Sandra zalman (43 resultados)

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Softcover. Condición: Near Fine. [ART HISTORY]. Ed. Katy Siegel. Contributors: Alex Kitnick, Beth Citron, Grant Kester, Sandra Zalman, Nuit Banai, et al. "Art Journal, Vol. 71, No. 2, Summer 2012." New York: College Art Association, 2012. English language. Softcover magazine with spine. Text with full-color images. 10 x 8.25 x 0.25 in. 26 x 12 x 1 cm. 15 oz. 126 pp. Crease on spine. bottom of spine rubbed. Text clean. Near Fine. No ISBN. No ASIN. ISSN: 0004-3249. "The mission of Art Journal, founded in 1941, is to develop rigorous and shared methods by which modern and contemporary art can be understood; to engage critically with twentieth- and twenty-first-century art and art history in national and global frameworks; to encourage broad and rigorous contributions to our disciplines and to institute, in our peer review and editorial structures, an inclusive, critical, and collaborative approach to the development of new and emerging forms of thought and communities of practice; to address and redress exclusionary histories of art and art history as fields of practice and scholarship; to be pedagogically useful by making links between theoretical issues and their use in teaching at the college and university levels; to explore relationships among diverse forms of art practice and production as well as within the fields of art making, art history, visual studies, theory, and criticism; to give voice and publication opportunity to artists, art historians, and other writers in the arts; to be responsive to issues of the moment in and beyond the arts; and to promote dialogue and debate.".…

Wrappers. Condición: Fine Condition. 32 pages. Oblong format paperback exhibition catalogue, bound in stiff illustrated paper covers. Texts in English. Signed by the artist on the title page. Else, in crisp, tight, sharp, bright and otherwise clean condition. Published on the occasion of the exhibition held in Beaumont from December 10, 2016-February 26, 2017, and in Galveston from March 4-April 16, 2017. Handsomely produced. Exhibition checklist, and artist's chronology. Signed by the Artist.…

Wrappers. Condición: New. 32 pages. Oblong format paperback exhibition catalogue, bound in stiff illustrated paper covers. Texts in English. Crisp, tight, sharp, bright and clean condition, still in the publisher's original shrinkwrap. Published on the occasion of the exhibition held in Beaumont from December 10, 2016-February 26, 2017, and in Galveston from March 4-April 16, 2017. Handsomely produced. Exhibition checklist, and artist's chronology.…

Soft cover. Condición: Near Fine. No Jacket. Colour and black & white illustrations. All very clean and firm inside and out. No creasing to spine. One small crease to lower fore corner of front card cover.

Soft cover. Condición: New. 1st Edition. Brand new copy.

Condición: As New. Unread book in perfect condition.

Softcover. Condición: Sehr gut. 1. Auflage. Z : 16 x 23 cm, 376 pages, 33 color & 104 b/w illustrations - This scholarly publication discusses the historical development of the Kunsthalle Bern and its implications for the localization of art. It contributes to current research on institutional histories by looking at the many ways in which the Kunsthalle Bern addresses the question of how exhibitionary practices take place.…

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. pp. 240.

Condición: New.

Paperback. Condición: New. Consuming Surrealism in American Culture: Dissident Modernism argues that Surrealism worked as a powerful agitator to disrupt dominant ideas of modern art in the United States. Unlike standard accounts that focus on Surrealism in the U.S. during the 1940s as a point of departure for the ascendance of the New York School, this study contends that Surrealism has been integral to the development of American visual culture over the course of the twentieth century. Through analysis of Surrealism in both the museum and the marketplace, Sandra Zalman tackles Surrealism's multi-faceted circulation as both elite and popular. Zalman shows how the American encounter with Surrealism was shaped by Alfred Barr, William Rubin and Rosalind Krauss as these influential curators mobilized Surrealism to compose, to concretize, or to unseat narratives of modern art in the 1930s, 1960s and 1980s - alongside Surrealism's intersection with advertising, Magic Realism, Pop, and the rise of contemporary photography. As a popular avant-garde, Surrealism openly resisted art historical classification, forcing the supposedly distinct spheres of modernism and mass culture into conversation and challenging theories of modern art in which it did not fit, in large part because of its continued relevance to contemporary American culture.…

Paperback. Condición: Brand New. 288 pages. 9.21x6.14x0.57 inches. In Stock.

Paperback. Condición: New.

Condición: New. pp. 240.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. In English.

Condición: New. pp. 240.

Paperback. Condición: Brand New. 240 pages. 9.68x6.85x0.51 inches. In Stock.

Condición: New.

Condición: NEW.

Paperback. Condición: Brand New. 240 pages. 9.68x6.85x0.51 inches. In Stock.

Condición: New. Sandra Zalman is Assistant Professor of Art History at the University of Houston. She has received grants from the American Council of Learned Societies, the American Association of University Women, and the Andy Warhol Foundation for the Visual Arts.

Taschenbuch. Condición: Neu. Consuming Surrealism in American Culture | Dissident Modernism | Sandra Zalman | Taschenbuch | Studies in Surrealism | Einband - flex.(Paperback) | Englisch | 2018 | Taylor & Francis Ltd | EAN 9781138548251 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu. …

Paperback. Condición: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Paperback. Condición: New. Consuming Surrealism in American Culture: Dissident Modernism argues that Surrealism worked as a powerful agitator to disrupt dominant ideas of modern art in the United States. Unlike standard accounts that focus on Surrealism in the U.S. during the 1940s as a point of departure for the ascendance of the New York School, this study contends that Surrealism has been integral to the development of American visual culture over the course of the twentieth century. Through analysis of Surrealism in both the museum and the marketplace, Sandra Zalman tackles Surrealism's multi-faceted circulation as both elite and popular. Zalman shows how the American encounter with Surrealism was shaped by Alfred Barr, William Rubin and Rosalind Krauss as these influential curators mobilized Surrealism to compose, to concretize, or to unseat narratives of modern art in the 1930s, 1960s and 1980s - alongside Surrealism's intersection with advertising, Magic Realism, Pop, and the rise of contemporary photography. As a popular avant-garde, Surrealism openly resisted art historical classification, forcing the supposedly distinct spheres of modernism and mass culture into conversation and challenging theories of modern art in which it did not fit, in large part because of its continued relevance to contemporary American culture.…