Sarah ann long (34 resultados)

Trade Paperback. Condición: Good. 117 pp. Tightly bound copy with moderate wear.

Hardcover. Condición: As New. Eastman Studies in Music. xv, 350 pp., 20 illus. Hardcover with pictorial boards. Unread, as new. New list price: $130.00.

paperback. Condición: New. 1st.

Condición: New.

Paperback. Condición: new. Paperback. The present catalogue of manuscript antiphoners and other office books containing music in the collections of Averbode, Dendermonde, Geel, Ghent, and Tongeren is the first in the series Antiphonaria: A Catalogue of Notated Office Manuscripts Preserved in Flanders (c.1100-c.1800). Antiphonaria is meant to aid musicologists, as well as liturgists, historians, philologists, and art historians in the area of medieval studies in their exploration of liturgical practices in the Low Countries. The books in this volume represent those currently held at the abbey archives in Averbode, which houses one of the most cohesive Premonstratensian collections in the Low Countries; the Sint-Pieter en Paulus Abdij in Dendermonde, which preserves the earliest source for the music of Hildegard of Bingen; the Archief Sint-Dimpnakerk in Geel, whose holdings include one of the few surviving sixteenth-century antiphoners for a secular church; several archives in Ghent, including the Universiteitsbibliotheek, the Sint-Baafskathedraal, the Musea voor Schone Kunsten, and the Rijksarchief; and the Onze-Lieve-Vrouwebasiliek in Tongeren, which holds one of the most substantial and homogeneous groups of sources from a collegiate church in the Low Countries. An introduction presents a summary of each collection and the parameters of the inventories. Each catalogue entry contains a codicological description of the manuscript; a detailed description of its origin, usage, and history; and a full inventory of its contents, giving special attention to the hymns, first Matins responsories, and first Lauds antiphons, all indexed at the end of the volume. The present volume of manuscript antiphoners and other office books containing music in the collections of Averbode, Dendermonde, Geel, Ghent, and Tongeren is the first of a series entitled Antiphonaria: A Catalogue of Notated Office Manuscripts Preserved in Flanders (c.1100 - c.1800). An introduction presents a summary of each colle Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: As New. Unread book in perfect condition.

Condición: new.

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. 2021. Hardcover. . . . . .

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. The first study focusing on the composition of new plainchant in northern-French confraternities for masses and offices in honor of saints thought to have healing powersStarting in the fourteenth century, northern France saw the rise of confraternities and other lay communities of men and women, organized around trades and religious devotions dedicated to specific patron saints. The composition of new plainchant for masses and offices in honor of saints thought to have healing powers occupied an important place in the devotional landscape of the region. Sarah Ann Long's deeply researched new book highlights the decentralized nature of religious and spiritual authority from 1300-1550, which allowed confraternities to cultivate liturgical practices heavily influenced by popular devotional literature. It challenges pre-conceived notions of the power of the Catholic Church at that time, and the extent to which religious devotions were regulated and standardized. The resulting conclusion is that confraternity devotions occupied a liminal space that provided a certain amount of musical freedom. Examining musical culture at the intersection of the medieval and early modern eras, this work explores such subjects as manuscript production and early music printing; and it investigates not only plainchant, but a broad range of musical styles from the fourteenth through the sixteenth centuries. These include polyphonic embellishments of chant written by some of the most famous composers of the era, which were performed at the French, Burgundian, and Papal Courts.…

Condición: New. In English.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. 2021. Hardcover. . . . . . Books ship from the US and Ireland.

Hardback. Condición: New. The first study focusing on the composition of new plainchant in northern-French confraternities for masses and offices in honor of saints thought to have healing powersStarting in the fourteenth century, northern France saw the rise of confraternities and other lay communities of men and women, organized around trades and religious devotions dedicated to specific patron saints. The composition of new plainchant for masses and offices in honor of saints thought to have healing powers occupied an important place in the devotional landscape of the region. Sarah Ann Long's deeply researched new book highlights the decentralized nature of religious and spiritual authority from 1300-1550, which allowed confraternities to cultivate liturgical practices heavily influenced by popular devotional literature. It challenges pre-conceived notions of the power of the Catholic Church at that time, and the extent to which religious devotions were regulated and standardized. The resulting conclusion is that confraternity devotions occupied a liminal space that provided a certain amount of musical freedom. Examining musical culture at the intersection of the medieval and early modern eras, this work explores such subjects as manuscript production and early music printing; and it investigates not only plainchant, but a broad range of musical styles from the fourteenth through the sixteenth centuries. These include polyphonic embellishments of chant written by some of the most famous composers of the era, which were performed at the French, Burgundian, and Papal Courts.…

Softcover. Condición: gut. 2015. Catalogue of Notated Office Manuscripts Preserved in Flanders (c. 1100 - c. 1800) 1 : Averbode, Dendermonde, Diest, Geel, Ghent, Tongeren In deutscher Sprache. pages.

Hardback. Condición: New. The first study focusing on the composition of new plainchant in northern-French confraternities for masses and offices in honor of saints thought to have healing powersStarting in the fourteenth century, northern France saw the rise of confraternities and other lay communities of men and women, organized around trades and religious devotions dedicated to specific patron saints. The composition of new plainchant for masses and offices in honor of saints thought to have healing powers occupied an important place in the devotional landscape of the region. Sarah Ann Long's deeply researched new book highlights the decentralized nature of religious and spiritual authority from 1300-1550, which allowed confraternities to cultivate liturgical practices heavily influenced by popular devotional literature. It challenges pre-conceived notions of the power of the Catholic Church at that time, and the extent to which religious devotions were regulated and standardized. The resulting conclusion is that confraternity devotions occupied a liminal space that provided a certain amount of musical freedom. Examining musical culture at the intersection of the medieval and early modern eras, this work explores such subjects as manuscript production and early music printing; and it investigates not only plainchant, but a broad range of musical styles from the fourteenth through the sixteenth centuries. These include polyphonic embellishments of chant written by some of the most famous composers of the era, which were performed at the French, Burgundian, and Papal Courts.…

Paperback. Condición: new. Paperback. The present catalogue of manuscript antiphoners and other office books containing music in the collections of Averbode, Dendermonde, Geel, Ghent, and Tongeren is the first in the series Antiphonaria: A Catalogue of Notated Office Manuscripts Preserved in Flanders (c.1100-c.1800). Antiphonaria is meant to aid musicologists, as well as liturgists, historians, philologists, and art historians in the area of medieval studies in their exploration of liturgical practices in the Low Countries. The books in this volume represent those currently held at the abbey archives in Averbode, which houses one of the most cohesive Premonstratensian collections in the Low Countries; the Sint-Pieter en Paulus Abdij in Dendermonde, which preserves the earliest source for the music of Hildegard of Bingen; the Archief Sint-Dimpnakerk in Geel, whose holdings include one of the few surviving sixteenth-century antiphoners for a secular church; several archives in Ghent, including the Universiteitsbibliotheek, the Sint-Baafskathedraal, the Musea voor Schone Kunsten, and the Rijksarchief; and the Onze-Lieve-Vrouwebasiliek in Tongeren, which holds one of the most substantial and homogeneous groups of sources from a collegiate church in the Low Countries. An introduction presents a summary of each collection and the parameters of the inventories. Each catalogue entry contains a codicological description of the manuscript; a detailed description of its origin, usage, and history; and a full inventory of its contents, giving special attention to the hymns, first Matins responsories, and first Lauds antiphons, all indexed at the end of the volume. The present volume of manuscript antiphoners and other office books containing music in the collections of Averbode, Dendermonde, Geel, Ghent, and Tongeren is the first of a series entitled Antiphonaria: A Catalogue of Notated Office Manuscripts Preserved in Flanders (c.1100 - c.1800). An introduction presents a summary of each colle Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. Condición: Brand New. 368 pages. 9.00x6.00x1.00 inches. In Stock.

Hardback. Condición: New. The first study focusing on the composition of new plainchant in northern-French confraternities for masses and offices in honor of saints thought to have healing powersStarting in the fourteenth century, northern France saw the rise of confraternities and other lay communities of men and women, organized around trades and religious devotions dedicated to specific patron saints. The composition of new plainchant for masses and offices in honor of saints thought to have healing powers occupied an important place in the devotional landscape of the region. Sarah Ann Long's deeply researched new book highlights the decentralized nature of religious and spiritual authority from 1300-1550, which allowed confraternities to cultivate liturgical practices heavily influenced by popular devotional literature. It challenges pre-conceived notions of the power of the Catholic Church at that time, and the extent to which religious devotions were regulated and standardized. The resulting conclusion is that confraternity devotions occupied a liminal space that provided a certain amount of musical freedom. Examining musical culture at the intersection of the medieval and early modern eras, this work explores such subjects as manuscript production and early music printing; and it investigates not only plainchant, but a broad range of musical styles from the fourteenth through the sixteenth centuries. These include polyphonic embellishments of chant written by some of the most famous composers of the era, which were performed at the French, Burgundian, and Papal Courts.…

Condición: New. Print on Demand.

Condición: New. Print on Demand.

Condición: New. PRINT ON DEMAND.

Hardback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 702.