities.- Joe Keiderling documents the unfinished struggle for disability rights.- Isaac T. Soon wonders if Saint Paul's "thorn in the flesh" was a disability.- Leah Libresco Sargeant reviews What Can a Body Do? and Making Disability Modern.- Sarah C. Williams says testing for fetal abnormalities is not a neutral practice.Also in the issue: - Ross Douthat is brought low by intractable Lyme disease.- Edwidge Danticat flees an active shooter in a packed mall.- Eugene Vodolazkin finds comic relief at funerals, including his own father's.- Kelsey Osgood discovers that being an Orthodox Jew is strange, even in Brooklyn.- Christian Wiman pens three new poems.- Susannah Black profiles Flannery O'Conner.- Our writers review Eyal Press's Dirty Work, Steve Coll's Directorate S, and Millennial Nuns by the Daughters of Saint Paul.Plough Quarterly features stories, ideas, and culture for people eager to apply their faith to the challenges we face. Each issue includes in-depth articles, interviews, poetry, book reviews, and art.…

paperback. Condición: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Condición: Good. 1st Edition. Volume has some wear; outer edges have minor soil; fore edge has a light, short line; tight, text clean. ix, [1], 374 p., illustrated [otob: 32].

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: New.

Condición: New.

Paperback. Condición: New. Amy Sargeant's compelling and meticulous study of Joseph Losey's The Servant (1963) sets the film in the context of a long tradition of fictional depictions of the master-servant relationship, from Shakespeare to Cervantes, Henry James, Dorothy L. Sayers and P.G. Wodehouse. Sargeant points out that while many of these relationships are played for comic effect, that of the 'young master' Tony (James Fox) and his manservant Barrett (Dirk Bogarde) unfolds in a far more sinister manner, with Barrett coming to dominate and humiliate the hapless Tony.Sargeant's reading pays particular attention to the contribution not only of Losey and Harold Pinter, who adapted the screenplay from Robin Maugham's novella, but also of the cinematographer Douglas Slocombe, designer Richard Macdonald and costume designer Beatrice 'Bumble' Dawson. She analyses the performances of Sarah Miles as Barrett's lover Vera and Wendy Craig as Tony's fiancee Susan, as well as those of Fox and Bogarde, and gives careful consideration to how the film uses architectural form, interior design and decoration, and clothing to establish character and relationships. In the context of the collapse of the British Empire, and a beleaguered Establishment beset by spy and sex scandals, the film can be read, Sargeant argues, as a metaphor for the 'state of the nation' in the early 1960s.Finally, Sargeant considers the film's critical and commercial reception in Britain, Europe and the United States - its release, how it was received as one of a number of 'emigre' films, and Losey's surprising denial of a homoerotic intent in the Tony-Barrett relationship.In her new foreword to this edition, Amy Sargeant considers contemporary resonances of the film's depiction of a twisted master-servant relationship in recent TV and cinema including The Crown, Downton Abbey and The Trial of Christine Keeler. …

paperback. Condición: Good. Satisfaction 100% guaranteed.

Soft cover. Condición: New. 1st Edition. New. Pristine, unmarked. KINOfiles Filmmaker's Companions (Book 11). // Shipped carefully packed in a sturdy box.

Paperback. Condición: New. Amy Sargeant's compelling and meticulous study of Joseph Losey's The Servant (1963) sets the film in the context of a long tradition of fictional depictions of the master-servant relationship, from Shakespeare to Cervantes, Henry James, Dorothy L. Sayers and P.G. Wodehouse. Sargeant points out that while many of these relationships are played for comic effect, that of the 'young master' Tony (James Fox) and his manservant Barrett (Dirk Bogarde) unfolds in a far more sinister manner, with Barrett coming to dominate and humiliate the hapless Tony.Sargeant's reading pays particular attention to the contribution not only of Losey and Harold Pinter, who adapted the screenplay from Robin Maugham's novella, but also of the cinematographer Douglas Slocombe, designer Richard Macdonald and costume designer Beatrice 'Bumble' Dawson. She analyses the performances of Sarah Miles as Barrett's lover Vera and Wendy Craig as Tony's fiancee Susan, as well as those of Fox and Bogarde, and gives careful consideration to how the film uses architectural form, interior design and decoration, and clothing to establish character and relationships. In the context of the collapse of the British Empire, and a beleaguered Establishment beset by spy and sex scandals, the film can be read, Sargeant argues, as a metaphor for the 'state of the nation' in the early 1960s.Finally, Sargeant considers the film's critical and commercial reception in Britain, Europe and the United States - its release, how it was received as one of a number of 'emigre' films, and Losey's surprising denial of a homoerotic intent in the Tony-Barrett relationship.In her new foreword to this edition, Amy Sargeant considers contemporary resonances of the film's depiction of a twisted master-servant relationship in recent TV and cinema including The Crown, Downton Abbey and The Trial of Christine Keeler. …

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:1860644554.…

Condición: New. pp. 120.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,300grams, ISBN:9781845113742. …

Paperback. Condición: new. Paperback. Amy Sargeant's compelling and meticulous study of Joseph Losey's The Servant (1963) sets the film in the context of a long tradition of fictional depictions of the master-servant relationship, from Shakespeare to Cervantes, Henry James, Dorothy L. Sayers and P.G. Wodehouse. Sargeant points out that while many of these relationships are played for comic effect, that of the 'young master' Tony (James Fox) and his manservant Barrett (Dirk Bogarde) unfolds in a far more sinister manner, with Barrett coming to dominate and humiliate the hapless Tony.Sargeant's reading pays particular attention to the contribution not only of Losey and Harold Pinter, who adapted the screenplay from Robin Maugham's novella, but also of the cinematographer Douglas Slocombe, designer Richard Macdonald and costume designer Beatrice 'Bumble' Dawson. She analyses the performances of Sarah Miles as Barrett's lover Vera and Wendy Craig as Tony's fiancee Susan, as well as those of Fox and Bogarde, and gives careful consideration to how the film uses architectural form, interior design and decoration, and clothing to establish character and relationships. In the context of the collapse of the British Empire, and a beleaguered Establishment beset by spy and sex scandals, the film can be read, Sargeant argues, as a metaphor for the 'state of the nation' in the early 1960s.Finally, Sargeant considers the film's critical and commercial reception in Britain, Europe and the United States - its release, how it was received as one of a number of 'emigre' films, and Losey's surprising denial of a homoerotic intent in the Tony-Barrett relationship.In her new foreword to this edition, Amy Sargeant considers contemporary resonances of the film's depiction of a twisted master-servant relationship in recent TV and cinema including The Crown, Downton Abbey and The Trial of Christine Keeler. First published in 2011 by Palgrave Macmillan. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: new.

Paperback. Condición: Brand New. 112 pages. 10.25x7.50x0.39 inches. In Stock.

Condición: New. 2020. 2nd. Paperback. . . . . .

paperback. Condición: As New. Looks unread with just a touch of shelf wear Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.

Paperback. Condición: Brand New. reprint edition. 116 pages. 7.25x5.25x0.25 inches. In Stock.