S luthi (29 resultados)

Condición: Very Good. 373 pp., hardcover, minor library markings, else text clean and binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

183 pp.; 30 x 27.3 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph on the photography collection of Groupe Lhoist in Belgium. Edited by Pauline de Laboulaye and Jacqueline de Ponton D'Amécourt. Introduction by Pierre Apraxine. Artists include Mac Adams, John Baldessari, Lothar Baumgarten, Bernd & Hilla Becher, Max Becher, Andrea Robbins, Barbara Bloom, Christian Boltanski, Rudolph Bonvie, Denis Brihat, Ellen Brooks, Victor Burgin, Jean-Marc Bustamante, Sophie Calle, Sarah Charlesworth, Pierre Cordier, Lili Dujourie, Jeanne Dunning, Sylvie Eyberg, Patrick Faigenbaum, Peter Fischli/David Weiss, Gunther Förg, Michel François, Peter Fraser, Adam Fuss, Lynn Geesaman, Gilbert & George, Nan Goldin, Rodney Graham, Andreas Gursky, Jan Henle, Craigie Horsfield, Alfredo Jaar, Louis Jammes, Jürgen Klauke, Karen Knorr, Wilmar Koenig, Suzanne Lafont, Marie-Jo Lafontaine, Louise Lawler, Richard Long, Urs Luthi, Robert Mapplethorpe, Guy Mees, Hélène Mugot, Vic Muniz, Bruce Nauman, Luigi Ontani, Pierre & Gilles, Sigmar Polke, Richard Prince, Olivier Richon, Gerhard Richter, David Robbins, Michal Rovner, Thomas Ruff, Andres Serrano, Cindy Sherman, Laurie Simmons, Seton Smith, Thomas Struth, Hiroshi Sugimoto, jan Vercruysse, Didier Vermeiren, Not Vital, Jeff Wall, Boyd Webb, William Wegman, and James Welling. Text in French. Good. Moderate sunning and discoloration of covers, rubbing of cover edges, and bumping of bottom right corner. Light dust soiling of text block edge, contents clean and unmarked.…

hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

Kunstpostkarte (Ränder mit Knicken, Gebrauchsspuren) NATURE MORTE (1991 FFM), eigenhändig signiert.

Gebunden. Condición: New. Emphasis is laid on the geological application rather than the tool designComplete overview over old and new techniquesLogging has come a long way from the simple electrical devices of the early years. Today s tools are considerably more accurate an.

Buch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - When I joined Schlumberger in 1982 I was surprised to find very few geologists in the company, and the few there were worked more as log analysts than geol ogists. The reason for this became soon clear to me: Except for the dipmeter there was no tool, and no other service, that was considered 'geological'. Schlumber ger geologists were supposed to work with dipmeters, and, if they had a taste for it, the natural gamma-ray spectroscopy logs. It turned out that my timing was fortunate. At Schlumberger's research center, in Ridgefield, Connecticut, a prototype electrical imaging tool had been designed, and after having spent three years in the Middle East I was transferred there. The first field test results were just coming in, and the images were startling. We could see geological details that nobody had ever seen from a log: cross-beds, unconformities, pebbles, fractures, folds, faults. No cores were needed to confirm the reality of these data; they were too real to be artifacts.…

Condición: New. pp. xii + 373.

in-4to, 417 S., reich ill., Original-Pappband. Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.

Hardcover. Condición: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Condición: gut. Un/Doing Race: Racialisation en Suisse In deutscher Sprache. pages.

paperback. Condición: Gut. 286 Seiten; Artikel stammt aus Nichtraucherhaushalt! K11703 Sprache: Deutsch Gewicht in Gramm: 500.

Ausstellungskatalog Helmhaus Zürich, 1990. Original-Leinen. Mit Abbildungen in Farbe und sw. 135 S. NEUWERTIG [Art / international artist [Buitenlandse Kunstenaars] ].

Ostfildern, Hatje Cantz / Munchen: Lenbachhaus, 2000. 22,8 x 29,5 cm. Cloth (FINE). 276pag. 138 colour plates. 20 b&w illustrations. Text by H. Friedel, H.Georgsdorf, A.Maier. Text in English and German language. NEW COPY [Art / international artist [Buitenlandse Kunstenaars] ].

Condición: New. Das allgemeinverstaendliche Lebenswelt Alpen ist ein wertvoller Begleiter fuer alle naturinteressierten Berggaengerinnen und Berggaenger. Es liefert umfassende Informationen zur alpinen Tier- und Pflanzenwelt, zur Geologie und zum Leben der Menschen in den Alpe.

ANOTHER REALITY 1995, 13 Bilder, Laserdruck auf Bütten. Galerie Hannelore Lötscher Luzern, 1. Auflage 1996, ERSTAUSGABE, 36 unpaginierte S. gebunden (Hardcover, 8°). Mit einem Text von Renate Petzinger und 13 farbigen Tafeln. Künstlerbuch, gut erhalten - limitierte, nummerierte Auflage # 201/300, eigenhändig von Urs Lüthi signiert. …

Condición: gut. Sardische Teppiche In deutscher Sprache. pages.

Paperback. Condición: New. 1.

Paperback. Condición: New. 1.

Basel, Kunsthalle, 1976. Oblong: 21 x 29,5 cm. Illustrated b/w. Text in German. 44 pag. [Art / international artist [Buitenlandse Kunstenaars] ].

8°, 63 S., Geh., Etw. beschienen, Stempel («Vertraulich») und Kürzel auf Vorderdeckel, sonst tadellos. Zu den Aktivitäten der Organisation SMP und dem Schweizer Zeitungswesen in den 1930er Jahren. «Das publizistische Blutgefässsystem mit den grossen nationalen Impulsen zu verbinden [.] - das ist die wesentlichste Aufgabe der S. M. P.» 600 gr. Schlagworte: Helvetica - CH Politik nach 1900.…

64,2 : 49,6 cm auf Velin 66,6 : 49,8 cm. Mason 188. Eines von X röm. numer. E.A. Exemplaren. Die Auflage betrug 60 Exemplare. Gedruckt im Kupferdruckatelier Peter Kneubühler, Zürich auf 250 gr/m2 Zerkall-Kupferdruck. Diese Arbeit wurde von Urs Lüthi selbst verlegt. Sprache: de.

64,2 : 49,6 cm auf Velin 66,6 : 49,8 cm. Mason 188. Eines von X röm. numer. E.A. Exemplaren. Die Auflage betrug 60 Exemplare. Gedruckt im Kupferdruckatelier Peter Kneubühler, Zürich auf 250 gr/m2 Zerkall-Kupferdruck. Diese Arbeit wurde von Urs Lüthi selbst verlegt. Sprache: de.

34,5-34,8 : 24,5-25,5 auf Zerkall-Bütten ca. 54-55 : 41,5-42,5 cm. Mason 208-210. - Eines von wenigen (2-3) Druckerexemplaren. Die Auflage wurde in 16 Exemplaren und V römisch nummerierten Abzügen für den Künstler im Kupferdruckatelier Peter Kneubühler, Zürich, auf 250 gr/m2 Zerkall-Kupferdruck gedruckt. - In einwandfreier Erhaltung.…

Buch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -When I joined Schlumberger in 1982 I was surprised to find very few geologists in the company, and the few there were worked more as log analysts than geol ogists. The reason for this became soon clear to me: Except for the dipmeter there was no tool, and no other service, that was considered 'geological'. Schlumber ger geologists were supposed to work with dipmeters, and, if they had a taste for it, the natural gamma-ray spectroscopy logs. It turned out that my timing was fortunate. At Schlumberger's research center, in Ridgefield, Connecticut, a prototype electrical imaging tool had been designed, and after having spent three years in the Middle East I was transferred there. The first field test results were just coming in, and the images were startling. We could see geological details that nobody had ever seen from a log: cross-beds, unconformities, pebbles, fractures, folds, faults. No cores were needed to confirm the reality of these data; they were too real to be artifacts. 388 pp. Englisch. …

Buch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -When I joined Schlumberger in 1982 I was surprised to find very few geologists in the company, and the few there were worked more as log analysts than geol ogists. The reason for this became soon clear to me: Except for the dipmeter there was no tool, and no other service, that was considered 'geological'. Schlumber ger geologists were supposed to work with dipmeters, and, if they had a taste for it, the natural gamma-ray spectroscopy logs. It turned out that my timing was fortunate. At Schlumberger's research center, in Ridgefield, Connecticut, a prototype electrical imaging tool had been designed, and after having spent three years in the Middle East I was transferred there. The first field test results were just coming in, and the images were startling. We could see geological details that nobody had ever seen from a log: cross-beds, unconformities, pebbles, fractures, folds, faults. No cores were needed to confirm the reality of these data; they were too real to be artifacts.Springer-Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 388 pp. Englisch. …

Condición: New. Print on Demand pp. xii + 373.

Condición: New. PRINT ON DEMAND pp. xii + 373.