Rosellini anna (46 resultados)

Condición: Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

Condición: NEW.

Condición: NEW.

Brossura. Condición: new. A cura di Costa S. e Lena A. P. A cura di Sandra Costa, Alessandro Paolo Lena, Anna Rosellini. Milano, 2025; br., pp. 288, ill. col., cm 17x24. (Pensiero Radicale Esibito. 2). Il volume analizza l'evoluzione delle mostre d'architettura nel primo Novecento, esplorando i cambiamenti tecnici, stilistici, sociali e urbanistici dell'epoca. Se inizialmente le mostre erano integrate con quelle di Belle Arti e industria, all'inizio del Novecento l'architettura acquisisce autonomia e interagisce con altre discipline. Con le avanguardie, l'architettura diventa protagonista nelle esposizioni, influenzando fortemente quelle italiane, in particolare con la Triennale di Milano dal 1933. Accanto ai progetti innovativi e d'avanguardia viene posta attenzione anche alle tecniche dell'architettura rurale come possibile fonte di ispirazione. Il confronto tra razionalismo e monumentalismo celebrativo del potere caratterizza il decennio, con il monumentalismo che prevale fino all'Esposizione Universale del 1942, mai realizzata. Le mostre contribuiscono così all'evoluzione dei discorsi architettonici, evidenziando rotture e continuità tra passato e presente nelle forme espositive. Libro.…

Brossura. Condición: nuovo.

Paperback. Condición: New.

Paperback. Condición: New.

Condición: new.

Condición: new.

Condición: New. Num Pages: 500 pages, 685 colour illustrations. BIC Classification: AMA; AMB; AMC; AMX. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 178 x 245 x 29. Weight in Grams: 1372. . 2015. 1st Edition. Hardcover. . . . .

Condición: New.

Condición: New.

Condición: New.

Condición: New.

Condición: New. Num Pages: 500 pages, 685 colour illustrations. BIC Classification: AMA; AMB; AMC; AMX. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 178 x 245 x 29. Weight in Grams: 1372. . 2015. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. In English.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: Brand New. 500 pages. 9.61x7.20x1.54 inches. In Stock.

Couverture rigide. Condición: bon. R100070066: 2014. In-8. Relié. Etat d'usage, Coins frottés, Coiffe en pied abîmée, Intérieur frais. 499 pages - nombreuses photos, nombreux plans en couleurs et en noir et blanc dans et hors texte - livre en anglais - coins et tranches frottés - corps de l'ouvrage partiellement décollé de la couvverture - coiffes abîmées. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon.…

Hardcover. Condición: new. Hardcover. Through sheer determination and courage, Kahn has researched the nature of concrete in the form of precast, cast in place or blocks. Each of his renowned works in exposed concrete, such as the Yale Art Gallery, the Richards Laboratories, the Bath House, the Salk Institute, the National Assembly, the Kimbell Museum, the Exeter Library and the Yale Center for British Art, is itself an important chapter in the history of architecture for the exploration into concretes formal expression, beyond the lesson of Le Corbusier.Kahns obsession on concrete fabrication processes, on the formwork and the mix-design, is systematically examined in two volumes. The authors illustrate Kahns vision with documents that have never been revealed in other essays, drawing heavily from original sketches, plans, specifications, worksite photographs, and correspondences with collaborators, engineers, technicians and contractors.The first volume Exposed Concrete and Hollow Stones focuses on the first ten-year period of Kahn research on concrete. Moving through the many construction systems experienced by Kahn, from the discovery of exposed concrete in the form of beton brut at the Yale Art Gallery, to the precast and poured-in-place techniques, to the values of joint, growth and ornament, the essay culminates in the reconstruction of the artistic and technical characteristics of two great worksite, the Richards Laboratories and the First Unitarian Church and School. The second volume, Towards the Zero Degree of Concrete, covers the following fourteen years and leads the reader along Kahns path to the true 'nature of concrete', focusing on his main techniques and poetic discoveries such as the 'liquid stone' of the Salk Institute, the 'smooth finish' at Bryn Mawr and the concept of 'monolithic' at the Yale Center for British Art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New. In English.

Hardback. Condición: New. Through sheer determination and courage, Kahn has researched the nature of concrete in the form of precast, cast in place or blocks. Each of his renowned works in exposed concrete, such as the Yale Art Gallery, the Richards Laboratories, the Bath House, the Salk Institute, the National Assembly, the Kimbell Museum, the Exeter Library and the Yale Center for British Art, is itself an important chapter in the history of architecture for the exploration into concrete's formal expression, beyond the lesson of Le Corbusier.Kahn's obsession on concrete fabrication processes, on the formwork and the mix-design, is systematically examined in two volumes. The authors illustrate Kahn's vision with documents that have never been revealed in other essays, drawing heavily from original sketches, plans, specifications, worksite photographs, and correspondences with collaborators, engineers, technicians and contractors.The first volume Exposed Concrete and Hollow Stones focuses on the first ten-year period of Kahn research on concrete. Moving through the many construction systems experienced by Kahn, from the discovery of exposed concrete in the form of béton brut at the Yale Art Gallery, to the precast and poured-in-place techniques, to the values of joint, growth and ornament, the essay culminates in the reconstruction of the artistic and technical characteristics of two great worksite, the Richards Laboratories and the First Unitarian Church and School. The second volume, Towards the Zero Degree of Concrete, covers the following fourteen years and leads the reader along Kahn's path to the true 'nature of concrete', focusing on his main techniques and poetic discoveries such as the 'liquid stone' of the Salk Institute, the 'smooth finish' at Bryn Mawr and the concept of 'monolithic' at the Yale Center for British Art. …

Paperback. Condición: Brand New. 700 pages. 9.65x6.97x1.30 inches. In Stock.

Condición: New.

Hardback. Condición: New. This groundbreaking new perspective on Le Corbusier is based on exhaustive archival research and the study of neglected or completely unknown documents. It is innovative in showing the role of materials and construction techniques in the architecture of Le Corbusier and the book also delves into the project management and the construction of several buildings in the period 1940 - 1965. Each worksite, from the Unité d'Habitation (Housing Unit) in Marseille to the city of Chandigarh, and the Tokyo museum, the Carpenter Center in Cambridge and the Unité d'Habitation in Berlin, is analyzed in detail.…

Condición: As New. Unread book in perfect condition.

Buch. Condición: Neu. Neuware.

Condición: Used: Like New. LIVRE A L?ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782940222773.

Hardback. Condición: New. Through sheer determination and courage, Kahn has researched the nature of concrete in the form of precast, cast in place or blocks. Each of his renowned works in exposed concrete, such as the Yale Art Gallery, the Richards Laboratories, the Bath House, the Salk Institute, the National Assembly, the Kimbell Museum, the Exeter Library and the Yale Center for British Art, is itself an important chapter in the history of architecture for the exploration into concrete's formal expression, beyond the lesson of Le Corbusier.Kahn's obsession on concrete fabrication processes, on the formwork and the mix-design, is systematically examined in two volumes. The authors illustrate Kahn's vision with documents that have never been revealed in other essays, drawing heavily from original sketches, plans, specifications, worksite photographs, and correspondences with collaborators, engineers, technicians and contractors.The first volume Exposed Concrete and Hollow Stones focuses on the first ten-year period of Kahn research on concrete. Moving through the many construction systems experienced by Kahn, from the discovery of exposed concrete in the form of béton brut at the Yale Art Gallery, to the precast and poured-in-place techniques, to the values of joint, growth and ornament, the essay culminates in the reconstruction of the artistic and technical characteristics of two great worksite, the Richards Laboratories and the First Unitarian Church and School. The second volume, Towards the Zero Degree of Concrete, covers the following fourteen years and leads the reader along Kahn's path to the true 'nature of concrete', focusing on his main techniques and poetic discoveries such as the 'liquid stone' of the Salk Institute, the 'smooth finish' at Bryn Mawr and the concept of 'monolithic' at the Yale Center for British Art. …