risso roberto (16 resultados)

Broschiert; Condición: Gut. 140 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten wissenschaftlichen Bibliothek und trägt die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel.); Einband von den Seiten gelöst, altersbedingte Anbräunung des Papiers; insgesamt akzeptabler Gebrauchtzustand; Sprache: Spanisch Gewicht in Gramm: 120.

No Binding. Condición: VG+. A compete set of eight VG or better original release 11 x 14 lobby cards. Size: 11" X 14". Poster.

No Binding. Condición: VG+. A compete set of eight VG or better original release 11 x 14 lobby cards. Size: 11" X 14". Poster.

Brossura. Condición: new. Alessandria, 2026; paperback, pp. 168, cm 17x24. Libro.

Condición: New. Art, Lellinux Ilustrador. In.

Brossura. Condición: new. Alessandria, 2021; br., pp. 240.(Fuori Collana). 'Questo libro indaga la formazione e lo sviluppo del romanzo storico italiano degli anni Trenta del Diciannovesimo secolo, nel periodo di massima espansione e successo del genere, fra la ventisettana e la quarantana manzoniane da un lato e il romanzo di Nievo dall'altro in un momento storico di cruciale importanza del Risorgimento italiano. Attraverso la lettura critica e testuale di quattro romanzi di autori come d'Azeglio, Grossi, Guerrazzi e Cantù, si dimostra come questo genere 'minore' abbia una sua vitalità e rilevanza al di là della semplice aderenza ai modelli italiani ed europei. L'interpretazione dei romanzi alla luce degli scritti teorici e letterari degli autori permette di gettare una nuova luce sulla fabrica e sulla progettazione troppo spesso liquidate come prive di spessore o imitazioni estere. Nel corso dell'analisi si mette in evidenza come elementi di originalità e di amor patrio si combinino nella scrittura di opere che andrebbero rilette e valorizzate in un rinnovato sforzo di comprensione del nostro passato prossimo.'. Libro.

Paperback. Condición: New.

Paperback. Condición: New.

Hardback. Condición: New. The late eighteenth and the nineteenth centuries witness significant advancement in the production and, crucially, the consumption of culture in Italy. During the long process towards and beyond Italy becoming a nation-state in 1861, new modes of writing and performing - the novel, the self-help manual, theatrical improvisation - develop in response to new practices and technologies of production and distribution. Key to the emergence of an inclusive national audience in Italy is, however, the audience itself. A wide and varied body of consumers of culture, animated by the notion of an Italian national cultural identity, create in this period an increasingly complex demand for different cultural products. This body is energized by the wider access to education and to the Italian language brought about by educational reforms, by growing urbanization, by enhanced social mobility, and by transcultural connections across European borders. This book investigates this process, analyzing the ways in which authors, composers, publishers, performers, journalists, and editors engage with the anxieties and aspirations of their diverse audiences. Fourteen essays by specialists in the field, exploring individual contexts and cases, demonstrate how interests related to gender, social class, cultural background and practices of reading and spectatorship, exert determining influence upon the production of culture in this period. They describe how women, men, and children from across the social and regional strata of the emerging nation contribute incrementally but actively to the idea and the growing reality of an Italian national cultural life. They show that from newspapers to salon performances, from letters to treatises in social science, from popular novels to literary criticism, from philosophical discussions to opera theaters, there is evidence in Italy in this period of unprecedented participation, crossing academic and popular cultures, in the formation of a national audience in Italy. This cultural transformation later produces the mass culture in Italy which underpins the major movements of the twentieth century and which undergoes new challenges and reformulations in the Italy we know today.

Hardcover. Condición: Brand New. 289 pages. 9.25x6.25x1.00 inches. In Stock.

Hardback. Condición: New. The late eighteenth and the nineteenth centuries witness significant advancement in the production and, crucially, the consumption of culture in Italy. During the long process towards and beyond Italy becoming a nation-state in 1861, new modes of writing and performing - the novel, the self-help manual, theatrical improvisation - develop in response to new practices and technologies of production and distribution. Key to the emergence of an inclusive national audience in Italy is, however, the audience itself. A wide and varied body of consumers of culture, animated by the notion of an Italian national cultural identity, create in this period an increasingly complex demand for different cultural products. This body is energized by the wider access to education and to the Italian language brought about by educational reforms, by growing urbanization, by enhanced social mobility, and by transcultural connections across European borders. This book investigates this process, analyzing the ways in which authors, composers, publishers, performers, journalists, and editors engage with the anxieties and aspirations of their diverse audiences. Fourteen essays by specialists in the field, exploring individual contexts and cases, demonstrate how interests related to gender, social class, cultural background and practices of reading and spectatorship, exert determining influence upon the production of culture in this period. They describe how women, men, and children from across the social and regional strata of the emerging nation contribute incrementally but actively to the idea and the growing reality of an Italian national cultural life. They show that from newspapers to salon performances, from letters to treatises in social science, from popular novels to literary criticism, from philosophical discussions to opera theaters, there is evidence in Italy in this period of unprecedented participation, crossing academic and popular cultures, in the formation of a national audience in Italy. This cultural transformation later produces the mass culture in Italy which underpins the major movements of the twentieth century and which undergoes new challenges and reformulations in the Italy we know today.

Paperback. Condición: New.

Paperback. Condición: New.

Archive of 38 vintage black-and-white press photographs of actress Francoise Arnoul at a release party for the 1956 French-Italian film at the Cinema des Arcades. All photos with annotations on the verso in manuscript pencil. Photographed by Jean Jungmann and developed in his Strasbourg photography store, Portrait d'Art, with his imprint in the lower right of the photos, and all inside an original envelope from the story. Arnoul is seen signing autographs, gracefully smoking a cigarette, and accepting flowers on stage, as well as cavorting with costars of the film, including French-Armenian director Verneuil. Fracoise (Arnoul) is a hotel employee, smitten with a valet named Gerard (Risso), and may or may not be related to wealthy businessman, Henri (Boyer), Gerard's boss. Arnoul's last collaboration with director Verneuil, the others being "Forbidden Fruit" (1952), "The Sheep Has Five Legs" (1954), "The Lovers of Lisbon" (1955), and "People of No importance" (1956). 5 x 7 inches. Very Good plus overall, with moderate curling. Envelope Good.

PAP. Condición: New. Art, Lellinux Ilustrador. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condición: new. Art, Lellinux Ilustrador. Paperback. "Un cervello in fuga, un serial killer imprendibile che attraversa i secoli, l'hanno appena scritto, i miei cari ex studenti. Presto le rastrelliere delle librerie saranno piene di opere a me dedicate. Sono imprendibile, infallibile, eterno, sono legione e contengo l'inferno." Roberto Risso con il pregevole racconto "IL PA'" vince la nona edizione del premio. Sul podio, al secondo posto, Giuliano Cannoletta con "Piripicchio dice" e sul terzo gradino salgono a parimerito Orfeo Patranel con "Nell'Erebo" ed Emanuele Arciprete con "La Morte innamorata". A seguire l'elenco completo di tutti gli ottimi racconti selezionati dal comitato di lettura presenti nell'antologia: 5 - "Il girotondo disperato dei mostri" di David Chance Fragale6 - "Biotechnic Meat & Fish" di Matteo Mancini7 - "Non vogliono rimanere morti" di Cristiano Fighera8 - "La solitudine di un'anima abituata alle ferite" di Marco Scaldini9 - "Perle" di Davide Emanuele10 - "Il villaggio e la soglia" di Enrico Ravasio11 - "Leggere attentamente le avvertenze" di Carmine Cantile12 - "Benvenuto a bordo" di Matteo Russolillo13 - "Penelope far lieta" di Carlo Salvoni14 - "La vecchia fornace" di Demis Zampelli15 - "Layla (il grande incendio)" di Alberto Arecchi16 - "La Citta che non c'e piu" di Flavio Deri17 - "Il ventriloquo" di Silea18 - "Guardami negli occhi" di Massimo Costante19 - "Le notti di Case Bosazza" di Andy dei Fiori20 - "Mimi dei Corvi" di Paolo Bertoglio21 - "Marchiato dal Destino" di Francesca Caizzi22 - "Occhio per occhio e malocchio" di Fabio Losacco23 - "Postscriptum" di Marco Bertoli24 - "La Comunione di Valentino Dore" di Emanuele Di Filippo25 - "Ultimo spettacolo" di Salvatore Di Sante Un fumetto a cura di Teodorani & Farinelli. Recensioni di Cesare Buttaboni.L'edizione e corredata dalle illustrazioni a COLORI di Lellinux, gia autore della cover This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.