Richard birkett (46 resultados)

Condición: New.

Paperback. Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: new. Paperback. An illustrated examination of Donald Rodney's seminal digital media work Autoicon (1997-2000).An illustrated examination of Donald Rodney's seminal digital media work Autoicon (1997-2000).Donald Rodney's Autoicon, a work originally produced as both a website and CD-ROM, was conceived by the artist in the mid-1990s but not completed until two years after his death in 1998. Referencing Jeremy Bentham's infamous nineteenth-century "Auto-Icon," the work proposes an extension of the personhood and presence of Rodney, while critically challenging dominant conceptions of the self, the body, and historicity. Grounded in a partial collection of medical documents that constitute biomedicine's attempts to comprehensively "know" and maintain Rodney's body during his lifelong experience of sickle-cell aneamia, Autoicon pursues the artist's address, from the mid-1980s onward, of the British social and institutional body's cellular composition through racialized, biopolitical power.Autoicon consists of a Java-based AI and neural network that engages the user in text-based "chat," and provides responses by drawing from a dense body of "data points" related to Rodney and his work, including documentation of artworks, medical records, interviews, images, notes, and video. Pulling both from this internal archive and the external archive of the Internet, a "montage machine" composes constantly mutating images according to a rule-based system established around Rodney's working process.In this One Work edition, curator Richard Birkett traces the distinct contemporary presence of Autoicon, and the ideas and relations that emerged around its conception before and after Rodney's death, particularly linking the work to the artist's seminal 1997 exhibition 9 Night in Eldorado. Birkett addresses Autoicon as both an index of entangled social and material relations around Rodney-a form of dispersed memory-and a vector of critical creative production that continues to resonate with contemporary artistic practices and radical thought. While attuned to late twentieth century discourse around the body's dissolution into the "virtual" and the technological potential for extending consciousness, in its content and structure Autoicon locates these discourses of the human and posthuman in relation to the durable productive forces of post-Enlightenment racialization and ableism. The workings of the mind that Autoicon presents are intrinsically tied to Rodney's wider use in his work of bodily matter, and genealogically bound to a Black history of displacement, dispossession, and resistance experienced physiologically, socially, and familially by the artist. Autoicon offers up a counter-manifestation of the subject as formed and multiplied through temporal disjuncture, affectability and acts of preservation, care, and collectivity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Softcover, 128 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: very_good. This book is in Very Good condition. The cover and pages have minor shelf wear. Binding is tight and pages are intact.

Condición: Like New. LIGHTNING FAST SHIPPING! Like New Paperback- Very minor cover scuffing. Ships Fast.

paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condición: New.

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condición: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. PAPERBACK.

Condición: New.

Soft cover. Condición: Very Good. Hardcover book in very good condition. Questions welcome. We ship internationally from the United States and Canada every week. If buying internationally, please be aware that additional charges may apply for heavier books. We guarantee a safe, quick, and secure transaction. 10+ years in online bookselling experience.…

Condición: New.

Condición: New.

Condición: New.

Paperback / softback. Condición: New. New copy - Usually dispatched within 2 working days.

Condición: As New. Unread copy in mint condition.

Softcover. Condición: Very Good. First Edition, 1 of 500 copies. [ART]. Polly Staple, Eamonn Maxwell, Richard Birkett, Gillian Carnegie, Anne Collier, Mark Leckey, Sherrie Levine, Seth Price, Richard Wright, et al. "Still Life." Lismore, IE: Lismore Castle Arts, 2011. First edition, 1 of 500 copies. English language. Softcover. Text with full-color illustrations. 66 pp. Price stickers on front cover. Text clean. Wear on covers. Very Good. OCLC: 754710138. ISBN: 0955122465. "The exhibition explored the status of images as objects. Artistic strategies represented in the exhibition included appropriation, repetition and serial production. Points of reference included the production of images influenced by new technologies and the relationship between painting, photography and the moving image.". …

Condición: New.

Softcover. Condición: Fair. No Jacket. 260x170x5mm+44g . . Red Circle. USA. 1984. . . . : Image is ALWAYS of the ACTUAL BOOK: Book and or Jacket may have names. dedications. marks. tears. foxing. browned pages. creasing and losses unless otherwise noted. . . . . International_flat_rate_FOR_THIS_ITEM_in_an_ENVELOPE:_AU$39.00 . . Domestic_tracked_OR_registered_flat_rate_FOR_THIS_ITEM_Within_Australia:_AU$11.60. BUCKLER, RICHARD (ilustrador). …

Soft cover. Condición: Very Good. 76 pages. Illustrated. (SL#6).

279 Seiten mit zahlreichen Abbildungen. Erste Auflage (gutes Exemplar). Sprache: Englisch Gewicht in Gramm: 1111 4°. 28,7 x 20 cm. Orig.-Pappband.

Paperback. Condición: Brand New. 128 pages. 8.00x5.50x0.50 inches. In Stock.

Condición: New.

Condición: Collectible; Very Good. Still in publisher's shrinkwrap. Has bumps to the spine.

Cartonato. Condición: new. Testo Italiano e Inglese.Pistoia, 2018; cartonato, pp. 64, ill. col., cm 14x19. Libro.

Taschenbuch. Condición: Neu. Neuware - An illustrated examination of Donald Rodney's seminal digital media work Autoicon (19972000).Donald Rodney's Autoicon, a work originally produced as both a website and CD-ROM, was conceived by the artist in the mid-1990s but not completed until two years after his death in 1998. Referencing Jeremy Bentham's infamous nineteenth-century 'Auto-Icon,' the work proposes an extension of the personhood and presence of Rodney, while critically challenging dominant conceptions of the self, the body, and historicity. Grounded in a partial collection of medical documents that constitute biomedicine's attempts to comprehensively 'know' and maintain Rodney's body during his lifelong experience of sickle-cell aneamia, Autoicon pursues the artist's address, from the mid-1980s onward, of the British social and institutional body's cellular composition through racialized, biopolitical power. Autoicon consists of a Java-based AI and neural network that engages the user in text-based 'chat,' and provides responses by drawing from a dense body of 'data points' related to Rodney and his work, including documentation of artworks, medical records, interviews, images, notes, and video. Pulling both from this internal archive and the external archive of the Internet, a 'montage machine' composes constantly mutating images according to a rule-based system established around Rodney's working process. In this One Work edition, curator Richard Birkett traces the distinct contemporary presence of Autoicon, and the ideas and relations that emerged around its conception before and after Rodney's death, particularly linking the work to the artist's seminal 1997 exhibition 9 Night in Eldorado. Birkett addresses Autoicon as both an index of entangled social and material relations around Rodneya form of dispersed memoryand a vector of critical creative production that continues to resonate with contemporary artistic practices and radical thought. While attuned to late twentieth century discourse around the body's dissolution into the 'virtual' and the technological potential for extending consciousness, in its content and structure Autoicon locates these discourses of the human and posthuman in relation to the durable productive forces of post-Enlightenment racialization and ableism. The workings of the mind that Autoicon presents are intrinsically tied to Rodney's wider use in his work of bodily matter, and genealogically bound to a Black history of displacement, dispossession, and resistance experienced physiologically, socially, and familially by the artist. Autoicon offers up a counter-manifestation of the subject as formed and multiplied through temporal disjuncture, affectability and acts of preservation, care, and collectivity.…

Paperback. Condición: New.