Roberts allen s (58 resultados)

Wraps. Condición: Very Good-. Vol. 14, No. 2. Edited by Anthony Boucher. Cover art by Emsh for "Baby" by Carol Emshwiller. Includes "Pilgrimage" by Chad Oliver; "The Better Bet" (verse) by Anthony Brode; "Love Me, Love My -" by Rog Phillips; "The Man Who Never Forgot" by Robert Silverberg; "The Last Step" by Zenna Henderson; "The Exchange Student" by Allen Kim Lang; "I Do Not Hear You, Sir" by Avram Davidson; "The Last of the Deliverers" by Poul Anderson; "One Sent" by Mary-Carter Roberts; "Curved Universe" (verse) by Doris P. Buck; "Recommended Reading" (department) by anthony Boucher; "A Summer Afternoon" by Charles L. Fontenay; "I Just Make Them Up, See!" (verse) by Isaac Asimov. Wear and stress to spine; tanning; creasing. Magazine.…

Softcover (saddle-stapled). Condición: Good. In this brief survey, Australia's Christian day-school movement is traced from its colonial beginnings to the year 1880 when government education officially….

SingleIssueMagazine. Condición: Very Good. Vol. 14, No. 2. Edited by Anthony Boucher. Cover art by Emsh for "Baby" by Carol Emshwiller. Includes "Pilgrimage" by Chad Oliver; "The Better Bet" (verse) by Anthony Brode; "Love Me, Love My -" by Rog Phillips; "The Man Who Never Forgot" by Robert Silverberg; "The Last Step" by Zenna Henderson; "The Exchange Student" by Allen Kim Lang; "I Do Not Hear You, Sir" by Avram Davidson; "The Last of the Deliverers" by Poul Anderson; "One Sent" by Mary-Carter Roberts; "Curved Universe" (verse) by Doris P. Buck; "Recommended Reading" (department) by anthony Boucher; "A Summer Afternoon" by Charles L. Fontenay; "I Just Make Them Up, See!" (verse) by Isaac Asimov. Tanning; small tears; minor lean. Book.…

Soft cover. Condición: Very Good. 1st Edition. Very good in wrappers with mild wear to extremities, 2" closed tear to top edge of cover near spine, typical fading. Gardner's contribution is the novelette "White Rings". Complete issue.

SingleIssueMagazine. Condición: Very Good+. Vol. 14, No. 2. Edited by Anthony Boucher. Cover art by Emsh for "Baby" by Carol Emshwiller. Includes "Pilgrimage" by Chad Oliver; "The Better Bet" (verse) by Anthony Brode; "Love Me, Love My -" by Rog Phillips; "The Man Who Never Forgot" by Robert Silverberg; "The Last Step" by Zenna Henderson; "The Exchange Student" by Allen Kim Lang; "I Do Not Hear You, Sir" by Avram Davidson; "The Last of the Deliverers" by Poul Anderson; "One Sent" by Mary-Carter Roberts; "Curved Universe" (verse) by Doris P. Buck; "Recommended Reading" (department) by anthony Boucher; "A Summer Afternoon" by Charles L. Fontenay; "I Just Make Them Up, See!" (verse) by Isaac Asimov. Tanning; small pen mark on front; edge and corner nicks and wear; mark in pen and address stamp on first page. Book.…

Condición: New.

SingleIssueMagazine. Condición: Very Good-. Vol. 11, No. 6. Cover (and interior illustrations) by Kelly Freas for "The Door Into Summer" (conclusion) by Robert A. Heinlein. Includes "Stranger Station" (novelet) by Damon Knight; "First Lesson" by Margaret Clingerman; "Full Circle" (verse) by Dorothy Cowles Pinkney; "Gandolphus" Anthony Boucher; "The Red Wagon" by Jane Roberts; "The Apotheosis of Ki" by Miriam Allen deFord; "Venture to the Moon - 1) The Starting Line - 2) Robin Hood, F. R. S." by Arthur C. Clarke; "And Now the News. . ." by Theodore Sturgeon. Creasing; small loss to upper front foredge corner; tanning. Book.…

SingleIssueMagazine. Condición: Very Good-. Vol. 11, No. 6. Cover (and interior illustrations) by Kelly Freas for "The Door Into Summer" (conclusion) by Robert A. Heinlein. Includes "Stranger Station" (novelet) by Damon Knight; "First Lesson" by Margaret Clingerman; "Full Circle" (verse) by Dorothy Cowles Pinkney; "Gandolphus" Anthony Boucher; "The Red Wagon" by Jane Roberts; "The Apotheosis of Ki" by Miriam Allen deFord; "Venture to the Moon - 1) The Starting Line - 2) Robin Hood, F. R. S." by Arthur C. Clarke; "And Now the News. . ." by Theodore Sturgeon. Tanning; small corner loss, upper front foredge; mark on cover; minor creasing; minor edge bumps, nicks, chips and tears; lots of pen marks on contents page. Book.…

Soft cover. Condición: Very Good+. First Edition. 176 pp. Digest format. Light edge and corner wear with a flat uncreased spine. Wraparound cover art by Kevin Eugene Johnson; interiors by: Paul R. Gagne; Tom Hanus; Allen Koxzowski; Kirk McKinlay; Rick Harrison; Robert E. Jennings; Roman Scott; Dave Carson; John Goodier; Earl Grier; Sam S. Adkins; John Linton; Denis Tiani; and Lon T. Roberts. This issue contains: Perverts by Whitley Strieber; Catmagic by Whitley Strieber; The Legend of Santa Claus by C. Bruce Hunter; When I Grow Up by Charles Grant; Masai Witch by Stephen Goldin; Danse Macabre by Phil Heath; The Phantom Knight by Darrell Schweitzer; Vertriloquist's Daughter by Juleen Brantingham; One for the Horrors by David Schow; The Kingdom of the Thorn by Janet Fox; Let No One Weep for Poor Sally Karnes by Charles Grant; Give a Little Whistle by Michael Bishop; The Hollow Grave by Gerald W. Page; Pulling the Hagen by Kevin Egan; Along About Sundown by Manly Wade Wellman; Final Game by Hugh B. Cave; and Home Call by Dennis Etchison and CC Palaski; along with an interview with Ray Bradbury by Robert W. Smith; and an H. P. Lovecraft art portfolio with drawings by: Roman Scott; Richard Huber; Dave Carson; John Goodier; and Earl Geier; and an assortment of regular features. Size: 8vo. Kevin Eugene Johnson; Paul R. Gagne; Tom Hanus; Allen Koxzowski; Kirk McKinlay; Rick Harrison; Robert E. Jennings; Roman Scott; Dave CArson; John Goodier; Earl Grier; Sam S. Adkins; John Linton; Denis Tiani; Lon T. Roberts; (ilustrador). Book.…

SingleIssueMagazine. Condición: Very Good. Vol. 11, No. 6. Cover (and interior illustrations) by Kelly Freas for "The Door Into Summer" (conclusion) by Robert A. Heinlein. Includes "Stranger Station" (novelet) by Damon Knight; "First Lesson" by Margaret Clingerman; "Full Circle" (verse) by Dorothy Cowles Pinkney; "Gandolphus" Anthony Boucher; "The Red Wagon" by Jane Roberts; "The Apotheosis of Ki" by Miriam Allen deFord; "Venture to the Moon - 1) The Starting Line - 2) Robin Hood, F. R. S." by Arthur C. Clarke; "And Now the News. . ." by Theodore Sturgeon. Tanned; creasing. Book.…

Soft cover. Condición: Good. Softcover edition. Some light handling wear to covers. Otherwise a clean, tight and unmarked book. Very neat.

Condición: New.

Soft cover. Condición: Very Good. large format paperback, 124pp, clean and tight, Very Good condition. ISBN: 0731604784.

Condición: New.

Leinen. Condición: Gut. 23cm XXVIII.; 428. Hardcover oder Leinen. Sprache: Englisch, Zustand: Gut bis Sehr Gut gering gebräunt (Innen); Einband (Außen) hat geringe Gebrauchsspuren; Schutzumschlag fehlt, oder es gibt keinen; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.…

Condición: New. A major collection of critical essays on the work of the Marquis de Sade, first published in 1995. Editor(s): Allison, David B.; Roberts, Mark S.; Weiss, Allen S. Series: Cambridge Studies in French. Num Pages: 288 pages, black & white illustrations. BIC Classification: 1DDF; DSBD; DSK. Category: (P) Professional & Vocational. Dimension: 216 x 138 x 16. Weight in Grams: 370. . 2008. paperback. . . . . …

Paperback. Condición: New.

Condición: New. In English.

Hardcover. Condición: Near Fine. 1st Edition. xii, 343pp, b/w illus., bibliography, index. Light foxing to edges. Single small mark to p.50. Small faint marks to cover and endpapers. Minor fading to spine. Otherwise excellent tight clean copy. BHS 07/26.

Condición: New. A major collection of critical essays on the work of the Marquis de Sade, first published in 1995. Editor(s): Allison, David B.; Roberts, Mark S.; Weiss, Allen S. Series: Cambridge Studies in French. Num Pages: 288 pages, black & white illustrations. BIC Classification: 1DDF; DSBD; DSK. Category: (P) Professional & Vocational. Dimension: 216 x 138 x 16. Weight in Grams: 370. . 2008. paperback. . . . . Books ship from the US and Ireland. …

Hardcover. Condición: Very Good. London, 2002; brown cloth covered boards; mild edge wear; spine edges bumped; gold spine and cover titles; interior is clean and unmarked; 439 pages.

paperback. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

258 S. : zahlr. Illustrationen, Karten ; 31 cm Buch selbst in sehr guter Erhaltung, Einband sauber und unbestoßen, Seiten hell und sauber, ohne Einträge, Buchblock fest und kompakt, Schutzumschlag mit leichten Lagerspuren, Memory and history are always in tension, as people selectively choose memories to make histories that "prove" the legitimacy of their claims to power, prestige, and prerogative. If many African groups have created visual arts to assist in this process, Luba peoples of southeastern Zaire have done so brilliantly, with a stunning array of mnemonic devices ranging from memory boards to beaded emblems, wooden figures to body arts, ornamented staffs and axes to divination devices. The sculpted narratives of these objects and art forms are esoteric, and must be "read" by "men of memory" who have learned their precious skills through initiation to the Mbudye Society. Luba kings, royal titleholders, and outlying chiefs turn to them to interpret the mapped details of origin myths, protocol and prohibitions of the royal court, and other deeply encoded information. The Luba kingdoms are among the most important in central Africa, whose refined royal arts have influenced people hundreds of miles beyond their own Heartland. Luba have an ancient heritage as well, that archaeologists trace back over one thousand years. Although Luba arts are well known for their astounding beauty, Memory: Luba Art and the Making of History is the first study of their intellectual complexity, aesthetic impact, and social contexts. , Sprache: Englisch Gewicht in Gramm: 1900 OLeinen, mit silbergepräten Deckel- und Rückentitel, SU.…

258 S. : zahlr. Illustrationen, Karten ; 31 cm Buch in guter Erhaltung, Einband sauber und unbestoßen, gering lagerspurig,Seiten sauber, ohne Einträge, zum Randbereich gering lichtrandig gedunkelt, Buchblock fest, Schutzumschlag gut, dieser mit leichten Lagerspuren. Memory and history are always in tension, as people selectively choose memories to make histories that "prove" the legitimacy of their claims to power, prestige, and prerogative. If many African groups have created visual arts to assist in this process, Luba peoples of southeastern Zaire have done so brilliantly, with a stunning array of mnemonic devices ranging from memory boards to beaded emblems, wooden figures to body arts, ornamented staffs and axes to divination devices. The sculpted narratives of these objects and art forms are esoteric, and must be "read" by "men of memory" who have learned their precious skills through initiation to the Mbudye Society. Luba kings, royal titleholders, and outlying chiefs turn to them to interpret the mapped details of origin myths, protocol and prohibitions of the royal court, and other deeply encoded information. The Luba kingdoms are among the most important in central Africa, whose refined royal arts have influenced people hundreds of miles beyond their own Heartland. Luba have an ancient heritage as well, that archaeologists trace back over one thousand years. Although Luba arts are well known for their astounding beauty, Memory: Luba Art and the Making of History is the first study of their intellectual complexity, aesthetic impact, and social contexts. , Sprache: Englisch Gewicht in Gramm: 1850 OLeinen, mit silbergeprägten Deckel- und Rückentitel, SU.…

Hardcover. Condición: Brand New. 343 pages. 9.02x5.98x0.98 inches. In Stock.

Paperback. Condición: New. In shrink wrap. Looks like an interesting title.

dj. First Edition. first edition, 1995. cambridge: cambridge university press. 5.85 x 8.85 inches. 275 pages. hardcover. bound in rust red cloth covered boards. book condition: gentle bumping to spine. mild edgewear and shelfwear. near fine. jacket condition: scrattling to panels. some light staining to back panel. edgewear. very good-.…

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - This major collection of essays on the Marquis de Sade, first published in 1995, encompasses a wide range of critical approaches to his ¿uvre, including some of the most celebrated texts in Sade scholarship. It focuses on several distinctly contemporary areas of interest: the explicitly libidinal components of Sade's work and the effects they engender, the textual and narrative apparatus which supports these operations, the ethical and political concerns which arise from them, and the problematic issues surrounding the conceptual closure of representation. Sade is placed at the centre of current debates in literary and philosophical criticism, feminist and gender theory, aesthetics, rhetoric and eighteenth-century French cultural history, and this volume will be of interest to a wide range of readers across these disciplines.…

Hardcover. Condición: Like New. Like New .Ships From Multiple Locations. book.

Tapa blanda. Condición: New. 1ª edición. ALLISON, D. B. / M. S. ROBERTS / A. S. WEISS, EDS.: SADE AND THE NARRATIVE OF TRANSGRESSION. CAMBRIDGE, 1995, xii 275 p. , 475 gr. Encuadernacion original. Nuevo. (NH-3-4) 475 gr. Libro.