Saddik annette (47 resultados)

Paperback. Condición: Fair. Paperback. Previous owner's name inside front cover. PAGES SHOW UNDERLINING AND ANNOTATION THROUGHOUT. Covers show minor shelf wear, rubbing to corners. Binding is tight, hinges strong. AN EXCELLENT READING OR REFERENCE COPY.; 100% Satisfaction Guaranteed! Ships same or next business day.…

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780748624942.

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condición: New.

Soft cover. Condición: Fine. 1st Edition. Twelve late plays by Tennessee Williams. Octavo, 311 pages, paperback. Fine.

Condición: New.

Condición: New.

Paperback. Condición: New. The plays of Tennessee Williams' post-1961 period have often been misunderstood and dismissed. In light of Williams' centennial in 2011, which was marked internationally by productions and world premieres of his late plays, Annette J. Saddik's new reading of these works illuminates them in the context of what she terms a 'theatre of excess', which seeks liberation through exaggeration, chaos, ambiguity, and laughter. Saddik explains why they are now gaining increasing acclaim, and analyzes recent productions that successfully captured elements central to Williams' late aesthetic, particularly a delicate balance of laughter and horror with a self-consciously ironic acting style. Grounding the plays through the work of Bakhtin, Artaud, and Kristeva, as well as through the carnivalesque, the grotesque, and psychoanalytic, feminist, and queer theory, Saddik demonstrates how Williams engaged the freedom of exaggeration and excess in celebration of what he called 'the strange, the crazed, the queer'.…

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New.

Condición: New. In English.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. pp. 194.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. 9 1/4" x 6", xii, 180 pages, 5 black and white illustrations, bibliography. The plays of Tennessee Williams' post-1961 period have often been misunderstood and dismissed. In light of Williams' centennial in 2011, which was marked internationally by productions and world premieres of his late plays, Annette J. Saddik's new reading of these works illuminates them in the context of what she terms a 'theatre of excess', which seeks liberation through exaggeration, chaos, ambiguity, and laughter. Saddik explains why they are now gaining increasing acclaim, and analyses recent productions that successfully captured elements central to Williams' late aesthetic, particularly a delicate balance of laughter and horror with a self-consciously ironic acting style. Grounding the plays through the work of Bakhtin, Artaud, and Kristeva, as well as through the carnivalesque, the grotesque, and psychoanalytic, feminist, and queer theory, Saddik demonstrates how Williams engaged the freedom of exaggeration and excess in celebration of what he called 'the strange, the crazed, the queer'. Hb, fine in near fine dw.…

Paperback. Condición: Brand New. reprint edition. 180 pages. 8.75x6.00x0.50 inches. In Stock.

Condición: New. This book explores Williams' late plays in terms of a 'theatre of excess', which seeks liberation through exaggeration, chaos, ambiguity, and laughter. Num Pages: 194 pages, 5 b/w illus. BIC Classification: 1KBB; 2AB; DSBH; DSG. Category: (P) Professional & Vocational. Dimension: 154 x 228 x 14. Weight in Grams: 294. . 2016. Reprint. Paperback. . . . . Books ship from the US and Ireland.…

Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condición: New. This book explores Williams' late plays in terms of a 'theatre of excess', which seeks liberation through exaggeration, chaos, ambiguity, and laughter. Num Pages: 194 pages, 5 b/w illus. BIC Classification: 1KBB; 2AB; DSBH; DSG. Category: (P) Professional & Vocational. Dimension: 154 x 228 x 14. Weight in Grams: 294. . 2016. Reprint. Paperback. . . . .…

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - The plays of Tennessee Williams' post-1961 period have often been misunderstood and dismissed. In light of Williams' centennial in 2011, which was marked internationally by productions and world premieres of his late plays, Annette J. Saddik's new reading of these works illuminates them in the context of what she terms a 'theatre of excess', which seeks liberation through exaggeration, chaos, ambiguity, and laughter. Saddik explains why they are now gaining increasing acclaim, and analyzes recent productions that successfully captured elements central to Williams' late aesthetic, particularly a delicate balance of laughter and horror with a self-consciously ironic acting style. Grounding the plays through the work of Bakhtin, Artaud, and Kristeva, as well as through the carnivalesque, the grotesque, and psychoanalytic, feminist, and queer theory, Saddik demonstrates how Williams engaged the freedom of exaggeration and excess in celebration of what he called 'the strange, the crazed, the queer'.…

Paperback. Condición: New. The plays of Tennessee Williams' post-1961 period have often been misunderstood and dismissed. In light of Williams' centennial in 2011, which was marked internationally by productions and world premieres of his late plays, Annette J. Saddik's new reading of these works illuminates them in the context of what she terms a 'theatre of excess', which seeks liberation through exaggeration, chaos, ambiguity, and laughter. Saddik explains why they are now gaining increasing acclaim, and analyzes recent productions that successfully captured elements central to Williams' late aesthetic, particularly a delicate balance of laughter and horror with a self-consciously ironic acting style. Grounding the plays through the work of Bakhtin, Artaud, and Kristeva, as well as through the carnivalesque, the grotesque, and psychoanalytic, feminist, and queer theory, Saddik demonstrates how Williams engaged the freedom of exaggeration and excess in celebration of what he called 'the strange, the crazed, the queer'.…

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. This book explores Williams' late plays in terms of a 'theatre of excess', which seeks liberation through exaggeration, chaos, ambiguity, and laughter. Num Pages: 194 pages, 5 b/w illus. BIC Classification: 1KBB; 2AB; DSBH; DSG. Category: (U) Tertiary Education (US: College). Dimension: 236 x 154 x 13. Weight in Grams: 408. . 2015. Hardback. . . . . …

Condición: New. In English.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. pp. 200.

Condición: New. This book explores Williams' late plays in terms of a 'theatre of excess', which seeks liberation through exaggeration, chaos, ambiguity, and laughter. Num Pages: 194 pages, 5 b/w illus. BIC Classification: 1KBB; 2AB; DSBH; DSG. Category: (U) Tertiary Education (US: College). Dimension: 236 x 154 x 13. Weight in Grams: 408. . 2015. Hardback. . . . . Books ship from the US and Ireland. …