Sam chermayeff (21 resultados)

Soft cover. Condición: Fine. No marks in text. Not a library book. One copy only of this title. Ships in a cardboard enclosure. THE BOOK YOU SEE DESCRIBED IS THE COPY YOU WILL RECEIVE. Tim's Used Books, open shop in Provincetown, Mass., providing good books at reasonable prices on the same spot since 1991. shelf 33.…

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: New. 2022. Paperback. . . . . .

Paperback. Condición: Brand New. 76 pages. 12.48x7.72x0.35 inches. In Stock.

Condición: As New. Unread book in perfect condition.

Condición: New. 2022. Paperback. . . . . . Books ship from the US and Ireland.

Condición: New. Arquitectura-G ist ein junges Architekturbuero mit Sitz in Barcelona, das von Jonathan Arnabat, Jordi Ayala-Bril, Aitor Fuentes und Igor Urdampilleta geleitet wird. Das Team begann seine berufliche Laufbahn mitten in der Wirtschaftskrise, als oeffentliche Arc.

Condición: New.

Taschenbuch. Condición: Neu. Neuware - Sam Chermayeff: Beasts presents the latest furniture collection by the Berlin- based architect and designer, following his previous project-turned-book, Creatures (Apartamento Publishing, 2020). These 'beasts' actively merge typologies: a chair becomes the base of an umbrella; a closet becomes a place to sit, apply make-up or smoke a cigarette. Chermayeff's objects are not just tools, they are a mise-en-sce ne for everyday life, staging our interactions through the pieces themselves and the space created in- between. The series, built primarily from galvanised steel and mirrored surfaces, is printed on glossy paper, with metallic stamping throughout the design index, a separate booklet inserted within the PVC dust jacket. Architect and editor Jack Self provides an introduction to the book as he dissects his own love for these objects, while the curator Alexandra Cunningham Cameron provides an extended interview with Chermayeff on the ideas behind Beasts and the philosophy of his wider design and architecture practice. Photos were shot by Jeroen Verrecht both on the streets of Barcelona and as an installation at Side Gallery.…

kart. Condición: Neu. en. 159 Seiten ; 31 cm NEW ! + + + Arquitectura-G ist ein junges Architekturbüro mit Sitz in Barcelona, das von Jonathan Arnabat, Jordi Ayala-Bril, Aitor Fuentes und Igor Urdampilleta geleitet wird. Das Team begann seine berufliche Laufbahn mitten in der Wirtschaftskrise, als öffentliche Architekturwettbewerbe in Spanien lahmgelegt und private Initiativen für den Wohnungsbau eingefroren waren. Ihre ersten Arbeiten waren somit erst mal nur Wohnungsrenovierungen in Barcelona - eine der wenigen Möglichkeiten, die der Markt Architekten zu dieser Zeit bot. Aber seit einigen Jahren hat sich die Lage entspannt und Arquitectura-G baut nun neue Gebäude, wie z.B. das Haus Luz, für das sie 2015 den Mies van der Rohe Award for Emerging Architecture erhielten. Ihre Projekte oszilllieren zwischen Referenzen an die lokale Architektur der 1970er und 80er Jahre und einer neuen Version hedonistisch-mediterraner Architektur. Neben ihren Arbeiten rund um Barcelona haben sie auch vier Geschäfte für die Modemarke Acne gebaut (Nagoya, Stockholm, New York und Paris). Derzeit arbeiten sie an einem Wohnprojekt in Portugal. 9783753301914 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** Sprache: Englisch Gewicht in Gramm: 1200.…

Paperback. Condición: new. New Copy. Customer Service Guaranteed. Pérez Rubio, Agustín (ilustrador).

paperback. Condición: New. In shrink wrap. Looks like an interesting title. Pérez Rubio, Agustín (ilustrador).

paperback. Condición: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only. Pérez Rubio, Agustín (ilustrador).…

Hardcover. Condición: Sehr gut. 1. Auflage. Z : 72 Seiten/pp., 46 Farbabbildungen und Pläne/colour illustrations and plans, linen bound/Leineneinband - Auf dem Novartis-Campus in Basel steht das schmale, verglaste Bürogebäude von SANAA/ Sejima + Nishizawa mit einem parkartigen Innenhof. Die nur 5,5 Meter breiten Büroräume sind frei unterteilbar und bieten allen Angestellten einen Arbeitsplatz in Fensternähe. Dank den völlig transparenten Glasfassaden kommen die Geschossplatten als strukturierende Elemente des eleganten Baus voll zur Geltung. - Novartis Campus at Basel will be characterized by far-reaching visions of urban space and architecture. The first new building on the Campus - ‹Forum 3› by Diener, Federle, Wiederin - was finished in 2005, followed by ‹Fabrikstrasse 6› of Peter Märkli. The third building - ‹Fabrikstrasse 4› by SANAA - was opened in autumn 2006. The two partners who lead SANAA, Ryue Nishizawa and Kazuyo Sejima, have designed a building that disregards all the rules of historical architecture: a rack without a façade, with no hierarchy in its structure, and not responding in any way to the maxim of the pre-modern city. Essentially there are two materials: a light-coloured structure in in-situ concrete clad with glass. This publication presents works by Walter Niedermayr as well as numerous plans. With an introduction Ulrike by Jehle-Schulte Strathaus, texts by Aaron Betsky, Valerio Olgiati and Moritz Küng. Inventory by SANAA.…

Cologne Walther und Franz König 2021 Bound, cloth, 460pp., 18.5x25.5cm., richly illustr. in col., in very good condition. . ISBN 9783960989721. Muller Van Severen: Dialogue presents a decade of work by the Belgian design duo Fien Muller and Hannes Van Severen, who have collaborated since 2011. Their furniture, lighting and objects occupy a distinctive territory between functional design, sculpture and spatial installation. Simple industrial materials, elementary forms and a vivid colour palette are combined to create objects that are simultaneously practical, sculptural and visually striking. Edited by curator Jan Boelen, the book explores the origins, references and development of their practice through conversations, interviews and extensive visual documentation. The book offers a substantial overview of the first decade of Muller Van Severen's practice, tracing the development of their furniture collection and the ideas behind it. Rather than presenting the objects as isolated design products, the publication examines the relationship between furniture, sculpture, colour, material and space. Conversations involving Fien Muller and Hannes Van Severen, together with contributions from Beatrice Galilee, Arno Brandlhuber and Sam Chermayeff, provide different perspectives on their working methods and references. The abundant photography by Fred Muller and Frederik Vercruysse documents furniture, lighting and objects in detail while also showing how individual pieces interact with architectural interiors and larger spatial compositions. Particularly interesting is the way the publication places the duo's work between art and design. Their use of straightforward industrial materials and strong colour combinations results in elementary forms that can function as chairs, tables, lamps or other domestic objects while retaining a sculptural character. The book also covers the wider context of their international development, including collaborations with major brands and projects that expanded their practice beyond individual furniture pieces. For anyone interested in contemporary Belgian design, collectible furniture, colour in interiors or the intersection of product design and sculpture, this volume provides an extensive visual and critical record of the duo's formative decade.(AI-generated content description).…

No Binding. Condición: Very Good. Very uncommon publication from 1968 which contains a bounty of American trademarked logos from the heyday of the post-war graphic design and advertising boon. In Black cardboard slipcase foil-stamped in white, with a 56 page booklet, 16 sheets that fold out to 4 panels, and 45 single panel sheets. An amazing document in a visually compelling format. This copy generally very nice, with some heavier wear to the slipcase, but the inner contents are in excellent, superb, crisp condition, appears scarcely looked through at all. The case itself, thought still intact, is a bit wobbly, and is missing about 1" of one of the sides, and what remains on both sides is slightly curled and peeled up form the joining cardboard underneath, leaving it a bit precarious as is (could likely be fixed up easily with PVA glue and happy to do that for anyone interested). Some further fraying at the sides and some light rubbing to covers besdes. As mentioned, all interior contents are nearly as new, remarkably so given the age. Booklet has some minor toning around edges of the back cover, and one or two of the sheets has the slightest bit of corner wear, but generally superb. Lester Beall [essay] Chicago: Society of Typographic Arts (STA), June 1968. First [only] edition. Black cardboard slipcase foil-stamped in white. [16] 4-panel sheets, 25 loose sheets, and a 56-page booklet enclosed in the slipcase. Contents lightly handled. The Publishers slipcase is split along the lower front edge and worn along each edge, with tape repair to case bottom and bumps to corners. Nearly fine contents in a fair to good example of the Publishers slipcase. Rare. Black slipcase contains 16 [8.5" x 8.5"] 4-panel sheets, 25 [8.5" x 8.5"] loose sheets and a 56-page [8.5" x 8.5"] perfect-bound booklet. From the introduction: "193 American trademarks, symbols and logotypes were chosen by a jury of leaders in the field of design to be represented in Trademarks/USA, the first national retrospective exhibition of its kind, which opened April 22, 1964 at the National Design Center in Marina City, Chicago, under the auspices of the Society of Typographic Arts." An amazing document that chronicles the rise of the American trademark after World War II, and by extension the graphic design profession as well. Essays include the introduction for "Trademarks/USA" including the President's Message and 5 b/w photos of jury members, an essay called The Trademark: A Graphic Summation of Individuality by Lester Beall including 5 b/w photos of the exhibition. Some of the actual trademark designers include, Abbott Laboratories, George Nelson, The Ansul Company, Raymond Loewy, CBS, William Golden, Connecticut General Life Insurance Company, Lester Beall, CCA, Ralph Eckerstrom, IBM, Paul Rand, International Minerals and Chemical Corp., Morton Goldsholl Design Assoc, International Paper Co., Lester Beall, Lawry's Foods, Inc., Saul Bass, Martin-Senour Co., Morton Goldsholl Design Assoc, Herman Miller, George Nelson; Playboy Magazine, Arthur Paul; Westinghouse, Paul Rand; Weyerhaeuser Co., Lippincott & Margulies, Inc, Ladislav Sutnar, Saul Bass, George Tscherny, Lippincott & Margulies, Morton Goldsholl Design Assoc., Raymond Loewy, Tom Geismar/Chermayeff & Geismar Assoc., John Massey, Paul Rand, S. Neil Fujita, Dickens, Inc., Walter Dorwin Teague Assoc., George Nelson & Co., Lester Beall, Inc., Milton Glaser/Pushpin Studios, Charles Coiner, John Ciampi, Albert Kner/Container Corp. of America, Aero Press, Frank Gianninoto Assoc., Eckstein-Stone Assoc., Lippincott & Margulies, Dickens, Inc., and William Wondriska among many many others.…